Table of Contents
REDEFINING CINEMA: INTERNATIONAL AND AVANT-GARDE ALTERNATIVES1. Concepts of National Cinema, Stephen Crofts2. Modernism and the Avante-Gardes, Murray Smith3. Realism, Modernism, and Post-Colonial, Ashish RajadhyakshaREDEFINING CINEMA: OTHER GENRES4. The Documentary Film, John Izod & Richard Kilborn5. The Animated Film, Michael O'PrayEUROPEAN CINEMA6. Issues in European Cinema, Ginette VincendeauCASE-STUDIES: MOVEMENTS, MOMENTS, AND FILMMAKERS7. The Avant-Gardes and European Cinema before 1930, Ian Christie8. Italian Post-War Cinema and Neo-Realism, Simona Monticelli9. The French Nouvelle Vague, Jill Forbes10. New German Cinema, Ulrike Sieglohr11. East-Central European Cinema, Daniel J. Goulding12. European Film Policy and the Response to Hollywood, Armand Mattelart13. Directors and Stars: (a) Jean Renoir, by Keith Reader; (b) Ingmar Bergman, by Chris Darke; (c) Chantal Akerman, by Cathy Fowler; (d) Pedro Almodóvar, by José Arroyo; (e) Luc Besson, by Susan Hayward; (f) Brigitte Bardot: A Star Case Study, by Ginette VincendeauANGLOPHONE NATIONAL CINEMASCASE-STUDIES14. British Cinema, Andrew Higson15. Ireland and Cinema, Martin McLoone16. Australian Cinema, Elizabeth Jacka17. Canadian Cinema, Will StrawWORLD CINEMA18. Issues in World Cinema, Wimal DissanayakeCASE-STUDIES: CINEMAS OF THE WORLD19. Indian Cinema, Ashish RajadhyakshaReading: ‘Popular Hindi Cinema', Rosie Thomas20. Chinese Cinema, Berenice Reynaud21 (a). Hong Kong Cinema: Discovery and Pre-Discovery, Stephen Teo21 (b). China, and 1997, N. K. Leung22. Taiwanese New Cinema, Kuan-Hsing Chen23. Japanese Cinema, Freda Freiberg24. African Cinema, N. Frank UkadikeReading: Hyenas, Richard Porton25. South American Cinema, Julianne Burton-CarvajalFILM IN A CHANGING AGE26. Film and Changing Technologies, Laura Kipnis27. Film and Television, John Hill