11/10/2014
Set in 1717, Ekbäck’s diverting debut focuses on a Finnish family—Maija Harmaajärvi; her husband, Paavo; and their daughters, 14-year-old Frederika and six-year-old Dorotea—as they start a new life in Swedish Lapland. One day while herding goats, the girls discover a body. Their neighbors believe the dead man, Eriksson, was killed by wolves or a bear, but Maija is convinced that he was murdered and aims to prove it. Ekbäck does a good job depicting a terrifying snowstorm, the conflicting cultures of settlers and Lapps, and the endless winter darkness. But the novel also contains a disorienting mix of obsolete words and current phrasing, realistic glimpses of pioneer hardships, and far-fetched plot devices involving the local bishop and a pack of wolves that may or may not exist. Two resident ghosts—Maija’s grandmother, who constantly offers advice, and the reincarnated Eriksson, who prods Frederika to unearth his killer—add to the incongruity. Agents: Janelle Andrews and Rachel Mills, Peters, Fraser & Dunlop (U.K.). (Jan.)
Wolf Winter
Narrated by Alyssa Bresnahan
Cecilia EkbackUnabridged — 12 hours, 33 minutes
Wolf Winter
Narrated by Alyssa Bresnahan
Cecilia EkbackUnabridged — 12 hours, 33 minutes
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Overview
Editorial Reviews
In the early 18th century, Maija, her husband Paavo, and their two daughters emigrate from Finland to Swedish Lapland, leaving behind a troubled past. The country is rich and beautiful, but dominated by the ominous mountain Blackasen, said to be a dwelling for evil spirits and dark creatures. Out herding goats, the girls find the body of one of the other settlers. Maija is outspoken in her belief that their neighbor was murdered, despite the reluctance of the other settlers to admit. Winter arrives early and fiercely... As the “wolf winter” continues unabated, they learn that there is nothing so dangerous as fear.”
—Lyn Roberts, Square Books (Oxford, MS)
“Cecilia Ekback's tale of Swedish Lapland in 1717 gives insight into the land and people of the far north and is also hard to let go.”
—Barbara Theroux, Fact & Fiction (Missoula, MT)
“Wolf Winter is richly atmospheric and vivid. The cold is beyond imagining, as is the enveloping dark and the terrible hunger as stores diminish. Inevitably, Wolf Winter will be compared with Hannah Kent's remarkable Burial Rites. Ekback, however, has achieved something different. Wolf Winter is an historical crime mystery in the Nordic noir tradition, which chills as it impresses.”
—Anna Creer, Sydney Morning Herald (Australia)
“Swedish Lapland of 1717 is evoked so vividly that it seeps into your bones… A highly intelligent piece of historical Scandi-noir.”
– The Times (UK)
“A compelling, suspenseful story.”
– Sunday Times (UK)
“Swedish-born Cecilia Ekbäck's debut novel is a real page-turner. Similar to Stephen King's writing style and imagination, the novel, which is set in 1717 Lapland, takes us on an exhilarating journey (4 stars).”
— Ok! Magazine (UK)
“Fans of The Minaturist will love flashing back to the dark bleakness of 1717 Lapland in Cecilia Ekbäck's debut.”
— Grazia Magazine (UK)
“Ekbäck keeps the historical setting vivid and laced with pertinent details, but her characters are multifaceted… There is nothing quaint about Ekbäck's 18th century Sweden, which is full of political gaming at all levels, and a landscape that seems bent on killing anyone who commits to living on it. Ekbäck could certainly follow up with a sequel, but with her balance of fine prose and clever plotting, I hope she ventures into different times and characters, as I'm excited to see her range.”
– The National Post (Canada)
“The time and place seem so remote as to be unearthly, and the style has a stealthy quality, like a silent fall of snow; suddenly, the reader is enveloped. The story creeps up and possesses the imagination; there's something eerie in the way half-understood and only half-seen events leave their mark. It's a powerful feat of suggestion, visually acute, skillfully written; it won't easily erase its tracks in the reader's mind.”
— Hilary Mantel, author of the Man Booker Prize-Winning Bestsellers Wolf Hall and Bring Up the Bodies
“Exquisitely suspenseful, beautifully written, and highly recommended.”
—Lee Child, #1 internationally bestselling author of the Jack Reacher thrillers
“The most brilliantly, dark, eerie, intriguing, out-of-this-world tale I've ever read... Think The Killing and then square it.”
—Ruby Wax, author of Sane New World
“Wolf Winter is a beautiful novel, full of wisdom and poetry. Cecilia Ekbäck writes dark, compelling prose steeped in a powerful sense of place. Spellbinding.”
