What the Oceans Remember: Searching for Belonging and Home

by Sonja Boon

Overview

Sonja Boon’s heritage is complicated. She has lived in Canada for over 30 years but was born in the UK to a Surinamese mother and a Dutch father. An invitation to join a family tree project inspired a journey to the heart of the histories that have shaped her identity, as she sought to answer two questions: Where does she belong? And who does she belong to?

Boon’s archival research—in Suriname, the Netherlands, the UK, and Canada—brings her opportunities to reflect on the possibilities and limitations of the archives themselves, the tangliness of oceanic migration, histories, the meaning of legacy, music, love, freedom, memory, ruin, and imagination. Ultimately, she reflected on the relevance of our past to understanding our present.

Deeply informed by archival research and current scholarship, but written as a reflective and intimate memoir, What the Oceans Remember addresses current issues in migration, identity, belonging, and history through an interrogation of race, ethnicity, gender, archives and memory. More importantly, it addresses the relevance of our past to understanding our present. It shows the multiplicity of identities and origins that can shape the way we understand our histories and our own selves.

Product Details

ISBN-13:	9781771125536
Publisher:	Wilfrid Laurier University Press
Publication date:	03/01/2022
Series:	Life Writing
Pages:	336
Product dimensions:	5.25(w) x 8.00(h) x 1.00(d)

About the Author

Sonja Boon is Professor of Gender Studies at Memorial University. An award-winning researcher, writer, teacher, and flutist, she is passionate abut life writing, archives, and identity. For six years, she was principal flutist of the Portland Baroque Orchestra (Oregon). In 2020, she was awarded the Royal Society of Canada's Ursula Franklin Award in Gender Studies. What the Oceans Remember is her fourth book.

Table of Contents

List of Figures xii

Author's Note xiii

Timeline xiv

Prologue 1

1 Tumbling Stones 5

2 The Facts 15

3 Van Gogh's Nose 29

4 La Vie en Rose 39

5 Opa's Books 59

6 Lineage 75

7 Due South 99

8 Disruptions 125

9 Roosje 131

10 Slavenregisters 147

11 Broko Pranasi 169

12 Joorayee 195

13 Oceans 215

14 Unfoldings 241

Epilogue 259

Acknowledgements 263

Notes 269

Bibliography 291

Index 307

Editorial Reviews

Timely, compelling and illuminating in equal measure, What the Oceans Remember, which scrutinizes the lives and legacies of several generations of slaves and indentured labourers in Suriname, also confronts the rights and responsibilities we bear in relation to our ancestors. In this ever-questioning memoir, Sonja Boon maps emotional registers and bureaucratic statistics as honestly as she navigates theoretical currents and ethical anxiety. Weaving desire, dreams, and personal memory into the historical record, Boon succeeds admirably in making silences speak and fragments cohere in a fine example of creative non-fiction. ” – Lydia Syson, author of Mr Peacock’s Possessions

“What the Oceans Remember addresses the complex and complicit question ‘Where are you from?’ by taking readers on an extraordinary trip through continents and countries, and to cities and their archives, to help us understand how the stories of our ancestors tell us something about ourselves. Boon’s exploration of the seductive spaces of the archives and the crossing of various kinds of borders brings to mind the work of Saidiya Hartman (Lose Your Mother), Maggie Nelson (The Argonauts), and complements the work of writers like Sara Ahmed as well. ” – Minelle Mahtani, University of British Columbia, author of Mixed Race Amnesia: Resisting the Romanticization of Multiraciality, host and creator of Acknowledgements and Sense of Place

“What the Oceans Remember is breathtaking in scope. Reaching across continents, oceans and histories, it shows us what it means to live in the shadow of freedom while unfree; how the colour of a person’s skin can determine if they are seen or invisible; how the word home can exclude; how the beauty of music can be a balm; how the invaluable quiet of an archive can quake with unearthed voices. Unrelentingly honest, sometimes harrowing, steeped in rich and startling insight, and conveyed in transparent prose – elegant as silk, tough as steel. ” – Lisa Moore, author of the story collection Something for Everyone

From the Publisher

“What the Oceans Remember is breathtaking in scope. Reaching across continents, oceans and histories, it shows us what it means to live in the shadow of freedom while unfree; how the colour of a person's skin can determine if they are seen or invisible; how the word home can exclude; how the beauty of music can be a balm; how the invaluable quiet of an archive can quake with unearthed voices. Unrelentingly honest, sometimes harrowing, steeped in rich and startling insight, and conveyed in transparent prose — elegant as silk, tough as steel.” — Lisa Moore, author of the story collection Something for Everyone

Lisa Moore

“Timely, compelling and illuminating in equal measure, What the Oceans Remember, which scrutinizes the lives and legacies of several generations of slaves and indentured labourers in Suriname, also confronts the rights and responsibilities we bear in relation to our ancestors. In this ever-questioning memoir, Sonja Boon maps emotional registers and bureaucratic statistics as honestly as she navigates theoretical currents and ethical anxiety. Weaving desire, dreams, and personal memory into the historical record, Boon succeeds admirably in making silences speak and fragments cohere in a fine example of creative non-fiction.” — Lydia Syson, author of Mr Peacock's Possessions

Lydia Syson

“What the Oceans Remember addresses the complex and complicit question 'Where are you from?' by taking readers on an extraordinary trip through continents and countries, and to cities and their archives, to help us understand how the stories of our ancestors tell us something about ourselves. Boon's exploration of the seductive spaces of the archives and the crossing of various kinds of borders brings to mind the work of Saidiya Hartman (Lose Your Mother), Maggie Nelson (The Argonauts), and complements the work of writers like Sara Ahmed as well.” — Minelle Mahtani, University of British Columbia, author of Mixed Race Amnesia: Resisting the Romanticization of Multiraciality, host and creator of Acknowledgements and Sense of Place

Minelle Mahtani