Which Way to Die?
Tim Corrigan and Chuck Baer risk their necks to protect a pair of brilliant killers

When Chuck Baer and Tim Corrigan fought in Korea, they were known as the Deadly Duo. Now that they’re back in New York, Baer is working as a private eye and Corrigan is the only cop in the NYPD tough enough to wear an eye patch. They’re a long way from the army, but this duo never stopped being deadly.
 
Some 4 years ago, Corrigan had arrested Gerard Alstrom and Frank Grant, a pair of Columbia University freshmen who thought they were smart enough to commit the perfect murder. When a Miranda violation voids the killers’ conviction, it’s even money as to who will kill them 1st: the mob boss father of the girl they slaughtered, or her football star boyfriend. Corrigan is assigned to protect the bloodthirsty geniuses, whose sky-high IQs can’t save them from a bullet to the brain.
"1122463522"
Which Way to Die?
Tim Corrigan and Chuck Baer risk their necks to protect a pair of brilliant killers

When Chuck Baer and Tim Corrigan fought in Korea, they were known as the Deadly Duo. Now that they’re back in New York, Baer is working as a private eye and Corrigan is the only cop in the NYPD tough enough to wear an eye patch. They’re a long way from the army, but this duo never stopped being deadly.
 
Some 4 years ago, Corrigan had arrested Gerard Alstrom and Frank Grant, a pair of Columbia University freshmen who thought they were smart enough to commit the perfect murder. When a Miranda violation voids the killers’ conviction, it’s even money as to who will kill them 1st: the mob boss father of the girl they slaughtered, or her football star boyfriend. Corrigan is assigned to protect the bloodthirsty geniuses, whose sky-high IQs can’t save them from a bullet to the brain.
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Which Way to Die?

Which Way to Die?

by Ellery Queen
Which Way to Die?

Which Way to Die?

by Ellery Queen

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Overview

Tim Corrigan and Chuck Baer risk their necks to protect a pair of brilliant killers

When Chuck Baer and Tim Corrigan fought in Korea, they were known as the Deadly Duo. Now that they’re back in New York, Baer is working as a private eye and Corrigan is the only cop in the NYPD tough enough to wear an eye patch. They’re a long way from the army, but this duo never stopped being deadly.
 
Some 4 years ago, Corrigan had arrested Gerard Alstrom and Frank Grant, a pair of Columbia University freshmen who thought they were smart enough to commit the perfect murder. When a Miranda violation voids the killers’ conviction, it’s even money as to who will kill them 1st: the mob boss father of the girl they slaughtered, or her football star boyfriend. Corrigan is assigned to protect the bloodthirsty geniuses, whose sky-high IQs can’t save them from a bullet to the brain.

Product Details

ISBN-13: 9781504019941
Publisher: MysteriousPress.com/Open Road
Publication date: 09/29/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 123
File size: 2 MB

About the Author

Ellery Queen was a pen name created and shared by two cousins, Frederic Dannay (1905–1982) and Manfred B. Lee (1905–1971), as well as the name of their most famous detective. Born in Brooklyn, they spent forty-two years writing, editing, and anthologizing under the name, gaining a reputation as the foremost American authors of the Golden Age “fair play” mystery.
 
Although eventually famous on television and radio, Queen’s first appearance came in 1928, when the cousins won a mystery-writing contest with the book that was later published as The Roman Hat Mystery. Their character was an amateur detective who uses his spare time to assist his police inspector uncle in solving baffling crimes. Besides writing the Queen novels, Dannay and Lee cofounded Ellery Queen’s Mystery Magazine, one of the most influential crime publications of all time. Although Dannay outlived his cousin by nine years, he retired Queen upon Lee’s death.
Ellery Queen was a pen name created and shared by two cousins, Frederic Dannay (1905–1982) and Manfred B. Lee (1905–1971), as well as the name of their most famous detective. Born in Brooklyn, they spent forty-two years writing, editing, and anthologizing under the name, gaining a reputation as the foremost American authors of the Golden Age “fair play” mystery. Although eventually famous on television and radio, Queen’s first appearance came in 1928, when the cousins won a mystery-writing contest with the book that would eventually be published as The Roman Hat Mystery. Their character was an amateur detective who uses his spare time to assist his police inspector uncle in solving baffling crimes. Besides writing the Queen novels, Dannay and Lee cofounded Ellery Queen’s Mystery Magazine, one of the most influential crime publications of all time. Although Dannay outlived his cousin by nine years, he retired Queen upon Lee’s death.

Read an Excerpt

Which Way to Die?


By Ellery Queen

MysteriousPress.com

Copyright © 1967 Ellery Queen
All rights reserved.
ISBN: 978-1-5040-1994-1


CHAPTER 1

Corrigan had been held up in the Main Office squadroom by a laggard witness in an extortion case, so it was a quarter of six by the time he reached Maxie's Businessmen's Bar and Grill. A policeman's lot was not a happy one. Even a pint in a desk drawer was tabu at police headquarters. To relax over an after-hours drink he had to fight Manhattan traffic halfway across town.