—Saskia Sarginson, author of Without You
"It's rare to come across such an original, compelling and beautifully written novel. Set in a haunted landscape during a dark Scandinavian winter in the 1700s, Wolf Winter has a mystery at its core, supported by richly drawn characters, magical language and so many twists and turns that you'll be reading and shivering into the wee hours."
—Pam Lewis, author of Speak Softly, She Can Hear and A Young Wife
“As dark as a winter night in the Arctic, as magical as the northern lights, Wolf Winter kept me turning pages long past my bedtime. A marvelous mixture of terror and delight.”
—Lauren B. Davis, author of The Empty Room and Against a Darkening Sky
“Rich in history and authentic detail, Wolf Winter is a deeply satisfying read. I highly recommend it.”
—Rene Denfeld, author of The Enchanted
“Swedish-born debut author Ekbäck writes with deliberate pacing and immerses the reader in the endless snowfall of winter with her hypnotic prose.”
—Emily Byers, Library Journal, Editor's Fall Pick
“This snapshot of life in a place where winter can be unspeakably cruel, where simply staying alive is a victory, proves irresistible.”
—The Kirkus Review
“Ekbäck is at her best when describing the harsh, unforgiving land and the family's unending battle with nature.”
—Jordan Foster, The Strand Magazine
“Wolf Winter eminently repays reading for the beauty of its prose, its strange, compelling atmosphere and its tremendous evocation of the stark, dangerous, threatening place, which exists in the far north and in the hearts of all of us.”
– Melanie McGrath, The Guardian (UK)
“In Wolf Winter, Swede Cecilia Ekbäck (writing in English) provides something fresh: for a start, a period setting (Swedish Lapland in 1717) and a haunting poetic strain not found elsewhere in the genre, except perhaps in the novels of Johan Theorin…. Highly individual fare.”
– Barry Forshaw, Financial Times (UK)
“Wolf Winter is an absorbing and impressive debut from an author who I look forward to reading again.”
– The Globe and Mail (Canada)
2014-12-06
Ekbäck takes readers on a journey to Swedish Lapland in 1717, a harsh and unforgiving place where the supernatural bleeds over into the difficult lives of the few settlers trying to make it through a hardscrabble winter. It's June, and 14-year-old Fredericka and Dorotea, her 6-year-old sister, are herding goats in the glade near their cabin when they stumble across the horribly mutilated body of a man. Ever since the family moved to Blackäsen Mountain from their seacoast home, they've spent most of their time preparing for the difficult winter headed their way. Their parents, Paavo and Maija, recently migrated from Finland after trading their boat for a patch of ground and a cabin. Paavo couldn't wait to leave fishing once he discovered his hereditary aversion to water. Now they're wondering what type of place they've settled in, with murdered men and secrets swirling around them. The dead man, identified as Eriksson, had been missing for three days, but no one seems particularly disturbed at his slaying, and word is out that bad things happen on the mountain. Maija decides to keep investigating Eriksson's death, even though it's not a popular move with the mountain's other inhabitants, and soon begins uncovering evidence of supernatural happenings on Blackäsen, along with a litany of unexplained deaths and events. And despite the unpopularity of Maija's moves, she refuses to let it go, even when events begin to spin out of her control and her family is threatened. Ekbäck's straightforward prose lacks nuance, but her first novel takes readers into places that few will ever have gone. This snapshot of life in a place where winter can be unspeakably cruel, where simply staying alive is a victory, proves irresistible.
Product Details
| BN ID: | 2940171195625 |
|---|---|
| Publisher: | Recorded Books, LLC |
| Publication date: | 01/27/2015 |
| Edition description: | Unabridged |
Read an Excerpt
Wolf Winter
By Cecilia Ekbäck
Weinstein Publishing
Copyright © 2015 Cecilia EkbäckAll rights reserved.
ISBN: 978-1-60286-252-4
CHAPTER 1
Swedish Lapland, June 1717
"But how far is it?"
Frederika wanted to scream. Dorotea was slowing them down. She dragged behind her the branch she ought to be using as a whip, and Frederika had to work twice as hard to keep the goats moving. The morning was bright; white daylight sliced the spruce tops and stirred up too much color. Frederika was growing hot. There were prickles on her back beneath the dress. She hadn't wanted to go, and now the goats didn't want to either. They leapt to the left or right in among the trees and tried to run past them back toward the cottage. The only sounds were those of a tree shifting, of a hoof striking stone, and the constant bleating of the stupid goats.
