Welcome to the Bed and Biscuit

Welcome to the Bed and Biscuit

Welcome to the Bed and Biscuit

Welcome to the Bed and Biscuit

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Overview

Grampa's menagerie of pets are rubbed the wrong way when a needy little critter arrives in this lighthearted chapter book.

Grampa Bender wouldn't be able to run the Bed and Biscuit animal boardinghouse without the help of Ernest the pig, Gabby the mynah bird, and Milly the cat. In fact, the three animals have always thought of themselves as Grampa's family — and they assumed he felt the same way. But when Grampa comes home with a mysterious bundle and stops paying attention to his loyal companions, they start to question his affections. Engaging illustrations by Noah Z. Jones, capturing every endearing trait of this oddball family, complement Joan Carris's humorous, heartwarming book for middle-grade readers.


Product Details

ISBN-13: 9780763671907
Publisher: Candlewick Press
Publication date: 02/11/2014
Sold by: Barnes & Noble
Format: eBook
Lexile: 610L (what's this?)
File size: 12 MB
Note: This product may take a few minutes to download.
Age Range: 6 - 9 Years

About the Author

Joan Carris, the author of the Bed and Biscuit series, has published more than a dozen books for children. She lives in Beaufort, North Carolina.

Noah Z. Jones illustrated the Bed and Biscuit stories as well as Dance With Me, Those Shoes, The Monster in the Backpack, and Not Norman. He lives in Camden, Maine.


Instead of a fascinating, miserable childhood that helps so many writers, I had a boringly normal youth. I remember running all over the neighborhood and then being spanked on the way home, because I knew better than to go so far away. True, I did know better. I just didn’t care about being a good girl. A few weeks after my brother was born, when I was five, I gently lifted him out of his bassinet, tiptoed downstairs in the early morning, and offered him to the milkman. “Here. Take him. We don’t need him,” I said. The milkman made me put him back, of course, and I must say I was beginning to feel a tad guilty. He was a beautiful, happy baby who became a great brother.

In grade school I became a real reader, spending four or five hours a day with books, figuring out who I was and what was important to me. Parts of me were like fiery Anne in Anne of Green Gables. At other times I was Nancy Drew, brilliantly solving mysteries. I was also patient, passionate Edmund Dantes in The Count of Monte Cristo and stubborn Howard Roark in The Fountainhead. I was Jo, the writing sister in Little Women. I moved into the mind of each character I loved; I still do, whether I’m reading or writing.


I write many kinds of books, including novels for young readers. The Nancy Drew lurking inside me turned many of these into mysteries: When the Boys Ran the House, Witch-Cat, A Ghost of a Chance, Stolen Bones, and Beware the Ravens, Aunt Morbelia were funny, but they were also mysteries. I especially enjoyed creating Aunt Morbelia, a retired schoolteacher who first appeared in Aunt Morbelia and the Screaming Skulls. Aunt M was an inspiring, inventive woman, yet she was highly superstitious and told scary ghost stories—to the dismay of Todd, her great-nephew. When Aunt Morbelia saw how he struggled with dyslexia, she made it her mission to teach him how to learn. She persevered bravely, even though she passed out cold when Todd and his friend Jeff insisted that she tour the funeral home, and nearly had a heart attack when Todd’s cat Banshee howled in the night. An unlikely pair, Aunt M and Todd eventually forged a bond, to their mutual benefit.

Humor creeps into all of my writing, whether it belongs there or not. I can’t help it apparently. Although I strive to not take myself seriously, I take my work very seriously. Writing and reading are two of the best things you can do to figure out who you are and what is important in life. If I had the power, I’d require much more writing and reading in the schools, focusing on these skills until every kid was good at both. After that, a person can learn anything!

Three Things You Might Not Know About Me:

1. I consider chocolate a vegetable. It comes from a bean, after all, and it raises my spirits whenever I eat some, which is as often as I dare. Do string beans raise my spirits? Nope. That’s why I eat chocolate.

2. In high school and college and afterwards, I smoked cigarettes. Are we all really dumb at times? I guess so, because my smoking was world-class stupid. I don’t smoke anymore, but it was REALLY HARD to quit. Those danged cigarettes were running my life, I decided, and that’s when I quit. Nicotine is a powerful, scary drug. My dad was right about smoking, and I should have listened to him.

3. I prefer loose, billowy clothing because it is more comfortable. A Hawaiian muumuu is the perfect garment, or a fluffy bathrobe in winter. All this spandex and tight clothing drive me wacko. It’s a good thing I work at home, huh?


Noah Z. Jones is an author/illustrator/animator who draws all sorts of wacky oddities out of his home in Camden, Maine. After taking part in a monster-drawing contest in the fifth grade (placing fourth out of five), he realized that he wanted to create art for a living.

As a kid, Noah Z. Jones’s love for drawing was fueled by dinosaurs, monster movies, and the Wacky Packages line of trading cards. He would spend hours poring over books by Maurice Sendak, Richard Scarry, and Mercer Mayer.

His unique art and designs have added to numerous award-winning projects from clients such as Nickelodeon, PBS, and Disney. His crazy web-developed characters have attracted worldwide recognition and can often be spotted popping up on T-shirts around the globe.

Noah Z. Jones’s ability to change styles both digitally and with traditional pencil drawings demonstrates an unusual stylistic versatility. His books with Candlewick Press, Not Norman, The Monster in the Backpack, Those Shoes, and the Bed and Biscuit series— each with a different author — show his ability to approach every story with a fresh eye.

