We Are All Survivors: Verbal, Ritual, and Material Ways of Narrating Disaster and Recovery
What is the role of folklore in the discussion of catastrophe and trauma? How do disaster survivors use language, ritual, and the material world to articulate their experiences? What insights and tools can the field of folkloristics offer survivors for navigating and narrating disaster and its aftermath? Can folklorists contribute to broader understandings of empathy and the roles of listening in ethnographic work?

We Are All Survivors is a collection of essays exploring the role of folklore in the wake of disaster. Contributors include scholars from the United States and Japan who have long worked with disaster-stricken communities or are disaster survivors themselves; individual chapters address Hurricane Katrina, Hurricane Maria, and two earthquakes in Japan, including the earthquake, tsunami, and nuclear disaster of 2011. Adapted from a 2017 special issue of Fabula (from the International Society for Folk Narrative Research), the book includes a revised introduction, an additional chapter with original illustrations, and a new conclusion considering how folklorists are documenting the COVID-19 pandemic.

We Are All Survivors bears witness to survivors' expressions of remembrance, grieving, and healing.

"1140535032"
We Are All Survivors: Verbal, Ritual, and Material Ways of Narrating Disaster and Recovery
What is the role of folklore in the discussion of catastrophe and trauma? How do disaster survivors use language, ritual, and the material world to articulate their experiences? What insights and tools can the field of folkloristics offer survivors for navigating and narrating disaster and its aftermath? Can folklorists contribute to broader understandings of empathy and the roles of listening in ethnographic work?

We Are All Survivors is a collection of essays exploring the role of folklore in the wake of disaster. Contributors include scholars from the United States and Japan who have long worked with disaster-stricken communities or are disaster survivors themselves; individual chapters address Hurricane Katrina, Hurricane Maria, and two earthquakes in Japan, including the earthquake, tsunami, and nuclear disaster of 2011. Adapted from a 2017 special issue of Fabula (from the International Society for Folk Narrative Research), the book includes a revised introduction, an additional chapter with original illustrations, and a new conclusion considering how folklorists are documenting the COVID-19 pandemic.

We Are All Survivors bears witness to survivors' expressions of remembrance, grieving, and healing.

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We Are All Survivors: Verbal, Ritual, and Material Ways of Narrating Disaster and Recovery

We Are All Survivors: Verbal, Ritual, and Material Ways of Narrating Disaster and Recovery

We Are All Survivors: Verbal, Ritual, and Material Ways of Narrating Disaster and Recovery

We Are All Survivors: Verbal, Ritual, and Material Ways of Narrating Disaster and Recovery

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Overview

What is the role of folklore in the discussion of catastrophe and trauma? How do disaster survivors use language, ritual, and the material world to articulate their experiences? What insights and tools can the field of folkloristics offer survivors for navigating and narrating disaster and its aftermath? Can folklorists contribute to broader understandings of empathy and the roles of listening in ethnographic work?

We Are All Survivors is a collection of essays exploring the role of folklore in the wake of disaster. Contributors include scholars from the United States and Japan who have long worked with disaster-stricken communities or are disaster survivors themselves; individual chapters address Hurricane Katrina, Hurricane Maria, and two earthquakes in Japan, including the earthquake, tsunami, and nuclear disaster of 2011. Adapted from a 2017 special issue of Fabula (from the International Society for Folk Narrative Research), the book includes a revised introduction, an additional chapter with original illustrations, and a new conclusion considering how folklorists are documenting the COVID-19 pandemic.

We Are All Survivors bears witness to survivors' expressions of remembrance, grieving, and healing.


Product Details

ISBN-13: 9780253063762
Publisher: Indiana University Press (Ips)
Publication date: 09/06/2022
Pages: 186
Product dimensions: 6.00(w) x 9.00(h) x 0.43(d)
Age Range: 18 Years

About the Author

Carl Lindahl is Martha Gano Houstoun Research Professor in English at the University of Houston, cofounder of the disaster response project Surviving Katrina and Rita in Houston, and founder of the earthquake response project Memwa Ayisyen / Haitian Memory. He is author (with B. J. Ancelet and M. Gaudet) of Second Line Rescue: Improvised Responses to Katrina and Rita.
Michael Dylan Foster is Professor in the Department of East Asian Languages and Cultures at the University of California, Davis. He is author of The Book of Yōkai: Mysterious Creatures of Japanese Folklore and co-editor (with Lisa Gilman) of UNESCO on the Ground: Local Perspectives on Intangible Cultural Heritage.
Kate Parker Horigan is Associate Professor in the Department of Folk Studies and Anthropology at Western Kentucky University. She is author of Consuming Katrina: Public Disaster and Personal Narrative.

Table of Contents

Preface
1. Introduction: We Are All Survivors, by Carl Lindahl
2. Into the Bullring: The Significance of "Empathy" after the Earthquake, by Yutaka Suga
3. Rebuilding and Reconnecting After Disaster: Listening to Older Adults, by Yoko Taniguchi
4. The Story of Cultural Assets and their Rescue: A First-Hand Report from Tohoku, by Kōji Katō
5. Critical Empathy: A Survivor's Study of Disaster, by Kate Parker Horigan
6. Empathy and Speaking Out, by Amy Shuman
7. The Intangible Lightness of Heritage, by Michael Dylan Foster
8. Documenting Disaster Folklore in the Eye of the Storm: Six Months After María, by Gloria M. Colom Braña
Conclusion: The COVID-19 Pandemic and "Folklife's First Responders," by Georgia Ellie Dassler and Kate Parker Horigan

What People are Saying About This

Kyrre Kverndokk

We Are All Survivors demonstrates why folklorists should deal with disasters. The book challenges widely distributed emergency imaginaries about social disorder, chaos, and violence, and it demonstrates how narration is a necessary resource for healing and for community-making in post-disaster communities. The book should be mandatory reading for everyone involved in emergency planning and rescue operations, from authorities and aid organizations to news media reports.

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