"Only poor people have goats," she had said to her mother that same morning.
They were sitting on the wooden porch of their new home on the side of Blackåsen Mountain. In front of them bugs flitted above the grassy slope. There was a small stream at the base of the hill and, beyond that, a field. Enclosing all this was forest—jagged black spears against pink morning sky.
"We'll sow turnips up there." Frederika's mother, Maija, nodded toward the barn. "That's a good place with sun."
"At least cows and sheep manage on their own in the forest. Goats are a lot of work for nothing."
"It's just until your father and I have built a fence around the field. Take them to that glade we saw on our way here. It's not far."
The barn door opened, and Dorotea hopped out. The door clapped shut behind her.
"It will be fine," her mother said in a low voice as Dorotea ran down the slope.
Frederika wanted to say that here nothing could be fine. The forest was too dark. There was spidery mould among the twigs, and on the ground beneath the lowest branches there were still patches of snow, hollow blue. She wanted to say that this cottage was smaller than the one they had lived in, in Ostrobothnia. It was lopsided and the land unkempt. Here was no sea, no other people. They shouldn't have left. Things hadn't been that bad. Hadn't they always managed? But the wrinkle between her mother's eyes was deeper than usual, as though she might want to say those things too, and so Frederika had said nothing.
"But how far is it?
Frederika looked at the blonde child in the hand-me-down dress that billowed around her like a sheet on a clothesline in wind. Dorotea was still little. Frederika was fourteen, Dorotea only six. Dorotea stumbled on the trailing hem.
"Lift your feet when you walk, and hurry," Frederika said.
"But I am tired," Dorotea said. "I'm tired, I'm tired, I'm tired."
It was going to be an awful, awful day.
They climbed higher, and the forest below them turned into a sea of deep greens and stark blues that rolled and fell until the end of the world. Frederika thought of gray lakes, of a watery sky. She thought of flat earth with sparse growth that didn't demand much, and missed Ostrobothnia so badly that her chest twisted.
The path narrowed and dipped, with many loose stones. To the left the mountain plunged all the way into the valley far beneath.
"Walk after me," she said to Dorotea. "Watch where you put your feet."
Along the base of the rock, star-shaped purple saxifrage peeked through the stones. There was a small mound of brown pellets sweating in the sunshine, spilling—a deer of some sort. Above them, growing straight out of the stone, was a small, twisted birch.
The path veered right. Frederika hadn't seen this when they came, but here the side of the mountain had burst. There was a fracture cutting deep into the rock. Lynx lived in crevices like this. Trolls also.
"Hurry," she said to Dorotea and lengthened her steps.
There was a large boulder and another bend in the path. The trail broadened. They were back in the forest.
"I stepped on something prickly." Her sister lifted her leg and pointed at the sole of her dusty foot.
Then Frederika sensed rather than saw it. The goats sensed it too. They hesitated and stared at her, bleating large question marks.
It was the smell, she thought. It was the same stench that lay over the yard when they slaughtered to have meat for winter. Earth, rot, feces.
A fly buzzed into her ear and she hit at it. Further away, between tree trunks, there was light. The glade. She put her finger to her mouth. "Shhh," she whispered to Dorotea.
Watching where she put each foot among blueberry sprigs and moss, she walked toward the brightening. At the edge of the glade she stopped.
Tall grass sprouted in tufts. A bouquet of hawthorn butterflies skipped and danced in the air like a handful of pale flowers thrown to the wind. At the farther end of the glade was a large rock. The pine trees behind grew close into a wooden wall. There was a shape beside the boulder. Yes, something had died. A deer. Or perhaps a reindeer.
Dorotea took her hand and stepped close. Frederika looked around as their mother had taught them, scanned the evenness of tree trunks for a movement or a shape. In the forest there was plenty of bear and wolf. Whatever had attacked could still be about, still be hungry after winter.
She concentrated. A woodpecker tapped. The sun burned on her scalp. Dorotea's hand was sticky, twitching in hers. Nothing else. She looked back toward the carcass.
It was blue.
She let go of her sister's hand and stepped forward.
It was a dead man there in the glade.
He stared at Frederika with cloudy eyes. He lay bent. Broken. His stomach was torn open, his insides on the grass, violently red, stringy. Flies strutted on the gleaming surfaces. One flew into the black hole that was his mouth.
Dorotea screamed, and at once it was upon her: the stench, the flies, the man's gaping mouth.
O Jesus, please help, she thought.
They had to get their mother. Jesus—the goats. They couldn't leave the goats.
