When the Music's Over (Inspector Alan Banks Series #23)

by Peter Robinson

Overview

Two women. Two crimes.

The first is a poet claiming she was assaulted decades earlier by a man now regarded as one of the country’s national treasures. The second is a girl found on a remote roadside, her body broken, her life snuffed out.

For Alan Banks, newly promoted to Detective Superintendent, the first case rips a tunnel into long-ago days of innocence and discovery, of music and light. And in the victim, he sees an opportunity for magic recaptured—if he can bring her assailant to justice.

For Detective Inspector Annie Cabot, the lifeless young woman poses a baffling mystery—a mystery that will lead her into the unlikeliest of places, interviewing the unlikeliest of suspects.

Emotionally resonant and ingeniously plotted, When the Music’s Over shows Peter Robinson at his tense, triumphant best.

Product Details

ISBN-13:	9780062395054
Publisher:	HarperCollins
Publication date:	07/04/2017
Series:	Inspector Alan Banks Series , #23
Edition description:	Reprint
Pages:	464
Sales rank:	153,428
Product dimensions:	5.31(w) x 8.00(h) x 1.05(d)

About the Author

One of the world’s most popular and acclaimed writers, Peter Robinson was the bestselling, award-winning author of the DCI Banks series. He also wrote two short-story collections and three stand-alone novels, which combined have sold more than ten million copies around the world. Among his many honors and prizes were the Edgar Award, the CWA (UK) Dagger in the Library Award, and the Swedish Crime Writers’ Academy Martin Beck Award.

Editorial Reviews

06/27/2016
In Edgar-winner Robinson’s timely, sobering 23rd Inspector Banks novel (after 2015’s In the Dark Places), Det. Insp. Annie Cabbot investigates the rape and murder of 15-year-old Mimosa “Mimsy” Moffat, a white girl found naked on a country road, who lived in the nearby estates in Wytherton, York, and ran with a crowd that included several older guys of Pakistani descent. While Cabbot must tread carefully in the racially charged atmosphere during her investigation, Banks, recently promoted to detective superintendent, looks into claims made against a beloved British variety star, Danny Caxton, a 1960s-era crooner known for the catchphrase “Do your own thing,” which seemed to include raping 14-year-old Linda Palmer in 1967. Banks must decide whether Palmer, a poet who now wants to pursue a case against Caxton, is credible, and whether she’s his only victim. Robinson takes hot-button topics—xenophobia, sexual assault, and celebrities—and turns them into uniquely compelling cases for Banks, who remains a stalwart of justice in crime fiction. Agent: Dominick Abel, Dominick Abel Literary Agency. (Aug.)

Publishers Weekly

06/01/2016
The 23rd Alan Banks mystery (after In the Dark Places) opens with a naked girl thrown out of a van on a dark country road. DI Annie Cabbot and recently promoted Detective Superintendent Banks pursue separate but related cases, linked by the sexual exploitation of teen girls. Cabbot works the rape and murder case of the 15-year-old girl ejected from the van, a case possibly connected to the heinous practice of grooming girls for prostitution and complicated by cultural differences with the Asian community. Banks's investigation involves historical abuse. Well-known poet Linda Palmer was raped in 1967 at age 14 by popular British celebrity Danny Caxton. As the evidence piles up and more crimes surface the teams race to solve their cases. Happily, the resolution includes the hint of a new age-appropriate love interest for Banks. VERDICT Somehow, Banks and company never lose their appeal for fans of gritty British crime novels, especially those featuring a music-loving detective who is always in trouble and rarely lucky in love. Series followers won't be disappointed. [See Prepub Alert, 2/29/16.]—Barbara Clark-Greene, Groton P.L., CT

Library Journal

Simon Prebble's understated narration of Robinson's dark, thought-provoking mystery demonstrates how vital the right choice of narrator is to a successful audiobook. In this latest series title, Inspector Banks investigates a 50-year-old rape charge while his young DI, Annie Cabot, delves into the recent savage murder of a teenaged girl. Solving these crimes requires that the investigators, and listeners, face the horrid consequences of some of society's worst failings. The subject matter is carefully handled, but unsettling. Prebble's steady tones and soothing accent reduce the drama, allowing listeners to appreciate the nuanced characters and complex plot of this riveting police procedural. Prebble’s masterful delivery of this well-written story offers an audio experience with appeal far beyond established Inspector Banks fans. M.O.B. © AudioFile 2016, Portland, Maine

DECEMBER 2016 - AudioFile

2016-05-17
Alan Banks' first case as detective superintendent is a 50-year-old sex crime that's echoed by an equally appalling assault in present-day Eastvale."Do your own thing!" was Danny Caxton's catchphrase back when he was a pop singer. But a more accurate trademark might have been the one dropped by his ex-wife, Carol Canning: "When the music's over, it's time to have some fun." Encouraged by some recent high-visibility prosecutions of celebrities for ancient sex crimes, poet Linda Palmer has accused Caxton and a friend he summoned to his Blackpool hotel room of raping her during the summer of 1967, when Caxton was at the height of his celebrity. Still wealthy at 85, he denies every word of her story, and Banks (In the Dark Places, 2015, etc.) will have his hands full gathering evidence against him, especially since the original case files went missing long ago and DI Annie Cabbot, Banks' right hand on Homicide and Serious Crimes, is busy investigating a much more recent outrage: the case of Mimosa Moffat, a 14-year-old girl who was tossed out of a van on Bradham Lane by three men who had raped her repeatedly, then picked up by another driver who beat and kicked her to death. The investigations of crimes nearly half a century apart will both be developed through a series of knife-sharp interrogations in which the coppers are barely less hostile or prone to anger than the suspects they're questioning. Despite the double plot requiring two virtually unrelated pools of characters, the thematic connections between the cold case and the red-hot case are so pervasive and powerful that the result is one of the most tightly spun tales to come from Robinson's remorseless imagination.

Kirkus Reviews