Women, Politics and Performance in South African Theatre Today: Volume 2
Part two of a three texts compiled during the years of change in South Africa, charts the impact of Apartheid and the cultural boycott on performance, and examining the role of women in theatre. Part two contains interviews with key theatre practitioners.
1136646918
Women, Politics and Performance in South African Theatre Today: Volume 2
Part two of a three texts compiled during the years of change in South Africa, charts the impact of Apartheid and the cultural boycott on performance, and examining the role of women in theatre. Part two contains interviews with key theatre practitioners.
46.95 In Stock
Women, Politics and Performance in South African Theatre Today: Volume 2

Women, Politics and Performance in South African Theatre Today: Volume 2

by Goodman L
Women, Politics and Performance in South African Theatre Today: Volume 2

Women, Politics and Performance in South African Theatre Today: Volume 2

by Goodman L

Paperback

$46.95 
  • SHIP THIS ITEM
    Ships in 1-2 days
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

Part two of a three texts compiled during the years of change in South Africa, charts the impact of Apartheid and the cultural boycott on performance, and examining the role of women in theatre. Part two contains interviews with key theatre practitioners.

Product Details

ISBN-13: 9789057021831
Publisher: Taylor & Francis
Publication date: 08/19/1999
Series: Contemporary Theatre Review Series
Pages: 100
Product dimensions: 6.00(w) x 9.00(h) x (d)
Age Range: 18 Years

About the Author

Goodman L,

Table of Contents

Chapter 1 Speaking With and Without Words—An Interview with Nomhle Nkonyeni, Lizbeth Goodman; Chapter 2 Two Conversations with Yvonne Banning about Gender and Drama in South African Theatre During and After Apartheid, Lizbeth Goodman; Chapter 3 A Conversation with Janet Suzman on South African Theatre and the Politics of the ‘Classics’: Shakespeare and Brecht During and After the Cultural Boycott, Lizbeth Goodman; Chapter 4 A Comparative Perspective on Two Plays by South African Women, Michael Picardie; Chapter 5 ‘My English Name is Patience’: Mediating the Voice of the Other in South African Theatre Today, Dennis Walder; Chapter 6 Patterns of Change; Audience, Attendance, and Music at the 1994 Grahamstown Festival, Dudley Pietersen;
From the B&N Reads Blog

Customer Reviews