Marotti’s well-researched account is convincing and informative. . . .” —First Things
“. . . Compelling and immensely readable . . . Marotti specifically chooses not to examine the canonical literature of the time in order to focus instead on the literature of religious controversy, in particular how the printing press affected the Reformation in England. He examines how opposing factions (Catholic and Anti-Catholic) used the printed word in an attempt to influence their respective audiences and characterize the times.” —Religion and the Arts
“. . . The book’s coverage is broad; and though several of these essays have been reprinted from previous collections, they have a striking unity of purpose. . . Marotti’s study is probably the nearest ting we have to a survey: proudly anti-canonical, but also looking towards a new canon.” —Early Modern Literary Studies
“. . . [Marotti] investigates the spirited conflict between Papists and Protestants from the time of Queen Elizabeth I to the Glorious Revolution of 1688. Studying the use of printed material, the portrayal of martyrdom, the role of women and zealots, and Papish plots that threatened all levels of society, Marotti offers insight into a world not unlike our own.” —History
“Arthur F. Marotti’s Religious Ideology and Cultural Fantasy: Catholic and Anti-Catholic Discourses in Early Modern England restores visibility to the Catholic Other demonized by the Protestant Reformation in his exploration not about Catholics and especially about English Jesuits. Simultaneously impassioned and reasonable, Marotti’s work goes beyond a study of cultural operations to restore a sense of why these operations mattered, how they were experienced, and how they caused very real suffering and death.” —SEL: Studies in English Literature
“Marotti . . . has written a book that is encyclopedic in scope, examining dozens of examples of English Recusant literature together with an ample supply of counter-examples from the Protestant majority. This literature had enormous impact on the political motivations of certain parties, and Marotti lays these out with considerable skill. This highly recommended volume surely will be of use to specialists in tracking the trajectory of English recusancy, though graduate and undergraduate readers in programs dealing with British literature will also take away much from Marotti’s exacting monograph.” —Catholic Library World
“Religious Ideology and Cultural Fantasy makes a significant contribution to the literature and understanding of this period of passionately held faiths in conflict, of blurred political and religious identities, and of martyrs, royals, disguised religious, and troubled service of two (or more) masters—or the appearances thereof. Marotti’s endnotes deserve special mention. Because he employs so many rarely cited sources, historians will find these extensive listings a valuable and productive resource. This volume is an adept and adroit study of a crucial period in Catholic life in a time when Counter Reformation was a distinctly personal, daily, and uncomfortably mortal aspect of a Catholic’s life.” —Cistercian Studies Quarterly
“This book is in itself an index of the degree to which the study of English recusant literature, and of the literary and controversial writings of the English Catholics, has entered the mainstream of literary and historical debate. Indeed, it should be honoured as something of a monument in the history of this area of scholarship.” —Archivum Historicum
“Superb. . . . Religious Ideology and Cultural Fantasy is modestly disguised as a record of the imaginative life of the oppressed Catholic community in England—less a minority than a silenced and stricken majority—and of the cultural fantasies by which they and their Jesuit priests were steadily demonized in text, trial and on the scaffold. Its significance is much greater. The stories told in this book were taken as true by generations of Englishmen; they formed—and to some extent still form—part of British identity. . . .” —Times Literary Supplement
“Professor Marotti’s book makes a constructive addition to the literature on religious conflict in early modern England. . . The primary value of the volume is his addition of Catholic sources to a discussion that among literary critics has been largely confined to their opponents.” —The Catholic Historical Review
Marotti . . . has written a book that is encyclopedic in scope, examining dozens of examples of English Recusant literature together with an ample supply of counter-examples from the Protestant majority. This literature had enormous impact on the political motivations of certain parties, and Marotti lays these out with considerable skill. This highly recommended volume surely will be of use to specialists in tracking the trajectory of English recusancy, though graduate and undergraduate readers in programs dealing with British literature will also take away much from Marotti’s exacting monograph.
Professor Marotti’s book makes a constructive addition to the literature on religious conflict in early modern England. . . The primary value of the volume is his addition of Catholic sources to a discussion that among literary critics has been largely confined to their opponents.
The Catholic Historical Review
This book is in itself an index of the degree to which the study of English recusant literature, and of the literary and controversial writings of the English Catholics, has entered the mainstream of literary and historical debate. Indeed, it should be honoured as something of a monument in the history of this area of scholarship.
Marotti has read widely and considered deeply; he marshals his evidence with considerate skill, argues cautiously, and speaks with authority. This book is a strong, and controversial, contribution to the ongoing reevaluation of English history and culture.