She grabbed her sister's shoulders and turned her around. Dorotea's eyes were round, her mouth wide open, strings of saliva that became a bubble, then popped. She lost her breath, and her mouth gawped in silence.
"Dorotea," Frederika said. "We must fetch Mother."
Dorotea wrapped her arms around her, clambered up her like a cat up a tree, clawing. Frederika tried to loosen her arms. "Shhh."
The forest was quiet. There was no rustling, no tapping, murmuring, or chirping. No movement either. The forest held its breath.
Her sister bent her knees as if to sit down. Frederika grabbed her hand and yanked her to her feet. "Run," she hissed. Dorotea didn't move. "Run!" Frederika yelled, and raised her hand as if to hit her.
Dorotea gasped and set off down the trail. Frederika spread her arms wide and ran toward the goats.
They flew through the forest, hooves and bare feet drumming against the ground.
Faster.
Frederika whipped the back of the last goat. She fell, knees stinging, hands scraping. Up-up-don't-stop. One of the goats jumped off the trail. She screamed and slapped its rear.
When they reached the pass, Frederika grabbed her sister's arm. "We must go slow. Be careful." Dorotea hiccupped and dry sobbed. Frederika pinched her, and Dorotea stared at her, her mouth wide open.
"I'm sorry. Please, a little bit longer." Frederika stretched out her hand. Her sister took it, and they followed the goats into the pass. One step, two, three.
The rupture into the mountain seemed larger. There was a sound. It might have been breathing.
Oh, don't look. Frederika kept her eyes on her feet. Four, five, six. In the corner of her eye she saw Dorotea's naked feet on the trail beside hers, half-walking, half-running. Seven, eight, nine. The goats' hoofs were loud against the rocks. Please, she thought. Pleasepleaseplease.
The path slackened, twisted a little, and then flattened and fell downward and outward, and they began to run—slowly at first, then faster. Downhill now, sighting their house between the trees. Dorotea ahead of her, screaming, "Mamma, Mamma!"
And at last, safe in their yard. Her parents came running, her father with long strides, her mother just behind him. It was then that Frederika vomited.
Her father reached her, hauled her up by her arm, "What is going on? What happened?"
"A man," Frederika said and wiped her mouth, "in the glade, and he is dead."
And then her mother swept her into her long skirts as if she would never have to emerge again.
* * *
"We need to do something," Maija said.
Frederika had let go of her. Now it was Dorotea who was on her hip, fingertips on Maija's shoulders, face in her collarbone. Holding this child was like holding no weight at all. She clung on. Like a little spider.
"Your uncle said there were other settlers on the mountain. We need to find them," Maija said.
Her husband, Paavo, rubbed his forehead with his knuckle, pushed at his hat with the back of his hand, pulled it down again with two fingers. Maija's chest tightened.
"He belongs somewhere," she said. "This man. He belongs to someone."
"But which glade are you talking about? I don't know where it is," Paavo said.
Maija put her nose in her younger daughter's thin hair. Inhaled sunshine and salt. "I'll go," she said into the hair. "I'll see if I can find anyone."
The sun doesn't help, she thought, as if that excused him. Its glower made them seem brittle, beige quaking grass anticipating a storm.
They hadn't seen anyone during the three days they'd been on Blackåsen, but surely eastward there must be others who, like them, had come from the coast. People who had been there longer than they had. Maija walked fast. Blueberry sprigs nipped at her skirt. The sun was high; her body left no shape on the ground. She noticed her nostrils were flared. That little pull of dislike that was more and more often on her face. She wrinkled her nose, relaxed her features, and slowed her pace.
"It's not his fault," she said to herself.
She imagined her dead grandmother, Jutta, walking beside her: the snub nose, the forward-slanting forehead, and the underbite, elbows lifted, as if she were wading through water. "It's not his fault," Jutta agreed. "He's going through hard times."
Hard times for everyone, Maija couldn't help thinking.
The men in Paavo's lineage were of a weaker makeup. Fainthearted, it was often whispered back in the village. When Paavo proposed to Maija, he'd told her himself. Told her some among his family were prone to fear. It didn't bother her. She didn't believe in such a thing as destiny. And she had known the man in front of her ever since he was a long-haired boy pulling her braid.
"You are solid," she said, and touched his temple.
Neither of them expected what was to come.
As soon as they were married, they started. The terrors. As if being wedded brought damnation down on him. At night Paavo threw himself back and forth. He moaned. He woke up soaking wet, smelling salty of seaweed and rank like fish.