In addition to his work on children’s books, Noah Z. Jones divides his time between creative collaborations with commercial clients and developing his own odd collection of characters, ideas, and all-around lunacy.

Read an Excerpt


Welcome to the Bed and Biscuit



By Joan Carris
Candlewick
Copyright © 2006

Joan Carris
All right reserved.



ISBN: 9780763621513


THE MYSTERY BOX

Hours went by as the animals slept, and night came.

"You're snoring! Snoring!" Gabby poked Ernest with her beak.

"Sorry," Ernest said, half asleep. She went back to sleep, but he was now wide awake, worrying.

"Ernest! You're squishing me!" Milly cried.

How could such a small cat take over the whole bed? Ernest apologized again, and the night wore on. Above the old black stove, the clock ticked away.

Grampa's rooster, Rory - the loudest rooster in the county - began crowing as dawn approached. Ernest clung to the hope that someday Rory would be made into chicken soup. He had chased Ernest repeatedly when he was a piglet, new to the Bed and Biscuit.

Now Ernest stuck his head under a blanket and lay still. Finally Grampa's white pickup truck roared by the kitchen window. Ernest, Milly, and Gabby lined up at the low window to watch.

Grampa hurried into the barn and came out with a dark wooden box - about the size of a breadbox. He entered the kitchen with a tired, " 'Morning, troops," and went on by, heading for the stairs to his bedroom. They listened as he slowly mounted the steps.

"Well, wouldn't that frost your beak!" Gabby said from her perch on the back of a chair.

"Oh, hush," Ernest said.

Gabby stuck her beak in the air."Ah, Lord Ernest Piglet is at it again." She turned her back and talked to the wall. "I'll never know why Grampa had to add a bossy pig to this family."

"You won't figure it out, either, birdbrain!"

Gabby whirled around. "Blabby little fat-belly!"

"Sorry excuse for a parrot!"

"Porky smart-mouth!"

Ernest was running out of insults. What was Grampa doing anyway?

"Loudmouth lard-bucket!"

Milly gave a pitiful mew.

Eager to change the subject, Ernest said, "You win. So what do we think Grampa got out of the barn? I never saw that box before."

"He had something in his arms, too, when he got out of the truck," Milly said. "It's a bundle. I saw it."

"Really?" said Ernest. "Did he have it when he came through here?"

Milly's ears flattened and she shook out her fur. "I don't know, but I'm going up there to see for myself. It's my bedroom, too!"

"Well, wouldn't that frost your beak!" Gabby said.

Time passed. Ernest fidgeted.

Gabby flew from the rocking chair to the end of the kitchen counter and began to clean her shimmering purple-green tailfeathers.

"Do you think the bundle came from McBroom's farm?" Ernest asked her.

"Who knows? Grampa was gone all night. He could have been all over the county."

"Well, how about that box? Do you know what it's for?"

"Honestly! Can't you see I'm busy?"

"But this is important!"

Gabby stopped preening. "How do you know?"

"I just do."

At that point Milly marched into the kitchen. She sat on Ernest's bed where the white tip of her striped tail tapped up and down. Tap . . . tap . . . tap.

Ernest said, "Well? What is Grampa doing? Tell us about the box."

"It's hot," she said. "I felt it with my whiskers when I tried to look inside."

"Is it a toaster?" Ernest asked. "Is Grampa cooking in his room?"

"No, but it plugs into the wall like a toaster."

Suddenly Gabby cried, "The bundle! Tell us about the bundle!"

Milly's green eyes narrowed. "The bundle is in the box. I tried to get a look at it, and Grampa pushed me away." Her tail tapped faster.

"You poor thing," Gabby said with unusual sympathy.

"Now, Milly, Grampa's just tired," said Ernest. "He thinks you're the best cat in the world."

Milly drooped. "Right now, all he cares about is what's in that box."

Ernest went on. "Maybe whatever is in the box could hurt you, Milly."

"Right. Most likely a pit bull," Gabby said.

Unamused, Ernest and Milly stared at her.

"Just trying to lighten things up!" Gabby said, waggling her beak.

"Seriously," Milly went on, "how could it hurt me? It's tiny!"

"You're sure the bundle is inside the box? And it isn't food?"

"I'm sure. He's talking to it." Milly glared at Gabby and Ernest. "Have you ever seen Grampa talk to his lunch?"

"No, but he talks to the newspaper and the TV . . . and of course, he always talks to us." Ernest stopped short.

"There," said Milly.

Ernest bent down and nuzzled her satiny head. "You think what's in the box is alive, don't you?"

"Yes. And it stinks."

"Stinks?" Ernest and Gabby said together.

"Like the barbecue grill. Outside, where we have picnics."

"Hmm." Ernest was thoughtful. "So it smells like smoke."

"Yes," Milly said. "It smells burned, too. But Grampa must think it's wonderful. He hardly even noticed I was in the room. So I left."

Ernest saw how upset she was. She had slept with Grampa ever since he had found her hiding, tiny and terrified, in his barn. She was so sickly that he had fed her with an eyedropper and carried her around in his jacket pocket. He called her his Milly-Baby, and from the beginning, his bed had been her bed.

"I'm not going back up there," Milly announced. "I'll just sleep with you, Ernest - like I did last night - if that's all right?"

"Oh . . . fine . . . sure," Ernest lied gallantly.

"I'm on the curtain rod, Milly, in case you need me," said Gabby.

But who, or what, was upstairs with Grampa? Ernest wondered.

_______

Continues...


Excerpted from Welcome to the Bed and Biscuit by Joan Carris Copyright © 2006 by Joan Carris. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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