Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age / Edition 1

by Jason McGrath

Overview

This book examines Chinese culture under the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural forms as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change.

Product Details

ISBN-13:	9780804758741
Publisher:	Stanford University Press
Publication date:	02/20/2008
Pages:	320
Product dimensions:	6.00(w) x 9.00(h) x 0.88(d)

About the Author

Jason McGrath is Associate Professor of Modern Chinese Literature and Film in the Department of Asian Languages and Literatures at the University of Minnesota-Twin Cities. He has published several articles and anthology chapters on contemporary Chinese cinema.

Table of Contents

Acknowledgments ix

1 Worlds in Fragments: Culture and the Market Under Postsocialist Modernity 1

2 Ideologies of Popular Culture: The "Humanist Spirit" Debate 25

3 Adaptations and Ruptures: Literature in the New Culture Industry 59

4 The Cinema of Infidelity: Gender, Geography, Economics, and Fantasy 95

5 "Independent" Cinema: From Postsocialist Realism to a Transnational Aesthetic 129

6 New Year's Films: Chinese Entertainment Cinema in a Globalized Cultural Market 165

7 Conclusion: Postsocialist Modernity's Futures 203

Notes 229

Works Cited 273

List of Chinese Characters 289

Index 293

Editorial Reviews

"This clearly written, engaging study of literature, film, debate and theory in contemporary culture beings with the insight that postsocialist Chinese modernity must be understood in the context of global modernity and, more specifically, the global capitalist system."

China Quarterly

"This thoughtful...study explores facets of Chinese culture resulting from China's recent transition from a socialist to a primarily market economy . . . Addressing a select group of texts, including commercial and avant-garde films and literature, McGrath shows that despite China's rapid rise in the global economy the cultural products of this period display a more hesitant, anxious attitude toward modernity." —CHOICE

From the Publisher

"This timely, informative study is remarkable in its narrative flow and clarity of argument. McGrath clearly delineates both the problems with market-driven cultural production and the pluralistic gains in freedom and openness by self-initiated, enterprising artists and writers."

Stanford University - Ban Wang

"This is the most lucid, engaging, and theoretically acute account of contemporary Chinese cultural production to have emerged in recent years from the Western academy."

Andrew F. Jones

"Postsocialist Modernity is an engaging and well-written analysis that employs an array of primary sources to illustrate the ways literature, culture, and cinema connect to national transformation in an international context. Additionally, McGrath provides accurate and helpful translations of Chinese cultural terminology affiliated with this particular era. The book is strongly recommended to researchers, graduate students, upper-division undergraduates, and anyone interested in contemporary Chinese cinema, literature, and culture."

China Review International - Yilian Liao