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Overview
Experience the power and the promise of working in today' most exciting literary form: Creative Nonfiction
Writing Creative Nonfiction presents more than thirty essays examining every key element of the craft, from researching ideas and structuring the story, to reportage and personal reflection. You'll learn from some of today's top creative nonfiction writers, including:
• Terry Tempest Williams - Analyze your motivation for writing, its value, and its strength.
• Alan Cheuse - Discover how interesting, compelling essays can be drawn from every corner of your life and the world in which you live.
• Phillip Lopate - Build your narrator–yourself–into a fully fleshed-out character, giving your readers a clearer, more compelling idea of who is speaking and why they should listen.
• Robin Hemley - Develop a narrative strategy for structuring your story and making it cohesive.
• Carolyn Forche - Master the journalistic ethics of creative nonfiction.
• Dinty W. Moore - Use satire, exaggeration, juxtaposition, and other forms of humor in creative nonfiction.
• Philip Gerard - Understand the narrative stance–why and how an author should, or should not, enter into the story.
Through insightful prompts and exercises, these contributors help make the challenge of writing creative nonfiction–whether biography, true-life adventure, memoir, or narrative history–a welcome, rewarding endeavor.
You'll also find an exciting, creative nonfiction "reader" comprising the final third of the book, featuring pieces from Barry Lopez, Annie Dillard, Beverly Lowry, Phillip Lopate, and more–selections so extraordinary, they will teach, delight, inspire, and entertain you for years to come!
Writing Creative Nonfiction presents more than thirty essays examining every key element of the craft, from researching ideas and structuring the story, to reportage and personal reflection. You'll learn from some of today's top creative nonfiction writers, including:
• Terry Tempest Williams - Analyze your motivation for writing, its value, and its strength.
• Alan Cheuse - Discover how interesting, compelling essays can be drawn from every corner of your life and the world in which you live.
• Phillip Lopate - Build your narrator–yourself–into a fully fleshed-out character, giving your readers a clearer, more compelling idea of who is speaking and why they should listen.
• Robin Hemley - Develop a narrative strategy for structuring your story and making it cohesive.
• Carolyn Forche - Master the journalistic ethics of creative nonfiction.
• Dinty W. Moore - Use satire, exaggeration, juxtaposition, and other forms of humor in creative nonfiction.
• Philip Gerard - Understand the narrative stance–why and how an author should, or should not, enter into the story.
Through insightful prompts and exercises, these contributors help make the challenge of writing creative nonfiction–whether biography, true-life adventure, memoir, or narrative history–a welcome, rewarding endeavor.
You'll also find an exciting, creative nonfiction "reader" comprising the final third of the book, featuring pieces from Barry Lopez, Annie Dillard, Beverly Lowry, Phillip Lopate, and more–selections so extraordinary, they will teach, delight, inspire, and entertain you for years to come!
Product Details
ISBN-13: | 9781884910500 |
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Publisher: | Penguin Publishing Group |
Publication date: | 05/10/2001 |
Pages: | 384 |
Sales rank: | 845,287 |
Product dimensions: | 5.96(w) x 8.98(h) x 1.02(d) |
Table of Contents
Introduction: Creative Nonfiction: An Adventure in Lyric, Fact, and Story | 1 | |
I. | The Art, the Craft, the Business | |
Why I Write | 6 | |
But Tell It Slant: From Poetry to Prose and Back Again | 8 | |
A Braided Heart: Shaping the Lyric Essay | 14 | |
Saying Good-Bye to "Once Upon a Time," or Implementing Postmodernism in Creative Nonfiction | 25 | |
Finding a Story, or Using the Whole Pig | 34 | |
Writing Personal Essays: On the Necessity of Turning Oneself Into a Character | 38 | |
Researching Your Own Life | 45 | |
Taking Yourself Out of the Story: Narrative Stance and the Upright Pronoun | 50 | |
The Loneliness of the Long-Distance Runner | 57 | |
As Time Goes By: Creating Biography | 67 | |
Twelve Years and Counting: Writing Biography | 85 | |
Not the Killing but Why | 97 | |
Every Hell Is Different: Notes on War Writing | 101 | |
The "New" Literature | 104 | |
Surviving Overseas | 114 | |
The Comfortable Chair: Using Humor in Creative Nonfiction | 122 | |
Getting Published | 130 | |
Avoiding Self-Censorship: A Guide to the Detection of Legal Land Mines | 140 | |
II. | Aftershocks--Responses to the Genre | |
Learning to Breathe After the Memoir | 158 | |
Excerpts From Fathering Words: The Making of an African American Writer | 162 | |
One Nation, Under the Weather | 164 | |
Becoming the Godfather of Creative Nonfiction | 170 | |
III. | Creative Nonfiction Reader | |
The Woman Who Slept With One Eye Open | 182 | |
Basha Leah | 191 | |
Excerpt from "Tacos and Manna" | 205 | |
Portrait of My Body | 214 | |
What They Don't Tell You About Hurricanes | 223 | |
Excerpt From Irving Berlin: A Life in Song | 230 | |
It was a time of hope, that was the thing (1927-1930) | 240 | |
The Shadow Knows | 256 | |
All Things Censored: The Poem NPR Doesn't Want You to Hear | 270 | |
Prisoner AM-8335: A Postscript | 277 | |
Sarajevo I | 283 | |
Emergence | 299 | |
Ah, Wilderness! Humans, Hawks, and Environmental Correctness on the Muddy Rio Grande | 307 | |
Maps | 319 | |
Murder | 327 | |
Going Back to Bisbee | 331 | |
Flying in the Middle of Art | 357 | |
Contributors | 368 | |
Index | 374 |
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