Wounds on the memory wall, A novel that combines tragedy and romance, set its events in a coastal village. … It begins after a horrific traffic accident that leads to the annihilation of an entire family while it was traveling at crazy speed on a private car on the coastal road between the Yemeni cities of Taiz and the Hodeidah, except for one of the girls who survive but falls into the coma and unconsciousness On the beach, a fisherman, who is treating her, picks her up, then marries her amid news of the spread of Corona's disease.
*** *** ***
In the folds of this novel, chapters vary in their subjects, differ in their characters, diverse themselves in their positions, but an organic unity brings them together surprisingly, and the owner of the novel holds them in his hands based on his literary experience on the one hand, and his direct relationship with its characters — and sometimes even its people — from another side. Perhaps choosing the title is an important task for most writers, and its importance is no less important than choosing most aspects of creative work as well as the idea, style, conclusion, and others — so that some critics refer this ability to a special talent by itself. The title and chapters of the novel came to indicate this talent. The incursion in explaining creative work kills the most beautiful thing. It may overthrow the sudden moment between the reader and the work, and the best that can be done by whoever is entrusted with presenting this or that creative work is to open the door to the reader, inviting him to enter into the text, without throwing any Signs or notes in his way that may cause his steps to stumble in the creative path. I can only say: This is Younes Hazaa, and this is his novel that Younes brings to the art and narration court, the vast writing world, and the amazing creative space. He is worth reading and his novel as well.
Wounds on the memory wall, A novel that combines tragedy and romance, set its events in a coastal village. … It begins after a horrific traffic accident that leads to the annihilation of an entire family while it was traveling at crazy speed on a private car on the coastal road between the Yemeni cities of Taiz and the Hodeidah, except for one of the girls who survive but falls into the coma and unconsciousness On the beach, a fisherman, who is treating her, picks her up, then marries her amid news of the spread of Corona's disease.
*** *** ***
In the folds of this novel, chapters vary in their subjects, differ in their characters, diverse themselves in their positions, but an organic unity brings them together surprisingly, and the owner of the novel holds them in his hands based on his literary experience on the one hand, and his direct relationship with its characters — and sometimes even its people — from another side. Perhaps choosing the title is an important task for most writers, and its importance is no less important than choosing most aspects of creative work as well as the idea, style, conclusion, and others — so that some critics refer this ability to a special talent by itself. The title and chapters of the novel came to indicate this talent. The incursion in explaining creative work kills the most beautiful thing. It may overthrow the sudden moment between the reader and the work, and the best that can be done by whoever is entrusted with presenting this or that creative work is to open the door to the reader, inviting him to enter into the text, without throwing any Signs or notes in his way that may cause his steps to stumble in the creative path. I can only say: This is Younes Hazaa, and this is his novel that Younes brings to the art and narration court, the vast writing world, and the amazing creative space. He is worth reading and his novel as well.
Wounds On The Memory Wall
Wounds On The Memory Wall
