Wives and Daughters

Wives and Daughters

by Elizabeth Gaskell
Wives and Daughters

Wives and Daughters

by Elizabeth Gaskell

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Overview

Wives and Daughters is a novel by Elizabeth Gaskell, first published in the Cornhill Magazine as a serial from August 1864 to January 1866. When Mrs Gaskell died suddenly in 1865, it was not quite complete, and the last section was written by Frederick Greenwood.
The story revolves around Molly Gibson, only daughter of a widowed doctor living in a provincial English town in the 1830s.
The novel opens with young Molly Gibson, who has been raised by her widowed father. Visiting the local 'great house', Molly feels tired so she is sent to rest in the former governess's room. The woman, Clare, makes noise about her kindness to Molly, but is actually careless and thoughtless of Molly's concerns. The afternoon passes and Clare forgets about Molly and she misses her ride home after the picnic. The little girl is distressed at the idea of staying the night away from home and is relieved when her father comes to collect her.
Seven years later, Molly is now an attractive and rather unworldly young woman, which arouses the interest of one of her father's apprentices. Mr Gibson discovers the young man's secret affection and sends Molly to stay with the Hamleys of Hamley Hall, a gentry family that purportedly dates from the Heptarchy but whose circumstances are now reduced. There she finds a mother substitute in Mrs. Hamley, who embraces her almost as a daughter. Molly also becomes friends with the younger son, Roger. Molly is aware that, as the daughter of a professional man, she would not be considered a suitable match for Squire Hamley's sons. The elder son in particular, Osborne, is expected to make a brilliant marriage after an excellent career at Cambridge: he is handsome, clever and more fashionable than his brother. However, he has performed poorly at university, breaking the hearts of his parents. Molly also discovers his great secret: Osborne has married for love, to a French Roman Catholic ex-nursery maid, whom he has established in a secret cottage.
Meanwhile, after a startlingly brief love affair (of which Molly knows nothing), Mr Gibson abruptly decides to remarry, less from his own inclination than from a perceived duty to provide Molly with a mother to guide her. He is seduced by Mrs Hyacinth Kirkpatrick (formlery Miss Clare), a former governess at nearby Cumnor Towers whom Molly remembers with no affection. Dutiful Molly does her best, for her father's sake, to get on with her socially ambitious and selfish stepmother, but the home is not always happy. However, Molly immediately gets on well with her new stepsister, Cynthia, who is about the same age as Molly. The two girls are a study in contrasts: Cynthia is far more worldly and rebellious than Molly who is naive and slightly awkward. Cynthia has been educated in France, and it gradually becomes apparent that she and her mother have secrets in their past, involving the land agent from the great house, Mr. Preston…

Product Details

BN ID: 2940012402721
Publisher: JC PUB NETWORKS
Publication date: 03/29/2011
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

About The Author
Elizabeth Cleghorn Gaskell, née Stevenson (29 September 1810 – 12 November 1865), often referred to simply as Mrs Gaskell, was a British novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature.
Gaskell's first novel, Mary Barton, was published anonymously in 1848. The best known of her remaining novels are Cranford (1853), North and South (1854), and Wives and Daughters (1865). She became popular for her writing, especially her ghost stories, aided by Charles Dickens, who published her work in his magazine Household Words. Her ghost stories are quite distinct, in the "Gothic" vein, from her industrial fiction.
Even though her writing conforms to Victorian conventions (including signing her name "Mrs. Gaskell"), Gaskell usually frames her stories as critiques of contemporary attitudes: her early works focused on factory work in the Midlands. She always emphasized the role of women, with complex narratives and dynamic female characters.
In addition to her fiction, Gaskell also wrote the first biography of Charlotte Brontë, which played a significant role in developing her fellow writer's reputation.
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