He found Chuck Baer waiting at the bar. The redhead greeted him with a growl. "You said five-twenty, Tim."

"I would have stepped on the gas if you were prettier," Corrigan said to him. "I damn near stopped for a drink en route to brace myself for the sight of you."

Baer grinned at the bartender. "Give my grandfather an Irish."

They made an odd pair. Tim Corrigan was two inches under six feet, with the build of a greyhound. He moved fast and fluidly, like a boxer. His angular features were very nearly handsome, in spite of the black patch over the left eye he had left in Korea. The other eye was brown and direct and, at the moment, twinkling; it was capable of turning into an instant icicle, and it had chilled a great many hoodlums. Captain Corrigan was what his colleagues at the Main Office called a classy dresser; he wore smart Madison Avenue-type suits that strained his paychecks — one of his few excesses. He could have stepped out of an advertising agency.

Chuck Baer was nothing that Tim Corrigan was. His height was the same, but there the resemblance ended. He outweighed Corrigan by twenty-five pounds, not one ounce of which was fat, poly-unsaturated or otherwise. No one would ever accuse him of pleasing a mirror. He had the mashed and lumpy face of an oldtime wrestler, with thick swarthy skin, a big nose, and a heavy mouth and jaw. His blue eyes and red hair were Irish, in contrast to the rest of him, which said Slav. Corrigan could never get over the fact that his ugliness attracted women. He shambled around like a bear in an ill-fitting suit, and the women fell for him in herds.

During the Korean business they had been a team in the OSS — the Deadly Duo, as they were known to a usually unawed group — and they had ample reason for sentiment. The two had saved each other's lives half a dozen times during their service; it had been Baer who had carried Corrigan to an aid station when the shell fragment destroyed his eye. Neither had a lust for blood, but a job was a job, and their efficiency at it was legendary. Mustered out, Corrigan had been taken back by the Department in spite of his missing eye — a special case, and a tribute to the esteem in which he was held by the brass. Chuck Baer had opened a private detective agency. Their paths often crossed professionally; oftener socially.

"Can the Irish," Corrigan said to the bartender. "Make it a gin and tonic." Baer was drinking bourbon. The MOS man usually stuck to whisky, too, but it was an unseasonably warm day in May, and he wanted some frost in his glass.

"You know what?" Baer said, "Sundays should be changed by law to last for forty-eight hours. That way nobody would have to work on Mondays."

"Then you'd beef about Tuesdays."

Baer gave him an elbow in the rib. Corrigan flipped the sweat off his glass into Baer's eyes. They both grinned.

They sat drinking and chewing the fat amiably. It lasted until six o'clock, when the bartender switched the TV over the bar to the six o'clock news. At the newsman's first comment Corrigan and Baer stopped drinking to listen.

"The New York Court of Appeals today ordered the release from Sing Sing of life-termers Gerard Alstrom and Frank Grant. Invoking the recent Miranda decision of the United States Supreme Court, the Court of Appeals held that the confessions of the pair had not been admissible evidence because the defendants had not been informed of their rights of silence and to legal counsel at the time of their original interrogation by the police. In its decision the Court slammed the door on all possibility of a new trial by throwing out the conviction."

Corrigan cursed. Baer said, "Shut up, will you?"

"I sent them up!"

"Let's get this."

"Four years and one week ago today Gerard Alstrom and Frank Grant, then nineteen-year-old roommates at Columbia University, were convicted of the sex-and-thrill murder of coed Audrey Marsh. The sensational highlight of the trial was the admission of the boys' signed confessions, in which the defendants — both rated near-geniuses, with IQs in the one-eighties — stated that their sole motive in the murder had been to commit the perfect crime, as an 'intellectual exercise.' After trying unsuccessfully to have the confessions barred on the ground that they were obtained by police coercion, the defense switched tactics and attempted to get a verdict of not guilty by reason of insanity. Found guilty of murder in the first degree, the youths were first sentenced to death. The sentences were commuted to life imprisonment when New York State abolished the death penalty. Three appeals were rejected by the State's high court prior to this fourth and finally successful one.

"Another sensation during the trial was the revelation that the beautiful eighteen-year-old victim's real name was Audrey Martello, and that she was the daughter of Joseph (Marty) Martello, alleged gang lord and officer in the Cosa Nostra. Presumably Miss Martello had enrolled at the University under a false name to avoid publicity."

The newscaster went to another item and the bartender turned the sound down. A stout man near Corrigan and Baer gave the rest of the customers the benefit of a derisive snort.

