One of the most original vampire novels in ages, Claire Kohda’s Woman, Eating follows Lydia, a British, Japanese and Malaysian vampire struggling to survive. . . . Kohda has given Lydia a host of great vampire qualities, such as excellent night vision and an ability to experience the entire life of a creature by drinking its blood. But it’s Kohda’s exploration of Lydia’s inner world, the pain and longing she feels as an outsider, that makes Woman, Eating such a delicious novel.” — New York Times Book Review
"Absolutely brilliant – tragic, funny, eccentric and so perfectly suited to this particularly weird time. Claire Kohda takes the vampire trope and makes it her own in a way that feels fresh and original. Serious issues of race, disability, misogyny, body image, sexual abuse are handled with subtlety, insight, and a lightness of touch, and the novel is ridiculously suspenseful! I was on the edge of my seat, just waiting for Lyd to bite someone, and in the end, I felt utterly and happily bitten." — Ruth Ozeki, author of A Tale for the Time Being
"The most unusual, original and strikingly contemporary vampire novel to come along in years." — The Guardian
"Unsettling, sensual, subversive, Woman, Eating turns the vampire trope on its head with its startlingly original female protagonist, caught between two worlds. It is a profound meditation on alienation and appetite, and what it means to be a young woman who experiences life at an acute level of intensity and awareness. Claire Kohda's prose is biting, yet lush and gorgeous. I was uncomfortably smitten." — Lisa Harding, author of Jenna Book Club Pick Bright Burning Things
"We’ve seen sexy vampires, scary vampires and psychic vampires, but never one quite like the one in this ambitious debut....With wit and a poet’s eye, Kohda examines cravings, desire and emptiness.” — New York Times
"The chief trait that Lydia, the protagonist of this artful vampire novel, shares with monsters of old is hunger. . . . As Lydia encounters new people, including a pleasant artist turned property manager, and a new boss, a man with more influence than decency, she comes to understand what it is to become something 'that is neither demon nor human.'” — New Yorker
"We have here a vampire book that will scrub any trace of Twilight from your mind—Claire Kohda’s debut follows a young vampire dealing with all kinds of hunger: for acceptance, for artistic success, and for sushi." — Glamour
"What Stoker did for the vampire at the end of the nineteenth century, Claire Kohda does for it in our own era….[T]here is much here to mesmerize and beguile readers, not least in Kohda’s prose, which is patient, strange, and altogether persuasive." — Times Literary Supplement (London)
"If you’re looking for a new read, then you have to read Claire Kohda’s novel, Woman, Eating. This novel has been making the rounds of various “Favorites” lists, and for very good reason: it’s a personable and unique take on what modern vampirism could look like. . . . Lydia was a mixed-Asian woman who learned how to be true to herself, to live unshackled to the colonialist society that had contained her. And now, she could finally live, not as the beast she was raised to think she was, but as Lydia, a clever, creative, and cunning young woman.” — The Mary Sue
"A magnificent debut." — The Millions
“Claire Kohda’s debut, Woman, Eating, is an insightful and hypnotic exploration of hunger. . . . Through Lydia’s mixed-race heritage and particular vampire traits, Kohda deftly tackles difficult, and common, themes—including sexism, racism, assault, job insecurity and social isolation.” — Shelf Awareness
"Presenting a genuinely fresh take on the vampire mythos is an exceedingly difficult task in a post-Twilight world of bloodsucker rehash, not to mention enduring classic representation, but that’s precisely what Kohda manages in her debut novel....A delicate, consistently surprising riff on the vampire narrative, and a stealthy, subversive story of one young woman’s declaration of self." — Library Journal (starred review)
“Lydia’s achingly vulnerable first-person narration gains momentum as she achieves self-acceptance—and, ultimately, self-empowerment. . . . Subversive and gratifying.” — Kirkus Reviews
"[A] delicious debut." — Publishers Weekly
"Woman, Eating deals a lot with food, hunger, and Lydia’s relationship to her body. But this novel also deals with spiritual nourishment, art, womanhood, shame, and identity. . . . Kohda’s prose will take you on a deep emotional journey. Trust me, this is not your average vampire story—it is a novel that displays the incredible breadth of what speculative fiction can show us about the human condition." — Tor.com
"The way food wends its way throughout this piece is such a fascinating way to explore hunger, various appetites, and even identity. I regret to inform you that this one's not out until the spring, but I believe it's well worth the preorder." — Book Riot
"Here's one for gothic horror fans - a modern day vampire thriller that also covers race, social isolation, unrequited love and parental loyalty." — BBC Radio World Service
“Kohda has created a provocative, sympathetic, and satisfying dive into the mind of an unusual young woman at a crossroads.” — Booklist
“Claire Kohda’s debut is a deeply moving contemplation on love, food, art, and what it means to be alive. It’s also a vampire novel. . . . Lyd wants a different relationship to art and to life, she wants to make her own art and although she yearns for human community, she must learn to experience life in the best way she can, by devouring it.” — Brooklyn Rail
“In this enjoyable debut novel, Kohda presents Lydia’s thirst for blood as a tidy metaphor for more common cravings. The protagonist’s discomfort with her condition comes across as quite realistic in what is essentially a coming-of-age novel. The author is particularly deft at illustrating how unacknowledged desire will out, undermining our best intentions.” — Arts Fuse
"Lydia sees herself not as a coherent being but as a body where human and demon uneasily cohabit. Bloodthirst aside, this is a pretty effective encapsulation of what it means to be a person with free will. Unless we behave so atrociously as to destroy any chance of redemption, each of us is the site of a war between good and evil that will rage on for as long as we live—and that might remain unresolved by any legacy we leave. I mean, how bloody relatable is that?” — Time
