Title: AngloModern: Painting and Modernity in Britain and the United States, Author: Janet Wolff
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Title: 'A Student in Arms': Donald Hankey and Edwardian Society at War, Author: Ross Davies
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Title: Curious Lessons in the Museum: The Pedagogic Potential of Artists' Interventions, Author: Claire Robins
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Title: Scotland, CEMA and the Arts Council, 1919-1967: Background, Politics and Visual Art Policy, Author: Euan McArthur
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Title: Echoes of Exile: Moscow Archives and the Arts in Paris 1933-1945, Author: Ines Rotermund-Reynard
Title: Lifework: On the autobiographical impulse in contemporary art, writing, and theory, Author: Moran Sheleg
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Title: Mercy, Mercy Me: African-American Culture and the American Sixties, Author: James C. Hall
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Title: Empire of Images: Visualizing the Conquered in the Roman Republic, Author: Alyson Roy
Title: Cases of citation: On literature in art, Author: Chloë Julius
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Title: Charting space: The cartographies of conceptual art, Author: Elize Mazadiego
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Title: Counterpractice: Psychoanalysis, politics and the art of French feminism, Author: Rakhee Balaram
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Title: Baroquemania: Italian visual culture and the construction of national identity, 1898-1945, Author: Laura Moure Cecchini
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Title: The traumatic surreal: Germanophone women artists and Surrealism after the Second World War, Author: Patricia Allmer
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Title: Ford Madox Brown: The Manchester murals and the matter of history, Author: Colin Trodd
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Title: Republics and empires: Italian and American art in transnational perspective, 1840-1970, Author: Melissa Dabakis
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Title: Art and Masculinity in Post-War Britain: Reconstructing Home, Author: Gregory Salter
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Title: Painting Antiquity: Ancient Egypt in the Art of Lawrence Alma-Tadema, Edward Poynter and Edwin Long, Author: Stephanie Moser
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Title: Antimodernism and Artistic Experience: Policing the Boundaries of Modernity, Author: Lynda Lee Jessup
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Title: Painting her pleasure: Three women artists and the nude in avant-garde Paris, Author: Lauren Jimerson
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Title: Precarious Visualities: New Perspectives on Identification in Contemporary Art and Visual Culture, Author: Olivier Asselin

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