Wych Hazel

by Susan Warner

Overview

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

Product Details

BN ID:	2940000768402
Publisher:	B&R Samizdat Express
Publication date:	02/01/2009
Sold by:	Barnes & Noble
Format:	eBook
File size:	941 KB

About the Author

Susan Bogert Warner, pen name Elizabeth Wetherell (1819 - 1885), was an American evangelical writer of religious fiction, children's fiction and theological works. She is best remembered for The Wide, Wide World. Her other works include Queechy, The Hills of Shatemuck, Melbourne House, Daisy, Walks from Eden, House of Israel, What She Could, Opportunities and House in Town. Warner and her sister, Anna, wrote a series of semi-religious novels which had extraordinary sale, including Say and Seal, Christmas Stocking, Books of Blessing, 8 vols., The Law and the Testimony. She wrote, under the name of "Elizabeth Wetherell", thirty novels, many of which went into multiple editions. However, her first novel, The Wide, Wide World (1850), was the most popular. It was translated into several other languages, including French, German and Dutch. Other than Uncle Tom's Cabin, it was perhaps the most widely circulated story of American authorship. Other works include Queechy (1852), The Law and the Testimony, (1853), The Hills of the Shatemuc, (1856), The Old Helmet (1863) and Melbourne House (1864). In the nineteenth century, critics admired the depictions of rural American life in her early novels. American reviewers also praised Warner's Christian and moral teachings, while London reviewers tended not to favor her didacticism. In the later twentieth century, feminist critics rediscovered The Wide, Wide World, discussing it as a quintessential domestic novel and focusing on analyzing its portrayal of gender dynamics.