Arthur F. Marotti’s Religious Ideology and Cultural Fantasy: Catholic and Anti-Catholic Discourses in Early Modern England restores visibility to the Catholic Other demonized by the Protestant Reformation in his exploration not about Catholics and especially about English Jesuits. Simultaneously impassioned and reasonable, Marotti’s work goes beyond a study of cultural operations to restore a sense of why these operations mattered, how they were experienced, and how they caused very real suffering and death.
SEL: Studies in English Literature
In this major reevaluation of English literature from 1580-1688, Marotti assesses the rhetorical and imaginative efforts of Catholics and Protestants to define themselves. . . Marotti reveals that this study of Catholic and anti-Catholic writings is a way of joining the present literary conversation intent on revealing the great complexity of early modern culture.
Marotti draws from an impressive array of religious writings, letters, and devotional texts in order to show what ordinary and extraordinary English Catholics said and did during the solidification of England’s Protestant national identity, and what Protestants said about their religious opponents . . . As Religious Ideology amply demonstrates, the relationship between English Protestants and English Catholics was not a matter of simple opposition or an antagonism between a progressive Protestantism and a regressive Catholicism. It was instead an intricate and complex dialogue.”
Marotti’s well-researched account is convincing and informative. . . .
Arthur F. Marotti’sReligious Ideology and Cultural Fantasy: Catholic and Anti-Catholic Discourses in Early Modern Englandrestores visibility to the Catholic Other demonized by the Protestant Reformation in his exploration not about Catholics and especially about English Jesuits. Simultaneously impassioned and reasonable, Marotti’s work goes beyond a study of cultural operations to restore a sense of why these operations mattered, how they were experienced, and how they caused very real suffering and death.
SEL: Studies in English Literature
. . . The book’s coverage is broad; and though several of these essays have been reprinted from previous collections, they have a striking unity of purpose. . . Marotti’s study is probably the nearest ting we have to a survey: proudly anti-canonical, but also looking towards a new canon.
Early Modern Literary Studies
. . . [Marotti] investigates the spirited conflict between Papists and Protestants from the time of Queen Elizabeth I to the Glorious Revolution of 1688. Studying the use of printed material, the portrayal of martyrdom, the role of women and zealots, and Papish plots that threatened all levels of society, Marotti offers insight into a world not unlike our own.
Religious Ideology and Cultural Fantasy makes a significant contribution to the literature and understanding of this period of passionately held faiths in conflict, of blurred political and religious identities, and of martyrs, royals, disguised religious, and troubled service of two (or more) masters—or the appearances thereof. Marotti’s endnotes deserve special mention. Because he employs so many rarely cited sources, historians will find these extensive listings a valuable and productive resource. This volume is an adept and adroit study of a crucial period in Catholic life in a time when Counter Reformation was a distinctly personal, daily, and uncomfortably mortal aspect of a Catholic’s life.
Cistercian Studies Quarterly
Superb. . . . Religious Ideology and Cultural Fantasy is modestly disguised as a record of the imaginative life of the oppressed Catholic community in England—less a minority than a silenced and stricken majority—and of the cultural fantasies by which they and their Jesuit priests were steadily demonized in text, trial and on the scaffold. Its significance is much greater. The stories told in this book were taken as true by generations of Englishmen; they formed—and to some extent still form—part of British identity. . . .
Times Literary Supplement
. . . Compelling and immensely readable . . . Marotti specifically chooses not to examine the canonical literature of the time in order to focus instead on the literature of religious controversy, in particular how the printing press affected the Reformation in England. He examines how opposing factions (Catholic and Anti-Catholic) used the printed word in an attempt to influence their respective audiences and characterize the times.
. . . Religious Ideology and Cultural Fantasy addresses a wide range of topics touching on the quesiton of how Catholics represented themselves and were represented in early modern England. Such topics include relics and print culture, the othering of recusant women and Jesuits, the Catholic martyrdom account, conversion narratives both Catholic and Protestant, Catholic plots, and ‘providential’ Protestant deliverances. . . Marotti’s book provides much-needed correctives, not only to the Whig account of English history but also, for example, to most accounts of England’s early modern public sphere, invested as they usually are in Protestant English republicanism. . . Unlike many scholars of early modern England, Marotti forcefully reminds us how truly oppositional debates often arrive at their last words-when the transubstantial language that his book so movingly recuperates gives out, when the tools of domination can no longer be made blessed.
J. Modern Language Quarterly
