| Foreword | xi |
| Words from the Text Editor | xv |
| Guide to the DVD | xvii |
| Timeline: A Century of Dance and Media | xix |
| Introduction | xxxi |
Part I. | Setting the Record | |
1. | Dance as Television: A Continuing Challenge | 2 |
2. | Music Video as Short Form Dance Film | 12 |
3. | The Kinesthetics of Avant-Garde Dance Film: Deren and Harris | 21 |
1 | A Study in Choreography for Camera (2'12") | |
2 | Nine Variations on a Dance Theme (3'49") | |
4. | The Master and the Movies: Barbara Horgan on George Balanchine's Work with Television and Film | 27 |
5. | Merce Cunningham's Choreography for the Camera | 34 |
3 | Channels/Inserts (2'48") | |
4 | Points in Space (2'57") | |
6. | Program Lists of Dance In America, A Time to Dance, and Arts USA | 39 |
7. | Dance Program List of Alive TV, aka Alive from Off Center | 48 |
Part II. | Looking Back | |
8. | From Melies to Streaming Video: A Century of Moving Dance Images | 54 |
5 | Intolerance (1'48") | |
6 | Air for the G String (2'35") | |
9. | Ted Shawn's Moving Images | 61 |
7 | Kinetic Molpai 1935 (2'4") | |
10. | Doris Humphrey's Air for the G String | 66 |
6 | Air for the G String (2'35") | |
11. | Optic Nerve: Busby Berkeley and the American Cinema | 68 |
12. | Dancin' in the Rain: Gene Kelly's Musical Films | 71 |
13. | No Maps on My Taps: An Appreciation | 78 |
8 | No Maps on My Taps (2'40") | |
Part III. | Screen Testing | |
14. | A Dancer behind the Lens | 82 |
9 | Husk (3'55") | |
15. | Wearing Three Hats: Process Notes from a Polymath | 89 |
10 | Book of Days (2'53") | |
11 | 16 Millimeter Earrings (2'11") | |
16. | Forsythe and Film: Habits of Seeing | 96 |
12 | Kammer/Kammer (4'15") | |
17. | Dancing and Cameras | 103 |
13 | Ghostcatching (2'34") | |
18. | Frequently Pondered Questions | 108 |
13 | Ghostcatching (2'34") | |
Part IV. | Recasting the Dance | |
19. | AIDS and the Videotape Fetish: The Estate Project for Artists with AIDS | 114 |
20. | Archiving Dance on Video: The First Generation | 118 |
14 | The World of Alwin Nikolais (2') | |
21. | Capturing Dances from the Past | 123 |
15 | Hexentanz by Mary Wigman (1') | |
16 | Hexentanz as reconstructed by Bonnie Oda Homsey (2') | |
22. | Two Worlds of Balanchine: The George Balanchine Foundation Video Archives | 126 |
| Balanchine Interpreters | |
17 | Todd Bolender coaching (1'37") | |
18 | Maria Tallchief coaching (3'52") | |
23. | The Etudes Project: Using Video to Create a Canon for Contemporary Dance Educators | 136 |
19 | Rainbow Etude (2') | |
24. | The Rainbow Etude | 139 |
19 | Rainbow Etude (2') | |
25. | Alan Lomax and Choreometrics | 141 |
26. | Dance Division of the Performing Arts Library at Lincoln Center: A Day in the Life | 144 |
Part V. | Seeding the Field | |
27. | Dancing Matters | 150 |
20 | Dancing: Episode 4: Dance at Court (6'26") | |
28. | A New Place for Dancing | 156 |
21 | Boy (4'30") | |
22 | Touched (3'11") | |
23 | Hands (2'28") | |
24 | Le P'tit Bal (3'48") | |
25 | Enter Achilles (3'22") | |
29. | Europeans Filming New Narrative Dance | 163 |
25 | Enter Achilles (3'22") | |
30. | Northern Exposures: Canadian Dance Film and Video | 168 |
26 | Pas de Deux (1'30") | |
27 | Lodela (1'30") | |
28 | Le Dortoir (3'07") | |
29 | Falling Down Stairs (55") | |
30 | The village trilogy (3'07") | |
31 | Risible Chick (1'54") | |
31. | NHK: A Model for Performing Arts in the Media | 176 |
32. | Taking Tools into My Own Hands: An Argentine Choreographer Finds Her Way to Film | 180 |
32 | Sistersister (1') | |
33. | The Musical Formula: Song and Dance in Popular Indian Cinema | 185 |
34. | Fast Forward | 189 |
Part VI. | Taking Directions | |
35. | Watching Dance with a Remote in Your Hand | 194 |
33 | Dancemaker (6'27") | |
36. | Editing Dancemaker: Interview with Pam Wise, Editor, A.C.E. | 199 |
33 | Dancemaker (6'27") | |
37. | Accompanying Choreography: A Director's Journey | 202 |
38. | Portraits in Celluloid | 207 |
34 | Mothers and Daughters (1'49") | |
35 | Outside In (4'22") | |
39. | Making Dance Films with Victoria Marks | 211 |
34 | Mothers and Daughters (1'49") | |
35 | Outside In (4'22") | |
40. | Dancing with the Camera: The Dance Cinematographer | 218 |
41. | The Right Place at the Right Time: The Invisible Art of Editing | 224 |
42. | Fishing for Humans: Dance and the Story of Story | 228 |
43. | Breaking the Box: Dancing the Camera with Anna Halprin | 232 |
36 | Returning Home (2'15") | |
44. | The Neophyte's Tale: A Choreographer Works on Alive from Off Center | 236 |
45. | Seeing It Differently: Restaging The Black Dress for Alive from Off Center | 241 |
Part VII. | Frames and Interpretations | |
46. | The Camera as Choreographer in Documentary and Ethnographic Film | 246 |
37 | New England Dances (3'56") | |
47. | Basing a Dance Film on India's Cultural Heritage | 251 |
38 | Circles-Cycles Kathak Dance (3'50") | |
48. | About the Making of Circles-Cycles Kathak Dance | 253 |
38 | Circles-Cycles Kathak Dance (3'50") | |
49. | Ancestral Memory | 256 |
39 | Nursed in Pele (3') | |
50. | When My Hair Was Brown: The Making of a Dance Documentary | 259 |
51. | Lines from a Filmmaker's Journal | 263 |
40 | Deep Hearts (4') | |
Part VIII. | Resources | |
52. | Video Preservation | 272 |
53. | Whose Rights Are Right? | 276 |
54. | Resource and Preservation Guide | 279 |
55. | Filmography | 287 |
| Editors and Contributors | 307 |
| Selected Bibliography | 319 |
| Index | 325 |