02/19/2018
As charmingly illustrated and approachable as the works it considers.
Why Comics? is a must-read, filling in a significant portion of the vast jigsaw puzzle of understanding comics.
Hillary Chute is the scholar comics has been waiting for—passionate, eloquent, encyclopedically knowledgeable, and profoundly in sync with the medium.
Now that Art Spiegelman’s Maus and Alison Bechdel’s Fun Home have found both commercial and critical success, at last there is a brilliant investigation into the unique powers of the medium.”
[Chute’s] writing is not just effortlessly accessible, it’s also invitingly engaging to anyone curious about the medium, from casual fan to seasoned pro.
When it comes to comics, Hillary Chute asks all the right questions.
Why Comics? is a must-read, filling in a significant portion of the vast jigsaw puzzle of understanding comics.
[Chute] has been leading the charge with some of the most sophisticated comics criticism to date… From Chute’s spectacular close readings it becomes clear that comics is, unquestionably, literature.
The Times Literary Supplement
Hillary Chute, who may be to comics studies what Art Spiegelman is to comics, brings her academic rigor to an examination of this oft-underappreciated art form. Her supple, nuanced understanding of how to read comics—not only why—begins with an emphasis on the difference between simply reading comics and knowing how to read comics, and continues with a deep dive into genres and themes.
Why Comics? is a riveting compendium of history, humor, politics, punk, sex, violence, and the occasional superhero. Hillary Chute has given us the stories behind some of the most subversive literature of our time. You want to read this book.
Why Comics? is as entertaining as it is revelatory, and Hillary Chute is one of the most engaging thinkers afoot in criticism today. Ideas tumble from these pages.
★ 2017-09-17
[Chute] has been leading the charge with some of the most sophisticated comics criticism to date… From Chute’s spectacular close readings it becomes clear that comics is, unquestionably, literature.”Times Literary Supplement
“Now that Art Spiegelman’s Maus and Alison Bechdel’s Fun Home have found both commercial and critical success, at last there is a brilliant investigation into the unique powers of the medium.”National Book Review
“As accessible as it is engaging, Why Comics? reaffirms Chute’s place as a leading voice in comics criticism while providing casual readers with valuable insights into the contemporary world of graphic storytelling.” — Los Angeles Review of Books
“Why Comics? is a must-read, filling in a significant portion of the vast jigsaw puzzle of understanding comics.” — Comics Journal
“Why Comics? is a riveting compendium of history, humor, politics, punk, sex, violence, and the occasional superhero. Hillary Chute has given us the stories behind some of the most subversive literature of our time. You want to read this book.” — Lauren Redniss, MacArthur Fellow and Author of Radioactive and Thunder & Lightning
“Hillary Chute is the scholar comics has been waiting for—passionate, eloquent, encyclopedically knowledgeable, and profoundly in sync with the medium.” — Lev Grossman, New York Times bestselling author of The Magicians
“In her wonderful book, Hillary L. Chute suggests that we’re in a blooming, expanding era of the art… Chute’s often lovely, sensitive discussions of individual expression in independent comics seem so right and true.” — New York Times Book Review
“Anyone seeking a persuasive and perceptive entryway to the world of comics need look no further.” — Publishers Weekly
“Chute elevates comics to literature when dissecting panels, text, and drawing techniques in the more than 100 reprints within the book.” — Library Journal (starred review)
“As charmingly illustrated and approachable as the works it considers.” — Chicago Tribune
“[Chute’s] writing is not just effortlessly accessible, it’s also invitingly engaging to anyone curious about the medium, from casual fan to seasoned pro.” — PRINT
“9.5 out of 10” — Comic Book Bin
“Chute writes from an unassailable position of expertise. . . . [and] she has a gift for peppering poetic language into information-dense prose, striking a tone that’s at once breezy and authoritative.” — PopMatters
“When it comes to comics, Hillary Chute asks all the right questions.” — Scott McCloud, Author of Understanding Comics and The Sculptor
“Why Comics? is as entertaining as it is revelatory, and Hillary Chute is one of the most engaging thinkers afoot in criticism today. Ideas tumble from these pages.” — Michael Tisserand, author of Krazy: George Herriman, A Life in Black and White
“Hillary Chute, who may be to comics studies what Art Spiegelman is to comics, brings her academic rigor to an examination of this oft-underappreciated art form. Her supple, nuanced understanding of how to read comics—not only why—begins with an emphasis on the difference between simply reading comics and knowing how to read comics, and continues with a deep dive into genres and themes.” — Karen Green, Curator for Comics and Cartoons, Columbia University
In her wonderful book, Hillary L. Chute suggests that we’re in a blooming, expanding era of the art… Chute’s often lovely, sensitive discussions of individual expression in independent comics seem so right and true.
New York Times Book Review
[Chute] has been leading the charge with some of the most sophisticated comics criticism to date… From Chute’s spectacular close readings it becomes clear that comics is, unquestionably, literature.”
Times Literary Supplement
As accessible as it is engaging, Why Comics? reaffirms Chute’s place as a leading voice in comics criticism while providing casual readers with valuable insights into the contemporary world of graphic storytelling.
Los Angeles Review of Books
As charmingly illustrated and approachable as the works it considers.
9.5 out of 10
Chute writes from an unassailable position of expertise. . . . [and] she has a gift for peppering poetic language into information-dense prose, striking a tone that’s at once breezy and authoritative.
