Publishers Weekly
★ 08/16/2021
The 2010 earthquake in Haiti provides the backdrop for the extraordinary latest from Chancy (The Loneliness of Angels). “The earth had buckled and, in that movement, all that was not in its place fell upon the earth’s children, upon the blameless as well as the guilty, without discrimination,” remembers survivor Ma Lou, a market woman. Multilayered, lyrical, and told by 10 people affected by the disaster, all connected by blood or friendship, Chancy’s dazzling take considers a myriad of topics including sexual violence, racism, a dysfunctional government, and capitalism. There’s Ma Lou’s estranged, wealthy water executive son, Richard, who returns to Haiti on a business trip from Paris just before the earthquake, and drowns while having an anti-capitalist epiphany; Richard’s daughter, Anne, an architect working in Rwanda who returns to help after the quake; Taffia, 15, who lives for much of the year in a displaced persons camp, where she is raped and gets pregnant; and Didier, her brother, an undocumented cab driver in Boston who is often stiffed and sometimes beaten by his fares due to his skin color. Didier hears about the tragedy on NPR and wishes he could know if his family are safe while feeling guilty for pursuing his own life. There are many endings, with shifting fortunes and stories involving vodou, and it all coheres with a poignant mission involving Ma Lou and Anne four years after the earthquake. Each of the voices entrances, thanks to Chancy’s beautiful prose and rich themes. This is not to be missed. (Oct.)
Zinzi Clemmons
"A beautiful, haunting chorus of voices. This is a heartbreaking book, a striking achievement."
Dan Vyleta
"An affecting and immersive—an important—book."
Angie Cruz
"A gorgeous and compulsively readable page-turner in the most haunting and stunning prose. If you love the works of Jesmyn Ward, Edwidge Danticat, and J. M. Coetzee, this is the book for you! Absolutely breathtaking!"
José Olivarez
"Myriam J. A. Chancy is a masterful writer. The book is devastating and tender, but it is not a spectacle of sadness—it is a show of humanity and care in the midst of great violence."
Booklist
"Remarkable. . . . Every element of the writing and characterization delivers a poignant experience."
Edwidge Danticat
"Lending her voice to ten survivors whose lives were indelibly altered by the January 12, 2010 earthquake in Haiti, Myriam J. A. Chancy’s sublime choral novel not only describes what it was like for her characters before, during, and after that heartrending day, she also powerfully guides us towards further reflection and healing."
Poets & Writers
"Poignant."
Kirkus Reviews
★ 2021-07-14
Survivors and victims tell their powerful, moving stories in this fictional account of the 2010 Haitian earthquake.
On Jan. 12, 2010, a massive earthquake struck the island of Hispaniola, changing the face of Haiti forever. Between 250,000 and 300,000 people are estimated to have perished, many of them in the crowded capital of Port-au-Prince, while 1.5 million others were left homeless. In her searing new novel, Chancy, who spent years talking to survivors, sifts through the wreckage of this inconceivable calamity. She has shaped the stories of the living and the dead into a mighty fictional tapestry that reflects the terror, despair, and sorrow of the moment as she examines questions of Haitian identity in a world that doesn’t seem to care. Among her unforgettable characters are a desperate husband who abandons his grief-stricken wife in a sprawling, dangerous tent city; a sex worker who steps out of a hotel moments before it collapses; a drug trafficker trapped in an elevator who begins to reassess his life; a wealthy businessman who left Haiti and has returned to make a deal at the worst possible moment; a teenage girl terrorized by a former classmate in the refugee camp; a Haitian cab driver in Boston who has discovered religion and the perils of being Black in America; and an architect who returns home from Rwanda, where she'd been working for an NGO, only to find herself stymied by bureaucracy and unable to help anyone. The thread that connects these voices is Ma Lou, a market woman who has witnessed the tides of fortune in Port-au-Prince for decades and who holds no illusions about the future. The stories are not always easy to read, but they shouldn’t be. Chancy offers fleeting redemption for some characters, but she does not deal in false hopes. “We all look away unless it’s us, or someone we love, going up in flames,” one character muses. In this devastating work, Chancy refuses to let any of us look away.
A devastating, personal, and vital account.