Paavo began to avoid the edge of his boat when they pulled up the nets. She tried to warn him, said, "Don't." But soon her husband no longer took the boat out in the brackish bay, where herring swam in big silver clouds and the backs of gray seals were oily slicks of joy. Then he decided he did not need to accompany the other men at all. His hair darkened and he cut it short. His skin became pale. He thickened. Little by little his world shrank until he could no longer bear the sight of water in the washbasins in the house or the sound of someone slurping soup.
And that was when Paavo's uncle, Teppo Eronen, came to visit from Sweden last spring and said, "Swap you your boat for my land." Teppo sang of a country with ore in every mountain and rivers full of pearls, and it awoke in Paavo a desperate longing to leave the waters of Finland for the forests of Sweden.
Yes, Uncle Teppo wasn't the shrewdest. And he told tall stories, everybody knew that, but might there still not be some truth to what he said? After all, the Swedes had tried to possess the north for centuries. Besides, Finland was being destroyed by the war. And it might do them both good, a fresh start?
Maija's heart felt heavy. If it wasn't the Tsar's soldiers hounding their coasts, burning their villages and looting, it was the Swedes, and that's where her husband wanted to move.
"It is not easy to leave something behind, you know," she said.
"I know that."
"It is possible though," she had to admit.
She put her hand to his cheek, forced him to look at her. "Then if we go, you must promise you will not take this with you."
His face told her what he felt. He wasn't sure a promise like that could be made. The fear might be braided in with his very fiber.
"People hang on to their past way beyond what's necessary," she said. "Swear you won't take it with you."
In a burst, he promised. And she trusted him.
The walk over the ice on the throat of the Baltic Sea ought to have taken them a few days, a week at most with the snow, but wind pressed down between the two landmasses. It lashed at their eyes with grains of ice until they couldn't continue. They dug a hole in the drifts and lay down with their daughters, as the wind ripped layer after layer of snow off them, until all that was left was the reindeer skin they clung onto. Paavo shouted in her ear. The wind cut out his words.
"What?"
"Forgive me." He shouted again. "... lied.... There was a boat ... I couldn't go by boat."
And then, as fast as it had angered, the wind mellowed, leaving behind blue sky, deep green ice.
But inside Maija the wind still screamed. All those things they had left behind, and yet her husband had chosen to bring his fear.
Maija stopped to wipe her forehead with her sleeve. June warmed spruce and pine trees all the way to their cores, worked on their frozen centers until they loosened and gave and the heat could reach into the ground along their roots, to break the frost at the deep. But for June this was hot. It was a good beginning. If it continued like this, nature would provide. Above her a high wind tugged at the crowns. At ground level all was still, a golden-green smell of resin and warm wood.
And then, instead of silence, there was the murmur of water. She began to walk again, head tilted, following the only timbres that were familiar in the midst of the woodland. And as the rumble of rapids became louder, she lengthened her steps, anticipated the opening, the air. She came out onto a large rock on the shore above a river and stopped. The water in front of her churned, screamed against stones and gushed down. She knew this, had seen it before, and yet she had never come across anything like it in her whole life. Once, he would have loved this, she thought. No, she could almost hear her husband say. I never liked anything like that.
She turned right, walked alongside the river torrents until they fell into a lake, faint swells on a blank surface the only signs of the violent struggle beneath. And on the south shore, about a kilometer away, there was a cottage.
The settlement lay on a grassy hill overlooking the lake. Behind the house the forest was lofty pine, not the craggy spruce of the mountain. Maija came out in a yard surrounded by four small buildings, sheds to store wood and food for winter. There were the rhythmic whacks of an axe, and she followed them toward the back of the barn. Along the wall scythes, rakes, shovels and levers stood in a well-ordered row. She passed cages where meat must be kept to dry in early spring before the flies. Four fat graylings hung on a hook, a string through their gills, bodies still glistening, their mouths agape. This was what a homestead should look like. She hadn't said it to the others, but she'd been shocked at the poor state in which Uncle Teppo had kept his. She walked around the corner and a man looked up. His dark hair was cropped close to his skull. There was a glitter of beard on his cheeks and a scar on his upper lip that pulled his mouth aslant. He steadied the piece of wood on the chopping block and split it in one blow. He reached for another log on the ground.
"My name is Maija," she said. "We've taken over Eronen's land. We arrived a few days ago."
He remained silent. His eyes lay so deep that they were like black holes under his eyebrows.
(Continues...)
Excerpted from Wolf Winter by Cecilia Ekbäck. Copyright © 2015 Cecilia Ekbäck. Excerpted by permission of Weinstein Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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