Visions of Empire: Political Imagery in Contemporary American Film / Edition 1

Visions of Empire: Political Imagery in Contemporary American Film / Edition 1

by Stephen Prince
ISBN-10:
0275936627
ISBN-13:
9780275936624
Pub. Date:
06/30/1992
Publisher:
Bloomsbury Academic
ISBN-10:
0275936627
ISBN-13:
9780275936624
Pub. Date:
06/30/1992
Publisher:
Bloomsbury Academic
Visions of Empire: Political Imagery in Contemporary American Film / Edition 1

Visions of Empire: Political Imagery in Contemporary American Film / Edition 1

by Stephen Prince

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Overview

Visions of Empire explores film's function as a medium of political communication, recognizing not just the propaganda film, but the various ways that conventional narrative films embody, question, or critique established social values underlying American attitudes toward historical, social, and political events. Stephen Prince discusses Hollywood film productions of the 1980s in terms of salient political issues of the period, including anxieties about declining U.S. military power, the wars in Central America and the prospects for U.S. intervention, the legacy of the Vietnam War, and urban decay. In analyzing these images and narratives, the author also describes and evaluates the cinematic styles available in the Hollywood tradition to filmmakers who address political issues.

Chapter 1 establishes the theoretical framework by considering features of the political landscape of the Reagan era. Theories about political representation and the place of ideology in film are also examined. Chapters 2 through 5 focus on the major cycles of political films. Chapter 2 examines the new Cold War films which played upon fears of the Soviet menace (Rambo, Invasion USA, Red Dawn, and Top Gun). Chapter 3 discusses the small group of films—Under Fire, Salvador, El Norte and others—that addressed the wars in Latin America and the ways they explained the origins of the conflicts and the U.S. role therein. Various histories and mythologies on film of the Vietnam War are examined in Chapter 4 as examples of the symbolic reconstruction of social memory. Chapter 5 looks at politicized science fiction films (Blade Runner, Aliens, Robocop, and Total Recall) offering critical commentaries on the pathologies of contemporary urban society and capitalism.


Product Details

ISBN-13: 9780275936624
Publisher: Bloomsbury Academic
Publication date: 06/30/1992
Series: Praeger Series in Political Communication Series
Pages: 232
Product dimensions: 6.14(w) x 9.21(h) x 0.49(d)
Lexile: 1580L (what's this?)

About the Author

STEPHEN PRINCE is Assistant Professor of Communication Studies at Virginia Polytechnic Institute and State University. He has written articles for publications such as Cinema Jourbanal, Wide Angle, Jourbanal of Film and Video, and Jourbanal of Popular Culture, and is the author of The Warrior's Camera: The Cinema of Akira Kurosawa.

Table of Contents

Introduction
Hollywood, Politics, and Media Study
Brave Homelands and Evil Empires
The Fires of Rebellion
Hearts and Minds
Future Imperfect
Afterword: The Place of Politics in Hollywood Films
Bibliography
Index

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