Weigert focuses on three of the most spectacular and little-studied tapestry series preserved from the fifteenth and early sixteenth centuries: Lives of Saints Piat and Eleutherius (Notre-Dame, Tournai), Life of Saint Steven (Saint-Steven, Auxerre [now Musée du Moyen Age, Paris]), and Life of Saints Gervasius and Protasius (Saint-Julien, Le Mans). Each of these tapestries, measuring over forty meters in length, included elements that have traditionally been defined as either lay or clerical. On the prescribed days when the tapestries were displayed, the liturgical performance for which they were the setting sought to merge the history and patron saint of the local community with the universal history of the Christian church. Weigert combines a detailed analysis of the narrative structure of individual images with a discussion of the particular social circumstances in which they were produced and perceived. Weaving Sacred Stories is thereby significant not only to the history of medieval art but also to art history and cultural studies in general.
Weigert focuses on three of the most spectacular and little-studied tapestry series preserved from the fifteenth and early sixteenth centuries: Lives of Saints Piat and Eleutherius (Notre-Dame, Tournai), Life of Saint Steven (Saint-Steven, Auxerre [now Musée du Moyen Age, Paris]), and Life of Saints Gervasius and Protasius (Saint-Julien, Le Mans). Each of these tapestries, measuring over forty meters in length, included elements that have traditionally been defined as either lay or clerical. On the prescribed days when the tapestries were displayed, the liturgical performance for which they were the setting sought to merge the history and patron saint of the local community with the universal history of the Christian church. Weigert combines a detailed analysis of the narrative structure of individual images with a discussion of the particular social circumstances in which they were produced and perceived. Weaving Sacred Stories is thereby significant not only to the history of medieval art but also to art history and cultural studies in general.
![Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.10.4)
Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity
272![Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.10.4)
Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity
272Hardcover
Product Details
ISBN-13: | 9780801440083 |
---|---|
Publisher: | Cornell University Press |
Publication date: | 04/15/2004 |
Series: | Conjunctions of Religion and Power in the Medieval Past |
Pages: | 272 |
Product dimensions: | 8.00(w) x 9.00(h) x (d) |
Age Range: | 18 Years |