Publishers Weekly
Kunstler's name is mostly associated with nonfiction works like The Long Emergency, a bleak prediction of what will happen when oil production no longer meets demand, and the antisuburbia polemic The Geography of Nowhere. In this novel, his 10th, he visits a future posited on his signature idea: when the oil wells start to run dry, the world economy will collapse and society as we know it will cease. Robert Earle has lost his job (he was a software executive) and family in the chaos following the breakdown. Elected mayor of Union Grove, N.Y., in the wake of a town crisis, Earle must rebuild civil society out of squabbling factions, including a cultish community of newcomers, an established group of Congregationalists and a plantation kept by the wealthy Stephen Bullock. Re-establishing basic infrastructure is a big enough challenge, but major tension comes from a crew of neighboring rednecks led by warlord Wayne Karp. Kunstler is most engaged when discussing the fate of the status quo and in divulging the particulars of daily life. Kunstler's world is convincing if didactic: Union Grove exists solely to illustrate Kunstler's doomsday vision. Readers willing to go for the ride will see a frightening and bleak future. (Mar.)
Copyright 2007 Reed Business Information
Library Journal
This vision of life in upstate New York after the fall of civilization is poignant and personal compared with the main themes in other recent postapocalyptic novels-e.g., bare-knuckles survival in Cormac McCarthy's The Road, charismatic leadership in David Lozell Martin's Our American King, desperate migration in Jim Crace's The Pesthouse. Kunstler instead presents a detailed, granular perspective on the consequences that the breakdown of the government and the economy would have on everyday domestic living. He offers a real look at how people and communities would actually survive without the modern economic infrastructure upon which we rely. This novel does illustrate the violence of a lawless future, but it does so in a way that seems plausible, while maintaining some sense of hope. There is also a little mystery thrown in to sweeten the pot. This future is not completely dire, but it's grim enough to make us seriously consider how we would get by in a world made by hand. Highly recommended for all public libraries. [See Prepub Alert, LJ11/15/07.]
—Henry Bankhead
Kirkus Reviews
Kunstler's latest novel fictionalizes some of the material covered in his nonfiction work The Long Emergency: Surviving the Converging Catastrophes of the Twenty-First Century (2005), which examined how a decline in oil production could have cataclysmic repercussions on modern industrial culture. After a bomb exploded in Los Angeles (attributed to an "act of Jihad"), narrator Robert Earle and his family moved to Union Grove, N.Y., but the economy has since collapsed and the citizens have found themselves atavistically involved in long-lost pursuits such as subsistence farming. The devastation has brought with it other effects, most notably the Mexican flu. Premature death, in fact, has claimed a substantial part of the populace, including Robert's daughter and his wife, who fell victim to an outbreak of encephalitis. So few single men now exist that women (even Jane Ann, wife of the Congregational minister) are shared between friends. In addition, civil authority has largely broken down (no one even knows whether Washington, D.C., still exists). Consequently, the locals are called upon to govern themselves. Into this anarchic breach step Brother Jobe and the members of the New Faith Church, a quasi-Amish band determined to reassert the rule of law. Pockets of lawlessness are rife, both in the personal corruption of local officials and in the sadistic, unholy gang of Wayne Karp, a character who leaves one begging for civilization. After a dull adventure to free a boat crew being held hostage by a local warlord on the Hudson, Robert and company return to Union City to clean up the mess. It's hard to imagine that a post-apocalyptic world could be this tedious. Agent: Adam Chromy/Artists &Artisans, Inc.
