Is
Super Chikan (aka
James Johnson) a
soul man or a
blues man? And where's the line between the two anyway? On
What You See,
Chikan certainly blurs them: The title cut roars out of the blocks as if it has come straight from the
funk store, a greasy wah-wah riff over some
blues licks (although one of those licks sounds worryingly like the
Stranglers'
"Peaches") and an infectious backbeat.
"Ain't Nobody" brings in some great horns, straight out of the
Stax studio, while
"El Camino" comes close to
surf blues over a New Orleans second-line rhythm. In other words,
Super Chikan isn't a big believer in boundaries, and he continues to cross them at will throughout the disc -- which makes for some wonderful listening.
"Okie Doak" is pure
soul-blues,
"Good Thing" could teach a lot of rockers how to approach the
blues -- it needs to be laid-back like this -- and
"You Said" gives it up on one of the funkiest basslines ever to emerge. There's plenty of '60s and '70s influence running through this, like the playful 12-bar synthesizer line on
"Willie Brown Jr.," which tends to distract from some fine
blues guitar work from the man himself, stretching out a little and showing excellent taste and chops.
"Big Boy Now" takes an archetypal
blues riff, and while it doesn't add anything new, it does generate plenty of excitement, with the inevitable rooster crows (a
Chikan trademark), and a humorous lyric about
country music and yodeling. It all rounds out with
"Fighting Cock," with a riff any bluesman would give his eye teeth for, not taken too seriously (another
Chikan trademark), stripped-down to the point of falling apart, and a guaranteed good time for all.
Soul to
blues and back again,
Chikan knows his way around the rootsy side of music. ~ Chris Nickson
