Weapons and Tools in Rock Art: A World Perspective
Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, chapters deal with the representations of weapons and certain kinds of tools (such as axes and sickles) in different prehistoric, protohistoric and traditional community contexts all over the world. Attention focuses on rock art, but also looks at stelae and statue-menhirs, as well as other kinds of ‘container’ or vehicle for this kind of depiction.

The major concern is to discuss the possible meanings of these embodied signs in different areas and periods, since meanings are permeable both to time and space. Papers either centre their attention in broader approaches based on a specific area, region or people, or focus on particular case studies.
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Weapons and Tools in Rock Art: A World Perspective
Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, chapters deal with the representations of weapons and certain kinds of tools (such as axes and sickles) in different prehistoric, protohistoric and traditional community contexts all over the world. Attention focuses on rock art, but also looks at stelae and statue-menhirs, as well as other kinds of ‘container’ or vehicle for this kind of depiction.

The major concern is to discuss the possible meanings of these embodied signs in different areas and periods, since meanings are permeable both to time and space. Papers either centre their attention in broader approaches based on a specific area, region or people, or focus on particular case studies.
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Weapons and Tools in Rock Art: A World Perspective

Weapons and Tools in Rock Art: A World Perspective

Weapons and Tools in Rock Art: A World Perspective

Weapons and Tools in Rock Art: A World Perspective

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Overview

Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, chapters deal with the representations of weapons and certain kinds of tools (such as axes and sickles) in different prehistoric, protohistoric and traditional community contexts all over the world. Attention focuses on rock art, but also looks at stelae and statue-menhirs, as well as other kinds of ‘container’ or vehicle for this kind of depiction.

The major concern is to discuss the possible meanings of these embodied signs in different areas and periods, since meanings are permeable both to time and space. Papers either centre their attention in broader approaches based on a specific area, region or people, or focus on particular case studies.

Product Details

ISBN-13: 9781789254914
Publisher: Oxbow Books
Publication date: 03/03/2021
Sold by: Barnes & Noble
Format: eBook
Pages: 208
File size: 82 MB
Note: This product may take a few minutes to download.

About the Author

Ana M. S. Bettencourt is Assistant Professor of Archaeology (with Habilitation) at Departamento de História, Instituto de Ciências Socias da Universidade do Minho, Braga, Portugal, where she teaches the Archaeology degree and masters. She has also given several lectures in other Portuguese and Spanish universities and has been advisor of several Ph.D. and master's theses and dissertations of Portuguese and foreign students. Her main research interests are: burial contexts and practices; rock art; metallurgy and mining of the Iberian Peninsula Prehistory, under which she has published numerous books, book chapters and articles in international journals and developed, as responsible researcher, several projects with international funding. Currently she is Head of the History Department and Director of the Master in Archaeology.
Manuel-Santos-Estévez obtained his PhD in History in 2004 at the University of Santiago de Compostela, Galicia. His main research is oriented to rock art, sculpture, and landscape archaeology. From 1995 he was a post-doctoral researcher in the Landscape Archaeology Laboratory (USC) and of Institute of Galician Studies Padre Sarmiento (CSIC) and, since 2009, hired researcher at Institute of History (CCHS-CSIC). Since 2014 he is a post-doctoral researcher of Fundação para a Ciência e a Tecnologia, at Universidade do Minho, Braga, Portugal. He directed 50 archaeological projects, including at Campo Lameiro Archaeological Park, in Galicia, Spain. He also participates in several projects related to rock art. He published a number of papers in international reviews as Trabajos de Prehistoria, World Archaeology, Journal of Indo-European Studies or Journal of Archaeological Science.
Hugo Aluai Sampaio has a Ph.D. in Settlement and Landscape Archaeology at Universidade do Minho, Braga, Portugal. Its research is dedicated to the Northwestern Bronze Age, focusing on issues related to metallurgy and deposition of metallic objects, funerary practices and contexts, settlement and rock art. He also developed projects in the area of Archaeology and Tourism. He has published in books, book chapters, as well as in several international journals. He is an invited Assistant at Universidade do Minho, Braga, and Instituto Polictécnico do Cávado e do Ave, Portugal, when he teaches curricular units about Archaeological Heritage and Prehistory.

Table of Contents

Approaches to engraved meanings and significances of weapons and tools in rock

art (Introduction)

Ana M. S. Bettencourt, Manuel-Santos-Estévez and Hugo Aluai Sampaio

1. Weaponry in Levantine Rock Art

Manuel Bea Martínez

2. Megaliths and weapon's representations. A view of the birth of warrior’s images

Barroso-Bermejo, R., Bueno-Ramírez, P., Balbín- Behrmann, R. de, Linares-Catela, J.A.,

Mora-Molina, C., Vera-Rodriguez, J.C

3. The procession of weapons. Ritual Landscape in Late Prehistory

Manuel Santos-Estévez

4. West Iberian Bronze Age weapons in carved places: some ideas for its ontology

Ana M. S. Bettencourt

5. Representations of warriors and weapons in Swedish Rock Art - context and

chronology

Ulf Bertilsson

6. The image of tools and the metaphor of life

Shemsi Krasniqi

7. Ancient rites as evidenced in the representation of weapons and tools in a rock art

tradition in Northern Greece

Stella Pilavaki.

8. Not what it seems: approach to Northwestern West of Iberia weapons and tools

rock art depictions and modern storytelling serving touristic and educational purposes

Hugo Aluai Sampaio

9. Horsemen's Weaponry in Rock Art of Jebel Rat (High Atlas, Morocco). Signs of a

social elite?

Alessandra Bravin

10. The representations of weapons and objects in the rock art of Tunisia

Jaafar Ben Nasr

11. Tools and weapons in African Rock Art

Augustin Holl

12. Painted for War: rock art depictions of archers with arrow head-dresses in the

Eastern Cape, South Africa

Brent Sinclair Thomson

13. Symbolic and ritual significance of weapons in Western North American rock

images

David Whitley

14.Weapons and war related objects in Guachipas rock art (Salta, Argentina)

María Pía Falchi

15. The representations of rock art weapons in hunting scenes from Serra da Capivara

National Park - Northeast Brazil

Leonardo Borges; Daniela Cisneiros, Hércules Costa and Nathália Nogueira.

16. Weapons and rock art engravings, a case study of wary filiation in the Queneto

site, Viru Valley, Peru

María Susana Barrau ; Daniel S. Castillo Benítez,

17. The picturing of weapons and other objects at stenciled and painted rock art sites

Patricia Dobrez
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