A Winter Haunting

A Winter Haunting

by Dan Simmons
A Winter Haunting

A Winter Haunting

by Dan Simmons

eBook

$7.99  $11.99 Save 33% Current price is $7.99, Original price is $11.99. You Save 33%.

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now

Related collections and offers

LEND ME® See Details

Overview

A once-respected college professor and novelist, Dale Stewart has sabotaged his career and his marriage -- and now darkness is closing in on him. In the last hours of Halloween he has returned to the dying town of Elm Haven, his boyhood home, where he hopes to find peace in isolation. But moving into a long-deserted farmhouse on the far outskirts of town -- the one-time residence of a strange and brilliant friend who lost his young life in a grisly "accident" back in the terrible summer of 1960 -- is only the latest in his long succession of recent mistakes. Because Dale is not alone here. He has been followed to this house of shadows by private demons who are now twisting his reality into horrifying new forms. And a thick, blanketing early snow is starting to fall ...


Product Details

ISBN-13: 9780061803239
Publisher: HarperCollins Publishers
Publication date: 02/27/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 384
Sales rank: 90,444
File size: 801 KB

About the Author

About The Author

Dan Simmons is the Hugo Award-winning author of Hyperion and The Fall of Hyperion, and their sequels, Endymion and The Rise of Endymion. He has written the critically acclaimed suspense novels Darwin's Blade and The Crook Factory, as well as other highly respected works, including Summer of Night and its sequel A Winter Haunting, Song of Kali, Carrion Comfort, and Worlds Enough & Time. Simmons makes his home in Colorado.


Dan Simmons, a full-time public school teacher until 1987, is one of the few writers who consistently work across genres, and perhaps the only one to have won major awards in all of them. He has produced science fiction, horror, fantasy, and mainstream fiction, and is now launching stunning works in the thriller category. His first novel, Song of Kali, won the World Fantasy Award; his first science fiction novel, Hyperion, won the Hugo Award. His other novels and short fiction have been honored with numerous accolades, including nine Locus Awards, four Bram Stoker Awards, the French Prix Cosmos 2000, the British SF Association Award, and the Theodore Sturgeon Award.

In 1995, Wabash College presented Simmons with an honorary doctorate in humane letters for his work in fiction and education. He lives in Colorado along the Front Range of the Rockies.

Read an Excerpt

Chapter One

Forty-one years after I died, my friend Dale returned to the farm where I was murdered. It was a very bad winter.

I know what you're thinking. There's the old journalism anecdote of William Randolph Hearst needing someone to cover the Johnstown flood and sending a young cub reporter. It was the kid's big break. The next day the novice cabled back this lead to Hearst's paper: "GOD SAT ON A LONELY HILL ABOVE JOHNSTOWN TODAY, LOOKING DOWN IN SORROW AT NATURE'S FIERCE DESTRUCTION." Old-timers swear that Hearst did not hesitate ten seconds before cabling back this response: "FORGET FLOOD STORY. INTERVIEW GOD."

I say I died forty-one years ago and your response is, Forget the story about Dale. Who cares? Tell us what it's like to be dead -- what is the afterlife like? What is it like to be a ghost? Is there a God?

At least, these would be my questions. Unfortunately, I am not a ghost. Nor do I know anything about any afterlife. When I was alive, I did not believe in ghosts or heaven or God or spirits surviving the body or resurrection or reincarnation, and I still do not. If I had to describe my current state of existence, I would say that I am a cyst of memory. Dale's sense of me is so strong, so cut off and cauterized from the rest of his consciousness by trauma, that I seem to exist as something more than memory, something less than life, almost literally a black hole of holistic recollection formed by the collapsing gravity of grief.

I know this does not explain it, but then I do not really understand it myself. I know only that Iam and that there was a -- "quickening" might be the best word -- when Dale decided to return and spend the winter at the farm where I once lived and where I died.

And, no, I have no memory of my death. I know no more of that event than does Dale. Evidently one's death, like one's birth, is so important as to be beyond recall.

When I was alive I was only a boy, but I was fairly smart and totally dedicated to becoming a writer someday. I spent years preparing for that -- apprenticing myself to the word -- knowing that it would be many more years before I could write a real short story, much less a novel, but practicing with opening paragraphs for stories and novels nonetheless.

If I were borrowing an opening for this tale, I would steal it from Thackeray's boring 1861 novel Lovel the Widower:

Who shall be the hero of this tale? Not I who write it. I am but the Chorus of the Play. I make remarks on the conduct of the characters: I narrate their simple story.

Thackeray's ominiscient "I" was lying, of course. Any Creator stating that he is a simple Chorus and impassive observer of his creatures' actions is a hypocrite and a liar. Of course, I believed that to be true of God, on the few occasions when I considered that He might exist at all. Once, when Dale and Mike and I were having a chickenhouse discussion of God, my only contribution was a paraphrased quote from Mark Twain: "When we look around at the pain and injustice of the world, we must come to the ineluctable conclusion that God is a thug." I'm not sure if I believed that then or now, but it certainly shocked Mike and Dale into silence. Especially Mike. He was an altar boy then and most devout.

But I'm digressing even before I begin the story. I always hated writers who did that. I still have no powerful opening line. I'll just begin again.

Forty-one years after I died, my friend Dale returned to the farm where I was murdered. It was a very bad winter.

Dale Stewart drove from western Montana to central Illinois, more than 1,700 miles in 29 hours, the mountains dwindling and then disappearing in his rearview mirror, endless stretches of autumn prairie blending into a tan and russet blur, following I-90 east to I-29 southeast to I-80 east to I-74 south and then east again, traveling through the better part of two time zones, returning to the checkerboard geometries of the Midwest, and forcing himself down through more than forty years of memories like a diver going deep, fighting the pain and pressure that such depths bring. Dale stopped only for food, fuel, and a few catnaps at interstate rest areas. He had not slept well for months, even before his suicide attempt. Now he carried drugs for sleeping, but he did not choose to stop and use them on this trip. He wanted to get there as soon as possible. He did not really understand why he was going there.

Dale had planned to arrive at Elm Haven in midmorning, tour his old hometown, and then drive on to Duane's farmhouse in the daylight, but it was after eleven o'clock at night when he saw the ELM HAVEN exit sign on I-74.

He had planned to move into Duane's old house in early or mid-September, allowing plenty of time to enjoy the fall colors and the crisp, sunny autumn days. He arrived on the last day of October, at night, in the last hours of the first Halloween of the new century, hard on the cold cusp of winter.

I screwed up, thought Dale as he took the overpass above I-74 and followed the night-empty road the two miles north toward Elm Haven. Screwed up again. Everything I haven't lost, I've screwed up. And everything I lost, I lost because I screwed it up.

He shook his head at this, angry at the bumper-sticker-stupid self-pity of the...

A Winter Haunting. Copyright © by Dan Simmons. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

From the B&N Reads Blog

Customer Reviews