It's a bad sign if the first sound on a
John Lee Hooker album is icy synths and it's a further problem if the first audible guitar is not
Hook's but the distinctive rounded tone of
Santana. These are two pretty big tipoffs that 1995's
Chill Out isn't a typical
John Lee Hooker album, and arriving after the very typical 1992 album
Boom Boom that could be seen as a welcome change of pace; after all, that record might have been tight and professional but it never was engaging. Sadly,
Chill Out is also far from captivating, living up far too well to the mellow promise of its title. This is the rare
Hooker album that exists almost entirely on a superficial surface: his signature
boogie is buried so deep that even the handful of solo cuts here don't feel as idiosyncratic as usual -- they're quiet and restrained, so much so that they barely rise above a murmur. They feel like
mood music, which is ultimately what
Chill Out is. Sanded free of any grit, it's an album of background
blues, designed as a soundtrack to a tasteful afternoon at a coffeehouse or a bookstore. It's the
John Lee Hooker album for people who like the idea of listening to
Hooker but don't quite care for his music. [
Shout! Factory's 2007 reissue includes two previously unreleased bonus tracks:
"Fire Down Below" and
"Down So Low."] ~ Stephen Thomas Erlewine
