Table of Contents
VOLUME ONE: HISTORYYouth on the Road: Reflections on the History of Tramping - Judith AdlerFrom Counterculture to Consumer Culture Vespa and the Italian Youth Market, 1958–78 - Adam ArvidssonThe Re-Invention of Bhangra: Social Change and Aesthetic Shifts in a Punjabi Music in Britain - Gerd BaumannJipis, Pijos, Fiesteros: Studies on Youth Cultures in Spain 1960–2004 - Carles Fexia Pàmpols and Laura PorzioFrom Jukebox Boys to Revolting Students: Richard Hoggart and the Study of British Youth Culture - David FowlerThe Emergence of a Modern Youth Culture: The Swedish 1930s - Mats FranzénThe Hippies: An American “Moment” - Stuart Hall“Ducktails, Flick-Knives and Pugnacity”: Subcultural and Hegemonic Masculinities in South Africa, 1948–1960 - Katie MooneyFrom Classlessness to Clubculture: A Geneaology of British Post-War Youth Cultural Analysis - David Muggleton"The Times They Are A-Changin "': The Music of Protest - Robert A. RosenstoneDiversity of Experience, Experience of Diversity: Turkish Migrant Youth Culture in Berlin - Levent SoysantBodgies and Widgies – Youth Cultures in the 1950s - Jon StrattonBeyond the Skinheads: Comments on the Emergence and Significance of the Glamrock Cult - Ian Taylor and David WallShaping 1960s Youth in Britain and France: Fabulous and Salut les copains - Chris TinkerHot Swing and the Dissolute Life: Youth, Style and Popular Music in Europe 1939–49 - Ralph Willet“Nailed to the X”: A Lyrical History of the Straightedge Youth Subculture - Robert T. WoodVOLUME TWO: STYLESubcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste - Andy BennettYouth Subcultural Theory: A Critical Engagement with the Concept, Its Origins and Politics, from the Chicago School to Postmodernism - Shane BlackmanYouth and Cultural Practice - Mary BucholtzThe Struggle for Ethnicity: Swedish Youth Styles and the Construction of Ethnic Identities - Erling BjurströmConsuming the Car: Anticipation, Use and Meaning in Contemporary Youth Culture - Eamonn Carrabine and Brian LonghurstDefending Ski-Jumpers: A Critique of Theories of Youth Subcultures - Gary ClarkeReview: Badges of Half-Formed, Inarticulate Radicalism: A Critique of Recent Trends in the Study of Working Class Youth Culture - Chris WatersTribal Aspects of Postmodern Consumption Research: The Case of French In-line Roller Skaters - Bernard Cova and Véronique CovaReal Punks and Pretenders: The Social Organisation of a Counterculture - Kathryn Joan FoxIsraeli Youth Body Adornments: Between Protest and Conformity - Yehuda Jacobson and Diana LuzzattoGraffiti as Career and Ideology - Richard LachmannSubculture, Style and Chavs and Consumer Capitalism: Towards a Critical Cultural Criminology of Youth - Greg MartinSettling Accounts with Youth Subcultures: A Feminist Critique - Angela Mc RobbieShut Up and Dance: Youth Culture and Changing Modes of Femininity - Angela Mc RobbieU.S. Feminism-Grrrl Style! Youth (Sub)Cultures and the Technologics of the Third Wave - Ednie Kaeh GarrisonRules of Rebellion: Slamdancing, Moshing, and the American Alternative Scene - William TsitsosVOLUME THREE: MUSICHip Hop Am Main: The Localisation of Rap Music and Hip Hop Culture - Andy BennettPunks Not Dead: The Significance of Punk Rock for an Older Generation of Fans - Andy BennettPop in(to) the Bedroom: Popular Music in Pre-Teen Girls’ Bedroom Culture - Sarah Louise Baker‘The Magic that Can Set You Free’: The Ideology of Folk and the Myth of the Rock Community - Simon FrithAnother Boring Day in Paradise - Lawrence GrossbergThe ‘Failure’ of Youth Culture: Reflexivity, Music and Politics in the Black Metal Scene - Keith Kahn-HarrisSubcultural Identity in Alternative Music Culture - Holly KruseInto the “Jungle” - Benjamin NoysSwedish Youth and Music: Listening Patterns and Motivations - Keith RoeThe Power of Love: Raï Music and Youth in Algeria - Marc Schade-PoulsenYouth Culture and the Making of the Post-Fordist Econony: Dance Music in Contemporary Britain - Richard J. Smith and Tim MaughanWhy Doesn’t Anybody Write Anything about Glam Rock - Jon StrattonSystems of Articulation, Logics of Change: Communities and Scenes in Popular Music - Will StrawBreakdance, Red Eyed Penguins, Vikings, Grunge and Straight Rock ’n’ Roll: The Construction of Place in Musical Discourse in Rudenga, East Side Oslo - Viggo VestelJust a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth - Gayle WaldYouth Culture, Music, and Cell Phone Branding in China - Jing WangVOLUME FOUR: MEDIAAdolescents’ Uses of Media for Self-Socialization - Jeffrey Jensen ArnettVirtual Subculture? Youth, Identity and the Internet - Andy BennettDigital Participation at the Margins: Online Circuits of Rap Music by Portuguese Afro-Descendant Youth - Ricardo Campos and José Alberton Simões“Where My Girls At?” Negotiating Black Womanhood in Music Videos - Rana A. EmersonBeyond the Myth of the “Cyberkid”: Young People at the Margins of the Information Revolution - Keri Facer and Ruth FurlongSymbiotic Transformations: Youth, Global Media and Indigenous Culture in Malta - Joe GrixtiOnline Journals as Virtual Bedrooms: Young People, Identity and Personal Space - Paul Hodkinson and Sian LincolnMusic Television and the Invention of Youth Culture in India - Vamsee JuluriInteractive Subcultures and Oppositional Politics - Richard Kahn and Douglas Kellner“You Should Have Been There Man”: Live Music, DIY Content and On-line Communities - Jessa Lingel and Mor NaamanRethinking ‘Moral Panic’ for Multi-Mediated Social Worlds - Angela Mc Robbie and Sarah L. ThorntonMy Tribe: Post-subcultural Manifestations of Belonging on Social Network Sites - Brady Robards and Andy BennettYouth Culture, Media and Globalization Processes in Greenland - Jette RygaardThe Rise of a “Me Culture” in Postsocialist China: Youth, Individualism and Identity Creation in the Blogosphere - Yangzi Sima and Peter C. PugsleyAuthentic Identities: Straightedge Subculture, Music, and the Internet - J. Patrick WilliamsRave and Straightedge, the Virtual and the Real: Exploring Online and Offline Experiences in Canadian Youth Subcultures - Brian Wilson and Michael Atkinson