Kohl, a correspondent for Süddeutsche Zeitung and former editor for Der Spiegel, returns to the 1945 Nuremberg trials with this fascinating look at 24 Novalisstrasse, a villa on the outskirts of Nuremberg, which housed the trial witnesses, the prosecution, and the defense. This meant that "former Nazis and members of the Resistance were under the same roof." Kohl's detailed account begins with the recruitment by Americans of the 36-year-old Hungarian Countess Kálnoky as house manager. Kálnoky, who spoke four languages, was instructed to "keep things running smoothly," which she did, often entertaining the "motley assortment" of guests with her amusing anecdotes and practical jokes, in addition to helping them prepare for courtroom appearances. Because Kálnoky's book, The Guest House, glossed over certain incidents, Kohl began her own extensive research, conducting interviews with Kálnoky shortly before her death in 1997 and poring through public archives, private papers, and eyewitness reports. Kohl's skill as a writer has enabled her to create a powerful postwar portrait of life inside the villa amid denials, guilt, and bitter memories. (Oct. 12)
A richly detailed and deeply researched account.” —The Washington Post
“Kohl’s journalist touch…brings a human element to the rather inhuman stories that came out of the trials…The Witness House is an important reminder of how, at the end of war, we still have to eat at the same table. Finding a civil way to do so is perhaps the key to healing.” —NPR.org
“Richly detailed and deeply researched… [The Witness House is] a 360-degree view of this critical time in history.” —The Denver Post
“Drawing on interviews, primary source materials, and recently disclosed documents,
Kohl introduces a cast of characters who, if not actually real participants in the events described, would seem to be the product of a work of fiction.” —Jewish Book World
“The history of World War II is so rich in character and detail that fiction presented alongside often pales in comparison, and this is especially true for a story so nuanced and taut as Kohl presents in The Witness House. The cast of characters, setting, and plot twists in the slim book are so extraordinary that, were they not entirely true, they simply could not be believed.” —ForeWord Magazine
“Kohl offers a glimpse of the Nuremberg trials refreshingly unlike that provided by standard histories. An improbable story of perpetrators and their victims forced to share the same domestic space, The Witness House is at once humorous, moving and disturbing. It is a fascinating read.” —Lawrence Douglas, Amherst College, author of The Memory of Judgment: Making Law and History in the Trials of the Holocaust
“A fascinating glimpse into the very human and remarkably harmonious society created in the microcosm of an Allied guesthouse where victors, vanquished and victims were lodged together during the Nuremberg Trials. Ms. Kohl, in this very readable book written with tremendous sensitivity, contributes greatly to the neglected history of the human condition in the postwar chaos of Europe.” —Lynn Nicholas, author of The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War
“Kohl deserves high praise for this fascinating new book, tapping into a story most people have never heard of but which provides a vital footnote to our understanding of the post-World War II world.” —Don and Petie Kladstrup, authors of Wine & War: the French, the Nazis and the Battle for France's Greatest Treasure
During the more than three years in which the Nuremberg War Crimes Tribunal heard cases, the American military ran an inn called the Witness House for those slated to testify. Journalist Kohl has utilized published sources and her own interviews with former residents, staff, and associates to tell the story of this unusual hostel. The focal point of the narrative, translated by the notable Bell, is the Hungarian émigré Ingeborg Kalnoky, who was engaged by American military authorities to manage a facility in which both defense and prosecution witnesses stayed. Kohl vividly re-creates the physical landscape and the nearly soap opera-like interactions of the residents, some of whom were intimates of the Nazis and others their victims. VERDICT Kohl blends the story of her own research with the telling of the actual history of the hostel. The result is not always interesting, although the narrative of the hostel is fascinating, particularly the portraits of the Nazis and Nazi sympathizers and their revisionist stories about their past.—Frederic Krome, Univ. of Cincinnati Clermont Coll.