Reading the West Book Awards Nominee
Longlisted for the Aspen Words Literary Prize
A New York Times Book Review Editors' Choice
Kirkus Reviews, A Best Short Fiction Book of the Year
The Week, A Most Anticipated Book of 2023
People en Español, A Most Anticipated Books of the Year
One of Electric Literature's Books by Women of Color to Read This Year
Latinx in Publishing, A Must-Read Book
"McCauley writes with a lovely lyricism and musicality, an adroitness of construction that brings a lightness to her heavier subjects. Within a crowded field of collections that explore family, motherhood and identity, this debut makes the case for one more." —Amil Niazi, The New York Times
"One of the Best New Books to Read in 2023." —Today
"Breathtaking . . . Ms. McCauley’s When Trying to Return Home reminds us that every day of our lives is both dangerous and, despite fear and anxiety, beautiful." —Pittsburgh Post-Gazette
"The worst thing I have to say about When Trying to Return Home is that I wish it was longer. Maritza McCauley teases her skills throughout the collection, highlighting her mastery of thrills and heartbreak, all the while incorporating authentic, genuine glimpses into the Black American and Afro-Puerto Rican experience." —Lillian Pearce, Michigan Daily News
"Powerful . . . It’s great for fans of moving novels that’ll have you questioning your own sense of belonging and hunting for a community of your own." —Marilyn La Jeunesse, Elle
"These stories will beguile and intrigue. They are equally tender and sharp, gentle and defiant, delicate and resilient." —Karla Strand, Ms., A Most Anticipated Title of the Year
"Jennifer Maritza McCauley’s short story collection, When Trying to Return Home, takes complex characters and situations and weaves them into a tapestry that provides the reader with an emotional journey. The collection demonstrates McCauley’s dexterity as a writer as she shifts voices, styles, and points of view . . . When Trying to Return Home stands as one of the best books of the year and is a must-read." —Jose B. Gonzalez, Latino Stories
"A dazzling debut collection spanning a century of Black American and Afro-Latino life in Puerto Rico, Pittsburgh, Louisiana, Miami, and beyond—and an evocative meditation on belonging, the meaning of home, and how we secure freedom on our own terms." —Kailey Brennan Dellorusso, Write or Die Magazine
"Admiringly gutsy and tender, with flashes of poetry . . . What can’t McCauley do? A writer to watch." —Kirkus Reviews (starred review)
"McCauley’s explosive debut collection crackles with moments of honesty, upheaval, and longing among families . . . Each story is a treasure." —Publishers Weekly (starred review)
“Powerful, propulsive, and at the same time, tender, the stories in When Trying to Return Home overflow with unforgettable characters and voices. A stunning debut! —Deesha Philyaw, author of The Secret Lives of Church Ladies
"Singular in power, beauty, wisdom, and depth, these stories blend razor sharp social commentary with an uncanny insight into the human experience. Jennifer Maritza McCauley introduces herself as a writer to behold with wonder." —Margaret Wilkerson Sexton, author of On the Rooftop
"McCauley is a powerful literary medium, able to speak in the voices of an astonishing range of characters, and to make us feel their presence in the room." —Debra Dean, bestselling author of The Madonnas of Leningrad and The Mirrored World
"In When Trying To Return Home live a cast of some of the most memorable characters and predicaments I've encountered in fiction. These interlinked stories will introduce you to a mother who fights to keep her two children close to her; a nun who considers her options for the future and her boisterous, ever-protective sister; a boy who meets a discarded family member; an adoptive mother whose will angers her heirs––just to name some characters. Jennifer Maritza McCauley is an incredibly gifted writer and I can't wait to see what she shares with us next." —De'Shawn Charles Winslow, author of Decent People
"This collection is a gorgeous kaleidoscope, audacious and wise, capturing and releasing the ways that love assaults us. McCauley’s stories will split your heart, but they will also, lovingly, fuse it back together." —Ivelisse Rodriguez, author of PEN/Faulkner Award for Fiction finalist Love War Stories
★ 12/05/2022
McCauley’s explosive debut collection crackles with moments of honesty, upheaval, and longing among families. In “Torsion,” Black Pittsburgh college student Claudia hews to an unwavering love for her volatile single mother, a hair technician who struggled to support Claudia and her younger brother Sam, who is now in foster care and needs dialysis for his renal failure. In Claudia’s loyalty, she allows her mother to convince her to help take Sam from his white foster mother, so the family can be reunited. In “Trying to Return Home,” Andra constantly faces questions from white people about her ethnic background and takes to answering with a mix of vagueness and specificity. At her new job in south Florida, she says her father is “Black American; her mami Cagus-born, mixed with several Something Elses.” As she mourns her deceased mother, who neglected to fill her in on their family tree, McCauley offers an illuminating view of the complexity of Andra’s private life. “La Espera” features multiple points of view on a messy family situation, with sisters Elena and Camila and Elena’s husband, Carlos, the father of Camila’s 12-year-old twin daughters. In a poignant scene, the girls are dressed in bright dresses while waiting at their house in Puerto Rico for Carlos to visit them from New York City, where he lives with Elena (“Let’s impress him with your loveliness,” Camila tells them). Each story is a treasure. (Feb.)
“These stories will beguile and intrigue. They are equally tender and sharp, gentle and defiant, delicate and resilient.”
★ 2022-12-14
Short fiction featuring Black and Latine characters trying to figure out their roles within their families, their love lives, and their communities.
In the bite-sized title story of McCauley’s collection, the narrator, Andra, moves to South Florida, where her new co-workers want to know where she’s from. “No, I mean…really?” they say. Andra’s father is Black, her mother Puerto Rican. She’s visibly othered, but grief has also estranged her, as she’s recently lost her mother. When Andra runs into a dark-skinned Latina at a panadería who speaks Spanish to her, she freezes, thinking of her mother, “Body-full with misted ancestors, yearning for old ghosts.” McCauley, who is also Afro-Latina, chronicles such yearnings in each story, interested in those spaces where differing forces collide internally and externally. Sometimes those forces are based in identity, as in the stunning opening story, “Torsion,” in which the narrator, Claudia (another young Afro-Latina) weighs loyalty to her mother against her desire to move into a self-determined future after her mother asks her to help illegally seize her young disabled brother from the foster parent he’s living with. Almost always, those forces have a moral dimension, as well, as in “Good Guys,” in which Alejandro, a college student at Miami Dade College, seeks to convince the audience, and himself, that he’s better than the class villain, Vick, who comes on to a young woman with a very good reason for not being interested in dating. The stories hang together in surprising ways, often linked across time—McCauley excels at historical fiction as well as contemporary. Individually, they are each admiringly gutsy and tender, with flashes of poetry. No reader will be surprised to learn that McCauley’s debut—Scar On / Scar Off (2017)—blended prose and poems.
What can’t McCauley do? A writer to watch.