The Discarded Image: An Introduction to Medieval and Renaissance Literature / Edition 1

by C. S. Lewis

Overview

The Discarded Image paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the middle ages and renaissance. It describes the 'image' discarded by later years as 'the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe'. This, Lewis's last book, has been hailed as 'the final memorial to the work of a great scholar and teacher and a wise and noble mind'.

Product Details

ISBN-13:	9781107604704
Publisher:	Cambridge University Press
Publication date:	03/29/2012
Series:	Canto Classics
Edition description:	Reprint
Pages:	242
Sales rank:	390,237
Product dimensions:	5.40(w) x 8.40(h) x 0.40(d)

About the Author

Clive Staples Lewis (1898-1963) was a professor at Oxford and Cambridge. An atheist until he was 30, he is remembered as a Christian apologist who expressed the great truths of his faith with penetrating logic and winsome wit. Lewis wrote more than forty books, including The Screwtape Letters, The Chronicles of Narnia, and Mere Christianity.

Date of Birth:

November 29, 1898

Date of Death:

November 22, 1963

Place of Birth:

Belfast, Nothern Ireland

Place of Death:

Headington, England

Education:

Oxford University 1917-1923; Elected fellow of Magdalen College, Oxford in 1925

Website:

http://www.cslewisclassics.com

Table of Contents

Preface; 1. The medieval situation; 2. Reservations; 3. Selected materials: the classical period; 4. Selected materials: the seminal period; 5. The heavens; 6. The longaevi; 7. Earth and her inhabitants; 8. The influence of the model; Epilogue; Index.

Editorial Reviews

' erudite and graceful, filled with anecdote and analogy, illuminating the images of the past.' Los Angeles Times

' his wonderful gusto, the clarity of his style, the wit of his comments and analogies, the range of his learning and the liveliness of his mind are displayed to the full, warmed by a prevailing good humour.' Helen Gardner, The Listener

?????? erudite and graceful, filled with anecdote and analogy, illuminating the images of the past.??? Los Angeles Times

?????? his wonderful gusto, the clarity of his style, the wit of his comments and analogies, the range of his learning and the liveliness of his mind are displayed to the full, warmed by a prevailing good humour.??? Helen Gardner, The Listener

???Wise, illuminating, companionable, it may well come to be seen as Lewis??? s best book.??? The Observer

?? erudite and graceful, filled with anecdote and analogy, illuminating the images of the past.? Los Angeles Times

?? his wonderful gusto, the clarity of his style, the wit of his comments and analogies, the range of his learning and the liveliness of his mind are displayed to the full, warmed by a prevailing good humour.? Helen Gardner, The Listener

?Wise, illuminating, companionable, it may well come to be seen as Lewis? s best book.? The Observer

'... erudite and graceful, filled with anecdote and analogy, illuminating the images of the past.' Los Angeles Times

'... his wonderful gusto, the clarity of his style, the wit of his comments and analogies, the range of his learning and the liveliness of his mind are displayed to the full, warmed by a prevailing good humour.' Helen Gardner, The Listener

'Wise, illuminating, companionable, it may well come to be seen as Lewis' s best book.' The Observer

From the Publisher