Title: Lutheranism, Anti-Judaism, and Bach's St. John Passion: With an Annotated Literal Translation of the Libretto, Author: Michael Marissen
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Title: Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera, Author: Sean M. Parr
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Title: Ombra: Supernatural Music in the Eighteenth Century, Author: Clive McClelland
Title: The Annotated Ring Cycle: The Rhine Gold (Das Rheingold), Author: Frederick Paul Walter
Title: Dreaming with Open Eyes: Opera, Aesthetics, and Perception in Arcadian Rome, Author: Ayana O. Smith
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Title: Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, Author: Gundula Kreuzer
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Title: Fruits of the Cross: Passiontide Music Theater in Habsburg Vienna, Author: Robert L. Kendrick
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Title: Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film, Author: Richard Leppert
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Title: Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary, Author: David J. Smith
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Title: Masculinity in Opera, Author: Philip Purvis
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Title: Opera Indigene: Re/presenting First Nations and Indigenous Cultures, Author: Pamela Karantonis
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Title: Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples, Author: Anthony R. DelDonna
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Title: Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production, Author: Ellen Rosand
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Title: Head First: The Language of the Head Voice, Author: Denes Striny
Title: John Adams's Nixon in China: Musical Analysis, Historical and Political Perspectives, Author: Timothy A. Johnson
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Title: Inside Bluebeard's Castle: Music and Drama in Béla Bartók's Opera, Author: Carl S. Leafstedt
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Title: Opera in the British Isles, 1875-1918, Author: Paul Rodmell
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Title: Opera as Soundtrack, Author: Jeongwon Joe
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Title: Performing Salome, Revealing Stories, Author: Clair Rowden
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Title: Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making, Author: David Roesner
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