We Spread
The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I'm Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny-with a growing sense of unrest and distrust-starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid's “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.
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We Spread
The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I'm Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny-with a growing sense of unrest and distrust-starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid's “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.
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We Spread

We Spread

by Iain Reid

Narrated by Robin Miles

Unabridged — 5 hours, 58 minutes

We Spread

We Spread

by Iain Reid

Narrated by Robin Miles

Unabridged — 5 hours, 58 minutes

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Overview

The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I'm Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny-with a growing sense of unrest and distrust-starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid's “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

Editorial Reviews

NOVEMBER 2022 - AudioFile

Robin Miles provides such a commanding performance that she maintains a grip on the listener even as events of this story become less clear. Penny is an artist recently widowed by her prolific partner. After a fall at home, thoughtful and reserved Penny finds herself spirited to an assisted living home, where she finds just a few other residents living under increasingly mysterious circumstances. Events unfold strictly from Penny's point of view. She appears to be progressively unreliable, continually forgetting key decisions, including the arrangement with the living facility in the first place. Miles's voice captures Penny's mounting dread and doubt while seizing opportunities to engage in moments of control, making the impact of this story even more emotional. S.P.C. Winner of AudioFile Earphones Award © AudioFile 2022, Portland, Maine

Publishers Weekly

★ 07/11/2022

Aging artist Penny, the unreliable narrator of this exquisite novel of psychological suspense from Reid (Foe), becomes less able to manage her life after the death of her longterm romantic partner, a prolific painter whose success contrasted with Penny’s timidity in showing her own work. After a bad fall, Penny’s landlord drops her at Six Cedars, a small, isolated retirement home in the woods of a larger setting that’s left ambiguous. The owner, Shelley; the other three residents; and the lone employee seem to be waiting for Penny to complete their group—they insist that Penny chose Six Cedars for herself before her partner’s death, despite her not remembering doing so. Penny becomes disoriented in time and increasingly disturbed as she bristles against Shelley’s strange group meetings, control of daily life, and push to keep the residents “positive and productive” while preventing them from going outside. Reid teases at the secrets of Six Cedars without ever fully resolving them, amid Penny’s confused but salient perceptions, leaving readers contemplating their own mortality and primed to see the sinister behind the mundane. Despite the lack of resolution, the story feels complete as it closes with a disturbingly upbeat and peaceful scene. This deep plunge into fears about growing old and losing control is unforgettable. Agent: Samantha Haywood, Transatlantic Agency. (Sept.)

From the Publisher

Reid combines magnetic character development with clipped, eerie prose in this masterfully crafted psychological thriller that will keep the reader guessing until the very last word on the final page.”—Booklist

"Iain Reid’s We Spread is taut and frightening read, perhaps best called a thriller. But the true thrill is in how so slender a book tackles such big questions—What does it mean to make art? What happens as we near death?—with such grace.”

—Rumaan Alam, New York Times bestselling author of Leave The World Behind





“[An] exquisite novel of psychological suspense . . . [Leaves] readers contemplating their own mortality and primed to see the sinister behind the mundane . . . This deep plunge into fears about growing old and losing control is unforgettable.” —Publishers Weekly (Starred Review)

"In We Spread Iain Reid masterfully gets into the psyche of his characters and readers all at once. What a gift."

—Alma Har'el, Director of Bombay Beach, Honey Boy, and Shadow Kingdom.

"I loved this book and couldn't put it down—a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master." Mona Awad, author of Bunny and All’s Well

“With this latest hypnotic transmission, Reid delves into the strange substructures of psychology, where individual minds blur and a more undifferentiated kind of life teems. With tenderness and mastery, he offers us great insights on the nature of aging and the vertiginous experience of being human.” Alexandra Kleeman, author of Something New Under the Sun

"We Spread is simply hypnotic. This novel works by a fine hat trick of genre-twisting subtlety, chilling suspense, and a bone-close two-fold portrait of aging in a world that devours everything. The book surprises, even betrays, and every second of its rich rewards is earned by Iain Reid's winning, wise restraint. Read it to be caught in this brilliantly inspired vision of art and life. I am glad I did." –Canisia Lubrin, Griffin Poetry Prize winning author of The Dyzgraphxst

"We Spread is pure storytelling magic. Suspenseful, philosophically rich, and fully audacious in both setting and voice, it is a psychological thriller that enthralls through distinctly lucid and propulsive prose. Iain Reid once again most powerfully illuminates the mysteries of art, life, and consciousness." –David Chariandy, author of Brother

NOVEMBER 2022 - AudioFile

Robin Miles provides such a commanding performance that she maintains a grip on the listener even as events of this story become less clear. Penny is an artist recently widowed by her prolific partner. After a fall at home, thoughtful and reserved Penny finds herself spirited to an assisted living home, where she finds just a few other residents living under increasingly mysterious circumstances. Events unfold strictly from Penny's point of view. She appears to be progressively unreliable, continually forgetting key decisions, including the arrangement with the living facility in the first place. Miles's voice captures Penny's mounting dread and doubt while seizing opportunities to engage in moments of control, making the impact of this story even more emotional. S.P.C. Winner of AudioFile Earphones Award © AudioFile 2022, Portland, Maine

Kirkus Reviews

2022-08-17
An assisted living facility isn't what it seems.

Penny, the narrator of the latest novel from Canadian author Reid, isn’t doing so well. She’s lived alone in her apartment ever since the death of Mike, her partner—like her, an artist—and feels “alone. Very old and very much alone.” Things get worse when she suffers a fall at home and finds out arrangements have been made for her to live in a small assisted living community; she resists the move even after she meets the other residents of the facility: “I don’t want to be on an adventure. Not at all. I want to be home. I want to be having a nap. These people all know each other, are all used to living side by side, but they don’t know me. I don’t know them. They’re all strangers.” It doesn’t take long for things to get creepy—she starts to get creeped out by Shelley, the community’s director, whose speech “sounds almost scripted and rehearsed” and who says things like “We don’t like to have secrets here.” After an assortment of odd goings-on, Penny realizes, “This is not the comfortable, cozy place I thought it was. I was wrong about that, fooled.” This is an undoubtedly creepy book, but it’s anything but subtle; Reid doesn’t so much drop hints as scream them. The characters, save Penny, function more as props, given ominous dialogue to hammer home the point that things aren’t quite right in the facility—the novel has the tone of a horror movie directed by someone desperately afraid the audience is going to miss the point. In his previous books, Reid has proved himself capable of crafting taut, original thrillers. This is not one of them.

Shoots for scary, lands on silly.

Product Details

BN ID: 2940178917466
Publisher: Simon & Schuster
Publication date: 09/27/2022
Edition description: Unabridged
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