In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust
In the Company of Strangers shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, Barry McCrea suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. Tracing the challenges to the family plot mounted by figures such as Fagin, Sherlock Holmes, Leopold Bloom, and Charles Swann, McCrea tells the story of how bonds generated by chance encounters between strangers come to take over the role of organizing narrative time and give shape to fictional worlds—a task and power that was once the preserve of the genealogical family. By investigating how the question of family is a hidden key to modernist structure and style, In the Company of Strangers explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.
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In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust
In the Company of Strangers shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, Barry McCrea suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. Tracing the challenges to the family plot mounted by figures such as Fagin, Sherlock Holmes, Leopold Bloom, and Charles Swann, McCrea tells the story of how bonds generated by chance encounters between strangers come to take over the role of organizing narrative time and give shape to fictional worlds—a task and power that was once the preserve of the genealogical family. By investigating how the question of family is a hidden key to modernist structure and style, In the Company of Strangers explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.
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In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

by Barry McCrea
In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust

by Barry McCrea

Paperback

$32.00 
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Overview

In the Company of Strangers shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, Barry McCrea suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. Tracing the challenges to the family plot mounted by figures such as Fagin, Sherlock Holmes, Leopold Bloom, and Charles Swann, McCrea tells the story of how bonds generated by chance encounters between strangers come to take over the role of organizing narrative time and give shape to fictional worlds—a task and power that was once the preserve of the genealogical family. By investigating how the question of family is a hidden key to modernist structure and style, In the Company of Strangers explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.

Product Details

ISBN-13: 9780231157636
Publisher: Columbia University Press
Publication date: 06/14/2011
Series: Modernist Latitudes
Pages: 280
Product dimensions: 5.90(w) x 8.90(h) x 0.50(d)
Age Range: 18 Years

About the Author

Barry McCrea is associate professor of comparative literature and English at Yale University and author of a novel, The First Verse.

Table of Contents

Acknowledgments ix

Introduction 1

Modernism and the Family 1

Narrative and Family 8

The Stranger 14

Part I

1 Queer Expectations 25

Oliver Twist: Outlaws and In-Laws 25

Bleak House 46

Jarndyce and Jarndyce 50

Great Expectations 54

2 Holmes at Home 67

Reviewing the Situation: Holmes and Fagin 67

Stately Homes 71

Holmes at Home 82

Part II

Introduction 97

3 Family and Form in Ulysses 101

The Foundling Plots of Ulysses 101

The Marriage Plots of Ulysses 126

4 Proust's Farewell to the Family 157

"Combray" 157

Swann and the Bond with the Stranger 169

The Race of Aunts 179

Notes 211

Index 251

What People are Saying About This

From the Publisher

McCrea makes an important argument about the novel that has not been made before, namely, that the form, rather than the content, of the modern novel bodies forth new, non-genealogical family structures. To read it is to experience literary criticism at its very best. McCrea's discussions give one a sense of having reread an author with new sensitivity and depth; they immerse the reader in McCrea's rich, energetic prose. This is an exceptionally mature, original work.

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