Dvorak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots

by Maurice Peress

Overview

Drawing upon a remarkable mix of intensive research and the personal experience of a career devoted to the music about which Dvoák so presciently spoke, Maurice Peress's lively and convincing narrative treats readers to a rare and delightful glimpse behind the scenes of the burgeoning American school of music and beyond.

In Dvorak to Duke Ellington, Peress begins by recounting the music's formative years: Dvorák's three year residency as Director of the National Conservatory of Music in New York (1892-1895), and his students, in particular Will Marion Cook and Rubin Goldmark, who would in turn become the teachers of Ellington, Gershwin, and Copland. We follow Dvorák to the famed Chicago World's Fair of 1893, where he directed a concert of his music for Bohemian Honor Day. Peress brings to light the little known African American presence at the Fair: the piano professors, about-to-be-ragtimers; and the gifted young artists Paul Dunbar, Harry T. Burleigh, and Cook, who gathered at the Haitian Pavilion with its director, Frederick Douglass, to organize their own gala concert for Colored Persons Day.

Peress, a distinguished conductor, is himself a part of this story; working with Duke Ellington on the Suite from Black, Brown and Beige and his "opera comique," Queenie Pie; conducting the world premiere of Leonard Bernstein's Mass; and reconstructing landmark American concerts at which George Antheil's Ballet Mecanique, George Gershwin's Rhapsody in Blue, James Reese Europe's Clef Club (the first all-black concert at Carnegie Hall), and Ellington's Black, Brown and Beige, were first presented. Concluding with an astounding look at Ellington and his music, Dvorák to Duke Ellington offers an engrossing, elegant portrait of the Dvorák legacy, America's music, and the inestimable African-American influence upon it.

Product Details

ISBN-13:	9780195374476
Publisher:	Oxford University Press
Publication date:	09/24/2008
Edition description:	New Edition
Pages:	272
Product dimensions:	6.10(w) x 9.10(h) x 0.80(d)
Lexile:	1400L (what's this?)

About the Author

Maurice Peress is Professor of Music of Queen's College and the Graduate Center of the City University of New York. A disciple of Leonard Bernstein, he was conductor of the Corpus Christi and Kansas City symphony orchestras.

Table of Contents

IntroductionAntonin Dvorák Comes to AmericaAmerican and Negro MusicDvorák's Symphony From the New WorldThe Chicago World's Columbian Exposition from 1893The National Conservatory of Music in AmericaPaul Laurence Dunbar, Clorindy, and "The Talented Truth"James Reese EuropeGeorge Gershwin and African American MusicLeonard BernsteinGershwin's Rhapsody in BlueThe Clef Club ConcertWill Marion CookGeorge Antheil's Ballet MécaniqueBernstein's MassDuke EllingtonEllington's Queenie PieEllington's Black, Brown, and BeigeAfterwordNotesSelected DiscographySelected BibliographyIndex