"They were a hell of a lot safer in Sing Sing," he announced. "Marty Martello ain't about to let his daughter's killers get off the rap. Five'll get you ten they're both found dead in an alley by next Sunday."

A man in a loud sports jacket said, "And if Martello doesn't get them, Harry Barber will. There was a profile in Sports Illustrated last month said Harry's still carrying a torch for Martello's kid."

Harry Barber, early Vietnam war hero, currently star halfback for the New York Cougars, had been engaged to Audrey Martello at the time of the murder. The comment brought back to Corrigan's memory the scene in the MOS squadroom when he had brought the handcuffed killers in. Harry Barber had been waiting there. With a roar like a gorilla the young athlete had sprung forward to grip their throats and beat their heads together like a pair of coconuts. At the time Barber had just made first-string halfback on the Columbia Lions and weighed a solid two-twenty. Three detectives had been unable to pull him loose. The handcuffed killers had both been unconscious when Corrigan, in desperation, knocked Barber cold with karate smashes alongside his bull neck.

Cynical comments about the release of Alstrom and Grant were running up and down the bar. There was general agreement with the stout man and the man in the loud jacket. The only differences that developed revolved about which would get to the released killers first, Martello or Harry Barber. The odds seemed to favor Martello, who had professionalism in such matters going for him.

"I wouldn't be in their shoes for all the Red Guards in China," Chuck Baer said. "Not with those two after them."

"Not just those two," Corrigan grunted. "Alstrom and Grant have more than Martello and Barber to worry about. We got ten times the usual crank mail during the trial, threatening to kill them if they weren't convicted. I don't remember when public indignation in this town ran so high. Some kook may decide to burn them in the name of justice."

"Poetic justice," Baer said. "Those two killed that girl for kicks. If that isn't kooky I don't know what is."

"You sound as if you'd like to do it yourself, Chuck."

"Not a bad idea."

"You don't mean that. I can't think of any two citizens this republic would be better off without, but I don't hold with lynch law."

"This is better? Seeing them walk away free?"

"Yes, if lynch law is the alternative."

Baer grinned all over his ugly face. "Saint Corrigan. I'd think, since it was your case, you'd be out for blood."

"Regardless of personal feeling, I'm not about to sit by and see the administration of justice taken over by a hood like Martello and some schizo who thinks he's been hand-picked by the Almighty to even the score. I think the courts are dead wrong in this case, but I've got to back them up, Chuck. And, if it gets down to that, so do you."

"In the words of the immortal Sam, include me out."

"No, I mean it."

"That's why you're on the city payroll and I bill clients. If you think I'll lose any sleep if they're found dead in an alley, you're nuts yourself."

"I'm getting irritated with you," Corrigan said. "If I thought you meant it I'd throw you through that bar mirror."

"Man enough to try it?" Baer growled.

"Some day," Corrigan mourned, and said, "Toss for the check?"

"I lose," Baer said promptly, and tossed a bill on the bar.

He always did.

On Tuesday morning Corrigan picked up a paper from the newsboy on the corner outside headquarters. Upstairs in the MOS squadroom he opened the frosted-glass door with his name and rank on it and entered the bare ten-by-twelve cubby he called his office. It was furnished with a battered desk, a file cabinet, a couple of rickety chairs for visitors, and the grime of a generation. He sailed his hat onto one of the hooks of the clothestree, slumped behind his desk, and opened the paper.

The story on page one went into considerably more detail than the TV account. The two killers were not to be released until Friday because of some processing red tape. Reading between the lines, Corrigan knew that the real reason for the delay was to give the authorities time to plan adequate protection for the pair, probably at the insistence of the boys' lawyers.

Gerard Alstrom's lawyer was a man named Narwald, and Frank Grant's was his partner Fellows, of the highly-touted law firm of Narwald, Fellows, Norton and Finch. Narwald and Fellows were quoted as praising the Court of Appeals decision as a landmark ruling, and a judicial notice to the police that coercive tactics would no longer be tolerated by the courts of New York State.

John M. Alstrom, Gerard's father — the mother died shortly after her son's conviction; she had had a history of rheumatic heart disease — had nothing to say beyond expressing his happiness at his son's release. Mrs. Elizabeth Grant, widowed mother of Frank Grant, was quoted as reiterating her "unwavering faith" in the boys' innocence; she had never stopped clamoring about the "forced" confessions. It was noted in passing that young Frank's father, Leonard McGill Grant, had been John M. Alstrom's partner in the brokerage firm of Alstrom & Grant and had died of a cerebral hemorrhage the night his son and Gerard Alstrom had been arrested.

Interviewed by newsmen, Harry Barber had been characteristically frank. He doubted, the pro football star said, that Alstrom and Grant would live very long outside prison walls. Asked to elaborate, he was quoted as saying: "I'm not threatening anybody. I'm just saying some mentally unbalanced person may decide that justice got a raw deal when those two were let go. As far as I'm concerned, they'll get theirs in this world or the next. I'm betting it will be in this world."

