Praise for White Shadow
“A mesmerizing read. With wonderful detail of character and history, this novel is a tour de force from one of the best crime writers at work today.”—Michael Connelly
“Ace Atkins makes 1950s Florida as cool and hip as tomorrow in this outstanding novel. It’s a stunning achievement and sure to be a book of the year.”—Lee Child
“A rich, powerful novel that is to south Florida what James Ellroy’s L.A. Confidential is to Los Angeles.”—Robert Crais
“Classic Florida noir, a great crime novel set in the fabulously crime-ridden '50s. Ace Atkins has done a superb job of re-creating old Tampa, a place whose underworld was as dangerous and debauched as Chicago's in its prime.”—Carl Hiaasen
“A wild ride. This is a big-time crime novel crammed with violence, sex and some pretty good riting that makes it hard to put down.”—Kirkus Reviews
“Too often, historical mysteries are more history than mystery, but Atkins does a fine job of giving us a richly detailed portrait of a fascinating time and place without ever losing the compelling forward thrust of a taut and suspenseful tale.”—St. Louis Post-Dispatch
One of the major achievements of Atkins's fictional account of the murder of former mob boss Charlie Wall, the White Shadow of the title, is his mesmerizing recreation of the steamy, dangerous, pulsating city of Tampa, Fla., circa 1955. Surprisingly, Dufris, a veteran of more than 250 audiobooks, selects a straightforward, unaccented and bland approach to the atmosphere-rich novel. The book's protagonist and narrator, reporter L.B. Turner, referred to as a "Virginian," has a New England burr rather than an Old South slur. When it comes to Mafia and Cuban gangsters, Dufris rises to the occasion with an assortment of properly gruff and/or Latin accents. The audio package improves on the novel with a bonus disk, where Atkins eloquently outlines the events that triggered his interest in a nearly 50-year-old murder and offers anecdotes about his research. Just as fascinating are his interviews with former newsmen Bob Turner and Leland Hawes and retired detective Ellis Clifton, men whose voices and memories, presumably recorded during the last few years, seem as vital as they were back in the day. Simultaneous release with the Putnam hardcover (Reviews, June 3). (July) Copyright 2006 Reed Business Information.
It's 1955, and the Ybor City area of Tampa is a melting pot of Cuban and Sicilian immigrants liberally laced with gangsters vying for control of the city's gambling, prostitution, drug, and liquor concessions. When vice don Charlie Wall, affectionately known as The White Shadow, is murdered gangland style in his home, all of Tampa takes notice. Atkins (Dirty South) has penned a compelling fictionalized history of the affair told from a variety of perspectives-those of the prime suspects, the investigating police detective, an investigative reporter for the Tampa Times, and an elusive Cuban girl who was a prime mover in the case. In a Tampa Confidential style, Atkins's latest cleaves close to the truth as revealed by police reports, court documents, newspaper articles, and interviews with those involved. Not your average whodunit, White Shadow is an intriguing expos of a crime-ridden city in the not-too-distant past. Recommended. [See Prepub Mystery, LJ 1/06.]-Thomas Kilpatrick, Southern Illinois Univ. Lib., Carbondale Copyright 2006 Reed Business Information.
A wild ride back to south Florida in the mid-1950s, when reporters were boozy, women were floozies, cops were for sale and stone killers managed somehow to be colorful. On Monday, April 15, 1955, person or persons unknown severely punished Charlie Wall, king of the bootleggers in his time, with a baseball bat and then slit his throat-a homicide never solved. This is the pivotal, real-life episode Atkins uses to spin his tale of murder, betrayal and revenge in tempestuous Tampa, a city once dubbed "Little Chicago." Mob hits then were as integral to the scene as senior-citizen ex-pats are now. So who rubbed the old man out? Was it Santo Trafficante, operations boss of that busy crime triangulation-Sicily to Tampa to Havana-who might have arranged the deed simply because he could? Or how about Johnny Rivera, a hood's hood, sullen, reptilian, unburdened by anything resembling a conscience. Had he become convinced that the old man had grown loose-lipped with age? Detective Ed Dodge, the anomalous cop without a price tag, likes Johnny for it. But then he likes Johnny for just about anything that is vicious, cold-blooded and fatal. On the periphery as the drama unfolds, a kind of Greek chorus, are the reporters: 26-year old J.B. Turner, serving Atkins as alter ego and narrator; and smart, beautiful, endlessly enigmatic Eleanor Charles, chief among them-sniffing at the action, ever alert for byline material, seemingly safe behind the shield of their notebooks. Until suddenly they aren't. Atkins (Dirty South, 2004, etc.) mutes his Nick Travers series, benching the blues-loving ex-footballer, for something much more ambitious. This is a big-time crime novel crammed with violence, sex and somepretty good writing makes it hard to put down.
In Tampa in 1955, a time of Cuban neighborhoods and cigar factories, Sicilian and Cuban gangsters competed to control the city’s illicit activities. One of the most colorful characters was Charlie Wall, a crime boss and political operative. His assassination by a pair of thugs is the starting point of this novel, closely based on fact. William Dufris gives some figures slight vocal characterizations, which help identify characters in passages of extended dialogue. At the close of the book there are fascinating interviews with the author, the first reporter on the murder scene, a sheriff’s officer at the time, and the police interview with the prime suspect, “Scarface” Johnny Rivera. These added features are a true bonus. R.G. © AudioFile 2007, Portland, Maine
