Wire Mothers & Inanimate Arms: Harry Harlow And The Science Of Love

by Jim Ottaviani, Dylan Meconis (Artist)

Overview

• Psychologists know best, of course, and in the 1950s they warned parentsabout the dangers of too much love. Besides, what was “love” anyway? Just a convenient name for children seeking food and adults seeking sex. It tookan outsider scientist to challenge it. When Harry Harlow began his experimentson mother love he was more than just an outside the mainstream, though. He was adeeply unhappy man who knew in his gut the truth about what love — and itsabsence — meant, and set about to prove it. His experiments and resultsshocked the world, and Wire Mothers & Inanimate Arms will shock youas well.

Product Details

ISBN-13:	9780978803711
Publisher:	G.T. Labs
Publication date:	07/31/2007
Edition description:	New Edition
Pages:	80
Product dimensions:	6.00(w) x 9.00(h) x 0.00(d)
Age Range:	13 - 16 Years

About the Author

Jim Ottaviani has written nonfiction, science-oriented comics since 1997, notably the number one New York Times bestseller, Feynman and Fallout which was nominated for an Ignatz Award. He has worked as a nuclear engineer, caddy, programmer, and reference librarian. Primates is his first collaboration with artist Maris Wicks. He lives in Ann Arbor, Michigan.

Editorial Reviews

This nonfiction graphic novel retelling psychologist Harry Harlow's famous experiments is as disturbing as it is excellent. "We'll show you what love looks like-and what it does," says the young researcher, as he turns to TV to make his case after regular scientists reject his experiments. Harlow showed that rhesus monkeys preferred the soft, cloth stuffed-animal mother over wire surrogates, even when nursed by the wire doll. The famous images of the scary "cloth mother" and the even scarier "wire mother" has great cultural weight, but the real drama of the story Ottaviani tells is the contemporary scientists who won't admit the word "love" into their clinical language. Harlow's journey is tinged with subtle class and immigrant issues-the big-jawed, jowly figures, drawn with meaty shadows, express these divisions wonderfully, and help give Harlow emotional weight as he simultaneously finds success and sinks into alcoholism. The repetition of the term "proximity," how scientists explained away love, is chilling, and the largely forgotten Skinner boxes and the theories behind them give the work a sense of deep foreboding as a cautionary tale of how behaviorists once tried to declare affection to be scientifically unsound. (July)

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