Women, Enjoyment, and the Defense of Virtue in Boccaccio's Decameron

by V. Ferme

Overview

Providing new ways of reading Boccaccio's masterpiece, Decameron , Ferme analyzes the dynamics between the women who rule the first half of the story. Peeling back the many narrative layers within and outside of the framework, this book unearths the complications and trickery surrounding gender and death in Boccaccio's world and culture.

Product Details

ISBN-13:	9781137490551
Publisher:	Palgrave Macmillan US
Publication date:	06/04/2015
Series:	The New Middle Ages
Edition description:	2015
Pages:	248
Product dimensions:	5.60(w) x 8.60(h) x 0.80(d)

About the Author

Valerie C. Ferme is the Chair of the Department of French & Italian at the University of Colorado, Boulder, USA.

Table of Contents

Introduction 1. Galeotto: A Prologue by way of the Proem 2. Contested Interlude: The Plague 3. Pampinea 's 'Honest' Leadership in the Decameron 4. Sicurano da Finale and Paganino da Mare: Of Corsairs, Merchants and Identity in the Late Middle Ages 5. Giletta of Narbonne: Chastity and Matrimony on the Day of Sexual Excesses 6. 'Love and Death': Male Authority and the Threat of Violence under Filostrato's Rule 7. Fiammetta's Revolution: Honor, Love and Marriage in Day V Conclusion

Editorial Reviews

"Readers will enjoy Ferme's attention to the big picture of the Decameron, including his comprehensive interpretation of the book at all three of its narrative levels. Ferme highlights the tussle in the first half of the book between the authority of women and the limits put on them by society. He is particularly engaging as he explores the dialectic between enjoyment and virtue, transgression and decorum, played out in the form and content of Decameron storytelling." - F. Regina Psaki, The Giustina Family Professor of Italian Language and Literature, University of Oregon, USA

"Through an engaging and thorough analysis of the three main components of the Decameron (Proem, overarching story, and tales), Valerio Ferme redesigns the interpretation of Boccaccio's narrative patterns, while establishing a critical conversation with notable scholars (Branca, Almansi, Segre, Getto, Baratto). The collection of stories risks turning the book into a Galeotto, this study argues, when the salacious plots seem to produce inappropriate relations in the brigata, but the amicable conflicts between its men and women end up providing 'honest enjoyment' for women in love instead." - Alessandro Vettori, Professor of Italian and Comparative Literature, Rutgers University, USA

From the Publisher