In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

by Barry McCrea
In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

by Barry McCrea

Hardcover

$105.00 
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Overview

In the Company of Strangers shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, Barry McCrea suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. Tracing the challenges to the family plot mounted by figures such as Fagin, Sherlock Holmes, Leopold Bloom, and Charles Swann, McCrea tells the story of how bonds generated by chance encounters between strangers come to take over the role of organizing narrative time and give shape to fictional worlds—a task and power that was once the preserve of the genealogical family. By investigating how the question of family is a hidden key to modernist structure and style, In the Company of Strangers explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.

Product Details

ISBN-13: 9780231157629
Publisher: Columbia University Press
Publication date: 06/14/2011
Series: Modernist Latitudes
Pages: 280
Product dimensions: 6.00(w) x 9.10(h) x 0.70(d)
Age Range: 18 Years

About the Author

Barry McCrea is associate professor of comparative literature and English at Yale University and author of a novel, The First Verse.

Table of Contents

Acknowledgments
Introduction
Part I
1. Queer Expectations
2. Holmes at Home
Part II
Introduction
3. Family and Form in Ulysses
4. Proust's Farewell to the Family
Notes
Index

What People are Saying About This

From the Publisher

McCrea makes an important argument about the novel that has not been made before, namely, that the form, rather than the content, of the modern novel bodies forth new, non-genealogical family structures. To read it is to experience literary criticism at its very best. McCrea's discussions give one a sense of having reread an author with new sensitivity and depth; they immerse the reader in McCrea's rich, energetic prose. This is an exceptionally mature, original work.

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