What I Saw in America
This collection of essays from G.K. Chesterton includes the following works: What is America? A Meditation in a New York Hotel, A Meditation in Broadway, Irish and Other Interviewers, Some American cities, The spirit of England, The future of democracy, and many others.

Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny. The reaction of his senses and superficial habits of mind against something new, and to him abnormal, is a perfectly healthy reaction. But the mind which imagines that mere unfamiliarity can possibly prove anything about inferiority is a very inadequate mind. It is inadequate even in criticising things that may really be inferior to the things involved here. It is far better to laugh at a negro for having a black face than to sneer at him for having a sloping skull. It is proportionally even more preferable to laugh rather than judge in dealing with highly civilised peoples. Therefore I put at the beginning two working examples of what I felt about America before I saw it; the sort of thing that a man has a right to enjoy as a joke, and the sort of thing he has a duty to understand and respect, because it is the explanation of the joke.
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What I Saw in America
This collection of essays from G.K. Chesterton includes the following works: What is America? A Meditation in a New York Hotel, A Meditation in Broadway, Irish and Other Interviewers, Some American cities, The spirit of England, The future of democracy, and many others.

Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny. The reaction of his senses and superficial habits of mind against something new, and to him abnormal, is a perfectly healthy reaction. But the mind which imagines that mere unfamiliarity can possibly prove anything about inferiority is a very inadequate mind. It is inadequate even in criticising things that may really be inferior to the things involved here. It is far better to laugh at a negro for having a black face than to sneer at him for having a sloping skull. It is proportionally even more preferable to laugh rather than judge in dealing with highly civilised peoples. Therefore I put at the beginning two working examples of what I felt about America before I saw it; the sort of thing that a man has a right to enjoy as a joke, and the sort of thing he has a duty to understand and respect, because it is the explanation of the joke.
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What I Saw in America

What I Saw in America

by G. K. Chesterton
What I Saw in America

What I Saw in America

by G. K. Chesterton

Hardcover

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Overview

This collection of essays from G.K. Chesterton includes the following works: What is America? A Meditation in a New York Hotel, A Meditation in Broadway, Irish and Other Interviewers, Some American cities, The spirit of England, The future of democracy, and many others.

Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny. The reaction of his senses and superficial habits of mind against something new, and to him abnormal, is a perfectly healthy reaction. But the mind which imagines that mere unfamiliarity can possibly prove anything about inferiority is a very inadequate mind. It is inadequate even in criticising things that may really be inferior to the things involved here. It is far better to laugh at a negro for having a black face than to sneer at him for having a sloping skull. It is proportionally even more preferable to laugh rather than judge in dealing with highly civilised peoples. Therefore I put at the beginning two working examples of what I felt about America before I saw it; the sort of thing that a man has a right to enjoy as a joke, and the sort of thing he has a duty to understand and respect, because it is the explanation of the joke.

Product Details

ISBN-13: 9781774417775
Publisher: Whispering Pines Press
Publication date: 04/03/2021
Pages: 208
Product dimensions: 6.00(w) x 9.00(h) x 0.50(d)

About the Author

About The Author
Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English writer,[2] philosopher, Christian apologist, a literary and art critic.

Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an orthodox Christian, and came to identify this position more and more with Catholicism, eventually converting from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin.

He has been referred to as the "prince of paradox". Of his writing style, Time observed: "Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out. His writings were an influence on Jorge Luis Borges, who compared his literature with that of Edgar Allan Poe.
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