Asked if any woman had ever replaced Audrey Martello in his affections, Barber had said, "Oh, I date occasionally, but there's no serious romance in my life. Anyway, that's nobody's business but mine."

With wry amusement Corrigan noted that neither Harry Barber nor any of the other persons interviewed had made mention of the likeliest instrument of retribution, Marty Martello. The newspapers were sensitive about the laws of libel, and Martello had a team of lawyers on his string who were experts in the field; he was sensitive, too.

Martello had not been available for comment.

Corrigan threw the newspaper down and brooded. He was still brooding when Detective Second Grade Meisenheimer stuck his bushy gray head into the room, removed the inevitable meerschaum pipe from his mouth, and said, "Skipper wants to see you."

"Urgent?" Corrigan mumbled. "I haven't even read my mail yet."

"He just said when you're free, Tim."

"So I'm not free," Corrigan said.

He had a sour taste in his mouth.

CHAPTER 2

Corrigan thumbed through his mail. The obvious junk he scaled into his waste can unopened. Of the remaining three envelopes, one was a kickback from the Detroit police department on a routine inquiry of his. The second was an invitation to speak on law enforcement at a Lions Club meeting. Corrigan checked his calendar, saw he had the date open, sighed, and phoned to accept the invitation. He was a good speaker, and his appearance was impressive — "it's the eyepatch," Chuck Baer kept needling him — and Inspector Macelyn, chief of the MOS, encouraged him to accept such dates whenever possible in the interests of public relations. ("God knows," the Inspector said, "we can use 'em!")

The third piece was a post office envelope with the typed address: Capt. Tim Corrigan, Main Office Squad, Police Headquarters, Centre St., New York, N.Y. There was no return address.

Corrigan had received or had had shunted onto him over the years so many anonymous notes that he had developed automatic precautions to preserve fingerprints. The no-return-address gambit was usually the tipoff. If it turned out that the enclosure was anonymous, as suspected, the precaution made it that much easier for the laboratory.

He slit one end of the envelope, used a pencil eraser to pull out the single folded sheet inside, then spread the sheet flat with the eraser and the letter-opener. It was an anonymous note, all right. On twenty-pound bond, he noted, and watermarked FOUR STAR BOND, SOUTHWORTH CO. U.S.A., 25% COTTON FIBER. The message was neatly typed:

Dear Captain:

Since the esteemed Pooh-Bahs of the Court of Appeals have seen fit to make a travesty of justice by letting two psychotic killers loose on the defenseless public, I personally intend to make sure neither lives long enough to kill again. If I know your true feelings about these maniacs, you won't try too hard to catch me.

Nemesis

"Nemesis" was typed, too.

The note was undated, but from the postmark the letter had gone through the main post office at seven o'clock the evening before. It must therefore have been written and mailed immediately following the six o'clock TV announcement of the Court's ruling.

Corrigan was interested. After four years the anonymous writer remembered which officer had broken the case. The writer's memory had to go back four years, because there had been no mention of Captain Corrigan either on TV or in the news item he had just read. It was possible that one of the other papers had mentioned him, but the news hadn't hit the papers before seven o'clock last night.

Corrigan phoned the lab and got hold of Chief Technician Yoder.

"I'm sending over a crank note," he told Yoder. "You won't have to check my prints against any you find, because I haven't fingered it. You still have the file of notes in the Audrey Martello case?"

"Sure, Tim. You know we never throw anything away."

"See if you can match this one with one of the old ones."

"I suppose we'll get dozens," Yoder said wearily. "After all the lab work I did on that case, I'm thinking about writing one myself. How'd the court decision hit you?"

"Where it hurts," Corrigan said. "What makes it worse, we now have to give the sons all the protection other citizens are entitled to."

"I'm glad it's not my job. Well, send it over," Yoder said. "I'm only up to my belly button in work."

Corrigan hung up, used the eraser and letter-opener to refold the note and tuck it back into its envelope, then slid the envelope into a clasp envelope and took the clasp envelope out into the squadroom. Meisenheimer was writing a report at one of the desks.

"Send this over to the lab, Meis. It's for Yoder. And tell the messenger not to get itchy fingers. This thing is to be checked for latent prints."

From behind a billow of meerschaum smoke the big man said, "Crank, Tim?"

"It's unsigned," Corrigan said shortly. Not every unsigned letter came from a crank. Sometimes the nonsigner only wanted it to appear that way.

Meisenheimer stared after him, shaking his head.

Corrigan crossed the squadroom to Inspector Macelyn's office. He rapped on the door, and a bass voice said, "It's about time!"


(Continues...)

Excerpted from Which Way to Die? by Ellery Queen. Copyright © 1967 Ellery Queen. Excerpted by permission of MysteriousPress.com.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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