Publishers Weekly
★ 07/12/2021
Reading like an episodic digest, Chilean writer Labatut’s stylish English-language debut offers an embellished, heretical, and thoroughly engrossing account of the personalities and creative madness that gave rise to some of the 20th century’s greatest scientific discoveries. Labatut begins with Prussian blue, the first synthetic pigment, created by alchemist Johann Conrad Dippel, and links it to the evolution of modern industrial poisons and the life of WWI German chemist Fritz Haber. Labatut then follows Alexander Grothendieck, the reclusive French mathematician whose political and spiritual inclinations led him to a life of monklike sequestration, before dramatizing the long battle between Werner Heisenberg and Erwin Schrödinger over the future of quantum physics. Labatut, like his single-minded, sometimes nearly demented protagonists, is interested in the underlying nature of things; his subject is the all-consuming human drive to discover, and the danger therein, which he explores with literary but never pretentious prose, impressively translated by West (on Prussian blue: “something in the colour’s chemical structure invoked violence: a fault, a shadow, an existential stain passed down from those experiments in which the alchemist dismembered living animals to create it”). Hard to pin down and all the more enjoyable for it, this unique work is one to be savored. Agent: Constanza Martinez, Puentes Agency. (Sept.)
From the Publisher
Selected by President Barack Obama for his Summer 2021 Reading List
Finalist for the Los Angeles Times’s Art Seidenbaum Award for First Fiction
“A gripping meditation on knowledge and hubris. . . . [Labatut] casts the flickering light of gothic fiction on 20th-century science. In five free-floating vignettes, he illuminates the kinship of knowledge and destruction, brilliance and madness. . . . His prose is masterfully paced and vividly rendered in Adrian Nathan West’s magnetic translation.” —Corinna da Fonseca-Wollheim, The New York Times Book Review
“When We Cease to Understand the World fuses fact and fiction to turn the modern history of physics into a gripping narrative of obsessed scientists, world-changing discoveries, and the ultimate results—often quite dark—of our drive to understand the fundamental workings of the universe.” —John Williams, The New York Times Book Review Podcast
“[When We Cease to Understand the World] is as compact and potent as a capsule of cyanide, a poison whose origin story takes up much of the opening chapter—the first of many looping forays into the wonders and horrors unleashed by science in the past few centuries. . . . It is a meditation in prose that bears a familial relationship to the work of W. G. Sebald or Olga Tokarczuk: a sequence of accounts that skew biographical but also venture into the terrain of imagination. . . . The stories in this book nest inside one another, their points of contact with reality almost impossible to fully determine.” —Ruth Franklin, The New Yorker
“Darkly dazzling. . . [Labatut] illustrates the unbreakable bond between horror and beauty, life-saving and life-destroying. . . . This book—as haunting as it is erudite—stubbornly insists on connecting the wonders of scientific advancement to the atrocities of history.” —Sam Sacks, The Wall Street Journal
“Labatut’s stylish English-language debut offers an embellished, heretical, and thoroughly engrossing account of the personalities and creative madness that gave rise to some of the 20th century’s greatest scientific discoveries. . . [Labatut’s] subject is the all-consuming human drive to discover, and the danger therein. . . Hard to pin down and all the more enjoyable for it, this unique work is one to be savored.” —Publishers Weekly, starred review
“[When We Cease to Understand the World] rattles the prevailing narrative of heroic scientific innovators.” —Mark Athitakis, Los Angeles Times
“Absolutely brilliant. I was utterly gripped and wolfed it down. It feels as if he has invented an entirely new genre.” —Mark Haddon
“A thrilling account of theories of physics, and as a series of highly-wrought imaginative extrapolations about the physicists who arrived at them.” —Geoff Dyer
“When We Cease to Understand the World by Benjamín Labatut is the strangest and most original book I’ve read for years. It hovers in a state between fiction and non-fiction, or wave and particle, and makes an account of modern mathematics and science into something as eerie as a great ghost story.” —Philip Pullman, New Statesman, ‘Books of the Year’
“A dazzling associative caper full of graceful arabesques linking continents and centuries and ideas.” —The Sunday Times Culture
“Remind[s] us of fiction’s power to take us to another world and expand our understanding of this one . . . When We Cease to Understand the World showcases the minds seeking to pierce the mysterious heart of mathematics.” —The Guardian, ‘Biggest books of autumn’
“It may be possible to actually feel your brain getting bigger as you read.” —Evening Standard
“Labatut has written a dystopian nonfiction novel set not in the future but in the present.” —John Banville, The Guardian
“An exquisitely written and continuously fascinating hybrid work of fiction and history.” —Catherine Taylor, The Irish Times
“Wholly mesmerising and revelatory . . . Completely fascinating.” —William Boyd
NOVEMBER 2021 - AudioFile
It’s difficult to characterize this “work of fiction based on real events,” but whatever the genre, it’s a marvelous listen. Labatut’s first work to be translated into English (and it’s an outstanding rendering by Adrian West) is a series of narratives involving some of the twentieth century’s greatest scientists and mathematicians, brought to our ears through the inviting baritone of Adam Barr. These enigmatic stories explore the idea that brilliant minds can straddle the line between heroism and horror; one example is Fritz Haber, whose discoveries led to fertilizers that saved millions from famine and to poison gas that slaughtered soldiers. This is an innovative and exciting work from a young writer, and Barr holds it together with his confident delivery. D.B. Winner of AudioFile Earphones Award © AudioFile 2021, Portland, Maine
Kirkus Reviews
2021-06-16
A belletristic exploration of the psychic and social tolls of 20th-century scientific innovation.
The Nobel-winning chemist Fritz Haber discovered the process that made lifesaving nitrogen fertilizer but also facilitated chemical weapons that killed thousands in World War I. The physicist Karl Schwarzchild discovered the phenomena behind black holes but was haunted by the violence he witnessed during the same conflict. Alexander Grothendieck was a pioneering mathematician who became a troubled and eccentric recluse. The central figures in quantum physics were all stricken with physical and mental illnesses, as if they buckled under the weight of their research. The first novel published in English by Chilean author Labatut—which was a finalist for the 2021 International Booker Prize—is constructed out of vignettes on these figures, coolly undermining the notion of consistent forward scientific progress. Rather, he writes, we are "borne of the whims of a many-armed goddess toying with chance.” Each section of the novel centers on one of the scientists in question, and in the early going Labatut comes off as more of a scientific historian than a novelist; the first chapter, on Haber, reads like a biographical sketch. But by the time we get to Erwin Schrödinger, Labatut’s writing becomes more interior and complex as the physicist scrabbles for footing within the scientific community and Indian religious tradition, then descends into an obsession with an underage girl he meets at a sanatorium. Just as quantum physics threw the bedrock principles of the universe into question, the novel shifts further from fact, closing with a fully fictional coda. In structure and content, the novel is highly mannered, but Labatut’s high-concept approach makes room for an emotional impact; you can feel the center stop holding as scientific triumphs become Pyrrhic victories.
A somber counterweight to the usual lore about scientific genius.
