Weapons of Mass Destruction

For patriots like Billy Sinclair, the Iraq War started on 9/11. He is primed to kill in the backwoods of Montana, hunting with his buddy Pete under the tutelage of his grandfather, a decorated World War II veteran. When they kill their first deer, Grandpa smears its blood on their faces in honor of Pete's great-great-grandfather, a Sioux scout who corralled the first wild horses bearing the Sinclair brand. A more sublime boyhood is unimaginable, a more tragic adolescence unthinkable.

Nobody sees it coming. Pete's inexplicable suicide steels Sinclair's resolve to join the Marines. The moral certainty of the war on terror fills the void left by his best friend's death. But Sinclair's faith falters when his platoon is forced to attack equivocal targets in Fallujah: mosques, cemeteries, and countless homes. Urban combat is tough enough without being haunted by the specters of defenseless women, let alone children.

Sinclair summons his training, holding his doubts at bay until a suicide bomber triggers flashbacks to the role he unwittingly played in Pete's death. His own survival will ultimately depend on solving the riddle posed by these two suicides-mirror images of self-destructive compulsions at home and abroad.

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Weapons of Mass Destruction

For patriots like Billy Sinclair, the Iraq War started on 9/11. He is primed to kill in the backwoods of Montana, hunting with his buddy Pete under the tutelage of his grandfather, a decorated World War II veteran. When they kill their first deer, Grandpa smears its blood on their faces in honor of Pete's great-great-grandfather, a Sioux scout who corralled the first wild horses bearing the Sinclair brand. A more sublime boyhood is unimaginable, a more tragic adolescence unthinkable.

Nobody sees it coming. Pete's inexplicable suicide steels Sinclair's resolve to join the Marines. The moral certainty of the war on terror fills the void left by his best friend's death. But Sinclair's faith falters when his platoon is forced to attack equivocal targets in Fallujah: mosques, cemeteries, and countless homes. Urban combat is tough enough without being haunted by the specters of defenseless women, let alone children.

Sinclair summons his training, holding his doubts at bay until a suicide bomber triggers flashbacks to the role he unwittingly played in Pete's death. His own survival will ultimately depend on solving the riddle posed by these two suicides-mirror images of self-destructive compulsions at home and abroad.

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Weapons of Mass Destruction

Weapons of Mass Destruction

by Margaret Vandenburg

Narrated by MacLeod Andrews

Unabridged — 7 hours, 4 minutes

Weapons of Mass Destruction

Weapons of Mass Destruction

by Margaret Vandenburg

Narrated by MacLeod Andrews

Unabridged — 7 hours, 4 minutes

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Overview

For patriots like Billy Sinclair, the Iraq War started on 9/11. He is primed to kill in the backwoods of Montana, hunting with his buddy Pete under the tutelage of his grandfather, a decorated World War II veteran. When they kill their first deer, Grandpa smears its blood on their faces in honor of Pete's great-great-grandfather, a Sioux scout who corralled the first wild horses bearing the Sinclair brand. A more sublime boyhood is unimaginable, a more tragic adolescence unthinkable.

Nobody sees it coming. Pete's inexplicable suicide steels Sinclair's resolve to join the Marines. The moral certainty of the war on terror fills the void left by his best friend's death. But Sinclair's faith falters when his platoon is forced to attack equivocal targets in Fallujah: mosques, cemeteries, and countless homes. Urban combat is tough enough without being haunted by the specters of defenseless women, let alone children.

Sinclair summons his training, holding his doubts at bay until a suicide bomber triggers flashbacks to the role he unwittingly played in Pete's death. His own survival will ultimately depend on solving the riddle posed by these two suicides-mirror images of self-destructive compulsions at home and abroad.


Editorial Reviews

Kirkus Reviews

2015-07-28
A crack shot, Billy Sinclair leads his Marine unit's sniper team as they enter Fallujah in 2004, where Iraqi insurgents wait, but he carries a heavy burden: the unexplained suicide of his best friend the day before Sept. 11, 2001, two blows that drove him to enlist. Readers of Vandenburg's The Home Front (2015) will discover another story of a dedicated soldier who can't escape a tormented family. A skilled writer who has done her homework, Vandenburg not only immerses herself in her characters, but seems to accept their rather black-and-white worldview: Iraqi insurgents are suicidal fanatics. Marines are a band of brothers. Civilian leaders in Washington, cowed by our Al-Jazeera-dominated media that loves tales of American atrocities, hamstring troops with impossible rules of engagement. The Iraqis themselves are a disappointment: civilians refuse to believe our noble intentions; Iraqi units, supporting our side, run away. As the Marines advance, Vandenburg delivers a meticulous description of elite troops clearing an enemy city. At first, the houses are empty. Then they are not. Murderous firefights break out. Innumerable insurgents and some civilians die. Marines begin to fall. Billy achieves an epiphany about his responsibility for his friend's death. It does not end well, but neither did the first battle of Fallujah. This is good, popular war fiction with convincing battle scenes and a mildly flawed hero. A killing machine with a conscience, Sinclair is a carbon copy of Bradley Cooper in the recent film American Sniper. Readers should enjoy the fireworks and not think too deeply about the underlying theme, which is that the real victims in Iraq are our guys.

Product Details

BN ID: 2940169868050
Publisher: Blackstone Audio, Inc.
Publication date: 10/31/2015
Edition description: Unabridged
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