Wonder and Science: Imagining Worlds in Early Modern Europe
384Wonder and Science: Imagining Worlds in Early Modern Europe
384Paperback(Revised ed.)
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Overview
Product Details
ISBN-13: | 9780801489181 |
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Publisher: | Cornell University Press |
Publication date: | 02/10/2004 |
Edition description: | Revised ed. |
Pages: | 384 |
Product dimensions: | 6.12(w) x 9.25(h) x 0.88(d) |
Age Range: | 18 Years |
About the Author
Table of Contents
1. IntroductionPart I Imagination and Discipline2. Travel Writing and Ethnographic Pleasure: André Thevet and America, Part I3. The Nature of Things and the Vexations of ArtPart II Alternative Worlds4. On the Infinite Universe and the Innumerable Worlds5. A World in the Moon: Celestial Fictions of Francis Godwin and Cyrano de Bergerac6. Outside In: Hooke, Cavendish, and the Invisible WorldsPart III7. Anthropometamorphosis: Manners, Customs, Fashions, and Monsters8. "My Travels to the Other World": Aphra Behn and Surinam9: E Pluribus Unum: Lafita's Moeurs des sauvages amériquaians and Enlightenment EthnologyCoda: The Wild ChildWhat People are Saying About This
In Mary Baine Campbell's dazzling account, wonder is not only 'broken knowledge' (in Bacon's phrase), or the mystified residue of an emergent scientific method, but a sensational plenitude, upwelling in all the historical junctures of discipline, domination, pleasure, and narration in early modern Europe. At both molecular and global levels, Campbell profoundly resituates the history of the 'Two Cultures' as she demonstrates the flows and magnetisms they continue to share and exchange. Alive with wit and delight, polymathic as it is original, and visibly impelled by a historical and ethical exactitude that entirely disallows the pedantic or moralistic, Wonder and Science is itself a wonder.
In this remarkable and wide-ranging study, Mary Baine Campbell explores the early modern literature of worldmaking, as the seedbed not only of a modern notion of culture, but also of the modern genres of prose fiction and scientific report. Her lucid, lyrical account of early ethnographic, travel, and utopian writing maps the wonder-filled territory on the border between observation and invention that is of equal concern to literary scholars, cultural historians, and historians of science.
This book is... the most sophisticated and engaging study of the importance of genre development to historians of science and literature... Supremely lucid... provocative and insightful.... This work is of immeasurable value to all students of early modern culture.
Campbell's book offers a rich sampling of the epistemological plethora of this age. She surveys narratives of other worlds, both factual and fictional, written in English or French in the period from 1550 to 1700. Her readings of the texts are subtle and morally engaged, her own prose in consistently delightful, and the volume is attractively illustrated.
Mary Baine Campbell offers us a remarkable tour of writing culture and the cultures of knowledge in the early modern period. By juxtaposing works that we have traditionally identified with distinctive forms of knowledge—literature, science, and anthropology—Campbell persuasively argues that we need to read and understand these texts in their predisciplinary formulation. The result is a fascinating and enjoyable exposition of the science of literature and the literature of science.
Campbell's book Wonder and Science... is precisely the kind of book that continues to provoke thought long after you have closed the cover.... I have nothing but praise for Campbell's beautifully produced and written book.... Like a modern-day Cavendish, Campbell's language joins together the two worlds of scientific study with a rapturous and pleasure-ridden prose to produce a book, Wonder and Science where style reflects content. This book has been exhilarating to read; it will, in my opinion, make a genuine difference to the history of scientific culture as we understand it.
Wonder and Science is filled with a love for and a display of cornucopian texts: the wondrous multiplicity of other cultures, natural phenomena, language, and metaphor clearly thrills Campbell, and she in turn thrills us.