Wattstax [Special Edition]

Overview

This is a filmed documentary of a black music festival held on August 20, 1972 at the Los Angeles Coliseum, sponsored by Stax Records and Schlitz Beer. The L.A./Watts riots demonstrated the community's urgent needs to the black show-business community. All the proceeds from the concert and this movie went to charity. Among the better-known performers were Isaac Hayes, The Emotions, The Staple Singers, Little Milton and Luther Ingram. Richard Pryor, at the peak of his form, hosts and provides scatological and satiric comic relief.

Product Details

Release Date:	06/18/2019
UPC:	0883929690244
Original Release:	1972
Rating:	R
Source:	Warner Archives
Presentation:	[Wide Screen]
Sound:	[Dolby Digital Stereo, Dolby Digital 5.1 Surround]
Language:	English
Time:	1:43:00
Sales rank:	16,728

Special Features

Audio and Video commentaries by rap/activist/musicologist Chuck D and music historian Rob Bowman; Audio commentary by Isaac Hayes, director Mel Stuart, executive producer Al Bell and others; "Rolling Down A Mountain" - Isaac Hayes performs the original 1973 version's finale; Complete Albert King performance of "I'll Play the Blues for You"; Original 1973 and special edition 2003 trailers

Cast & Crew

Performance Credits

Richard Pryor	Performer
Albert King	Performer
Carla Thomas	Performer,Performer
Luther Ingram	Performer
Isaac Hayes	Performer
Kim Weston	Performer
Jimmy Jones	Performer
Johnnie Taylor	Performer
Pops Staples	Himself
Bar-Kays	Performer
The Emotions	Performer

Technical Credits

Mel Stuart	Director,Producer
Al Bell	Executive Producer
David L. Wolper	Executive Producer,Producer
Larry Shaw	Producer
Richard Wells	Sound/Sound Designer

Editorial Reviews

The 1972 Wattstax festival was the biggest soul concert ever, and it follows that the film of the same name is one of the most notable documents of soul music. It includes performances (usually very good ones) by some big and not-so-big names of the early-'70s scene: Isaac Hayes, the Staple Singers, Johnnie Taylor, Rufus Thomas, Carla Thomas, the Bar-Kays, bluesmen Albert King and Little Milton, and on down to more minor but worthwhile artists like the Rance Allen Group and the Emotions. It's not quite an eclectic across-the-board sampling of top-line soul music, since all of the acts were associated with the Stax label (hence the event title Wattstax). But as Stax was the biggest soul label of the day except for Motown, that's not such a notable limitation. Actual music from Wattstax is only about half the movie, however, as the filmmakers took a chance and integrated quite a bit of footage of African-American life from the streets of Watts (often centered around cinema verite monologues and dialogues) as well as numerous comic routines by Richard Pryor and a few musical numbers not staged at the concert itself. While this to a certain extent guarantees an uneven quality, it also makes it more than a mere concert film, but also serving as a reflection of early-'70s African-American urban life -- of which music, of course, was a big part. That's not to say the music fan won't find a number of memorable sequences here, like the outrageously costumed Bar-Keys' movie-stealing "Son of Shaft"; the Emotions' lovely gospel number, filmed inside a church; a sweaty Johnnie Taylor in a nightclub; and a chicken-squawking Rufus Thomas, who manages to avoid a festival stoppage when dancers overrun the field by coaxing everyone back into the stands with rap-like rhymes. Unfortunately, due to legal problems, the grand finale of Isaac Hayes doing "Theme From 'Shaft'" had to be cut from the initial release (another song filmed on a sound stage mimicking Wattstax had to be substituted), but Hayes' original concert sequence is restored in the DVD version.