Table of Contents
AcknowledgmentsIntroduction: A Way In
Part I: Foundational Logics
Chapter 1. Performative Inquiry: Embodiment and Its Challenges
Chapter 2. Writing Autoethnography: The Personal, Poetic, and Performative as Compositional Strategies
Chapter 3. Performative Writing as Scholarship: An Argument, An Anecdote
Chapter 4. Performative Writing: The Ethics of Representation in Form and Body
Chapter 5. Writing into Position: Strategies for Composition and Evaluation
Chapter 6. Pledging Personal Allegiance to Qualitative Inquiry
Part II: Performance
Chapter 7. A Paradigm for Performance Studies with James Vanoosting
Chapter 8. Empathy: Some Implications of Social Cognition Research for Interpretation Study
Chapter 9. Performance Studies: Meditations and Mediations
Chapter 10. Performance Is…
Chapter 11. Confessions of an Apprehensive Performer
Chapter 12. Toward a Poetic Phenomenology of Performance with Lesa Lockford
Chapter 13. Seductions
Part III: Identity
Chapter 14. The DEF Comedy Jam, bell hooks, and Me
Chapter 15. My Body’s Placement: An Autoethnographic Account of Communicative Practice
Chapter 16. Making My Masculine Body Behave
Chapter 17. Jarheads, Girly Men, and the Pleasures of Violence
Chapter 18. A Personal History of Lust on Bourbon Street
Part IV: Everyday Life
Chapter 19. Remembering Vietnam
Chapter 20. The Critical Life
Chapter 21. The Academic Tourist: An Autoethnography
Chapter 22. Always Dying: Living Between Da and Fort
Chapter 23. For Father and Son: An Ethnodrama with No Catharsis
Chapter 24. Remains
Chapter 25. The End of an Academic Career: The Desperate Attempt to Hang On and Let Go