Women, Epic, and Transition in British Romanticism
Women, Epic, and Transition in British Romanticism argues that early nineteenth-century women poets contributed some of the most daring work in modernizing the epic genre. The book examines several long poems to provide perspective on women poets working with and against men in related efforts, contributing together to a Romantic movement of large-scale genre revision. Women poets challenged longstanding categorical approaches to gender and nation in the epic tradition, and they raised politically charged questions about women’s importance in moments of historical crisis.

While Romantic epics did not all engage in radical questioning or undermining of authority, this study calls attention to some of the more provocative poems in their approach to gender, culture, and history. This study prioritizes long poems written by and about women during the Romantic era, and does so in context with influential epics by male contemporaries. The book takes its cue from a dramatic increase in the publication of epics in the early nineteenth-century. At their most innovative, Romantic epics provoked questions about the construction of ideological meaning and historical memory, and they centralized women’s experiences in entirely new ways to reflect on defeat, loss, and inevitable transition. For the first time the epic became an attractive genre for ambitious women poets.

The book offers a timely response to recent groundbreaking scholarship on nineteenth-century epic by Herbert Tucker and Simon Dentith, and should be of interest to Romanticists and scholars of 18th- and 19th-century literature and history, gender and genre, and women’s studies.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

"1100823761"
Women, Epic, and Transition in British Romanticism
Women, Epic, and Transition in British Romanticism argues that early nineteenth-century women poets contributed some of the most daring work in modernizing the epic genre. The book examines several long poems to provide perspective on women poets working with and against men in related efforts, contributing together to a Romantic movement of large-scale genre revision. Women poets challenged longstanding categorical approaches to gender and nation in the epic tradition, and they raised politically charged questions about women’s importance in moments of historical crisis.

While Romantic epics did not all engage in radical questioning or undermining of authority, this study calls attention to some of the more provocative poems in their approach to gender, culture, and history. This study prioritizes long poems written by and about women during the Romantic era, and does so in context with influential epics by male contemporaries. The book takes its cue from a dramatic increase in the publication of epics in the early nineteenth-century. At their most innovative, Romantic epics provoked questions about the construction of ideological meaning and historical memory, and they centralized women’s experiences in entirely new ways to reflect on defeat, loss, and inevitable transition. For the first time the epic became an attractive genre for ambitious women poets.

The book offers a timely response to recent groundbreaking scholarship on nineteenth-century epic by Herbert Tucker and Simon Dentith, and should be of interest to Romanticists and scholars of 18th- and 19th-century literature and history, gender and genre, and women’s studies.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

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Women, Epic, and Transition in British Romanticism

Women, Epic, and Transition in British Romanticism

by Elisa Beshero-Bondar
Women, Epic, and Transition in British Romanticism

Women, Epic, and Transition in British Romanticism

by Elisa Beshero-Bondar

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$52.00 
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Overview

Women, Epic, and Transition in British Romanticism argues that early nineteenth-century women poets contributed some of the most daring work in modernizing the epic genre. The book examines several long poems to provide perspective on women poets working with and against men in related efforts, contributing together to a Romantic movement of large-scale genre revision. Women poets challenged longstanding categorical approaches to gender and nation in the epic tradition, and they raised politically charged questions about women’s importance in moments of historical crisis.

While Romantic epics did not all engage in radical questioning or undermining of authority, this study calls attention to some of the more provocative poems in their approach to gender, culture, and history. This study prioritizes long poems written by and about women during the Romantic era, and does so in context with influential epics by male contemporaries. The book takes its cue from a dramatic increase in the publication of epics in the early nineteenth-century. At their most innovative, Romantic epics provoked questions about the construction of ideological meaning and historical memory, and they centralized women’s experiences in entirely new ways to reflect on defeat, loss, and inevitable transition. For the first time the epic became an attractive genre for ambitious women poets.

The book offers a timely response to recent groundbreaking scholarship on nineteenth-century epic by Herbert Tucker and Simon Dentith, and should be of interest to Romanticists and scholars of 18th- and 19th-century literature and history, gender and genre, and women’s studies.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 


Product Details

ISBN-13: 9781644531211
Publisher: University of Delaware Press
Publication date: 05/31/2011
Pages: 266
Product dimensions: 6.00(w) x 9.00(h) x (d)
Age Range: 16 - 18 Years

About the Author

Elisa Beshero-Bondar is Program Chair, Digital Media, Arts, and Technology and Professor of Digital Humanities, Digital Media, Arts, and Technology at Penn State University.

Table of Contents

1 Introduction: Epics for Women Chapter 2 1. Affective Historiography in Poetry: Women and Time in Romantic Epic Chapter 3 2. Feminizing the Epic Tradition: Romantic Echoes of Spense and Milton Chapter 4 3. Medieval Minstrelsy and the Female Curse on History Chapter 5 4. Mary Russell Mitford on Lord Byron's New and Old World Territories Chapter 6 5. Oriental Mysticism and Human Forms Divine: Psyche's Erotic Revolution 7 Postscript: Women Measuring the Times 8 Bibliography

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