Watership Down

Watership Down

by Richard Adams

Narrated by Peter Capaldi

Unabridged — 17 hours, 31 minutes

Watership Down

Watership Down

by Richard Adams

Narrated by Peter Capaldi

Unabridged — 17 hours, 31 minutes

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Overview

One of the most beloved novels of our time, Watership Down is an epic journey, a stirring tale of adventure, courage, and survival.

Fiver could sense danger. Something terrible was going to happen to the warren; he felt sure of it. They had to leave immediately. So begins a long and perilous journey of survival for a small band of rabbits.

As the rabbits skirt danger at every turn, we become acquainted with the band, its humorous characters, and its compelling culture, complete with its own folk history and mythos. Fiver's vision finally leads them to Watership Down, an upland meadow. But here they face their most difficult challenges of all.

A stirring epic of courage and survival against the odds, Watership Down has become a beloved classic for all ages. Both an exciting adventure story and an involving allegory about freedom, ethics, and human nature, it has delighted generations with its unique and charming world, winning many awards and being adapted to film, television, and theater.


Editorial Reviews

Chicago Tribune

"Spellbinding...Marvelous...A taut tale of suspense, hot pursuit and derring-do.

Los Angeles Times

"A classic...A great book."

New York Times Book Review

"Quite marvelous...A powerful new vision of the great chain of being."

Charles McGrath

Here is the Odyssey and Iliad of rabbits, for people of all ages — a splendidly written adventure story.
The New York Times Book of the Century

The Wall Street Journal

To capture the feeling of the verdant English landscape in Richard Adams's "Watership Down" (Atheneum, 496 pages, $29.99), first published in 1972, Aldo Galli painted in the real locations described in the story. In his finely wrought illustrations, the rabbits Hazel and Pipkin crouch beside the real Nuthanger Farm and Hazel, Bigwig and Fiver make their way across the real Hampshire downs. Mr. Galli brings a sense of intensified realism to his depictions in this 40th anniversary edition. Foliage is luxuriantly, impossibly green, and the edges of things—the feathers of birds, the fluff of dandelionsólook as sharp as if they were cut from glass. As a gift, this edition would suit anyone over the age of 10, including adults.

New York Review of Books

What a relief to read of characters who have honor and courage and dignity, who will risk their lives for others, whose love for their families and friends and community is enduring and effective

The New York Times

A classic yarn of discovery and struggle."

Chicago Tribune

"Spellbinding...Marvelous...A taut tale of suspense, hot pursuit and derring-do."

|Los Angeles Times

"A classic...A great book."

From the Publisher

"Spellbinding...Marvelous...A taut tale of suspense, hot pursuit and derring-do."
Chicago Tribune

"A classic...A great book."
Los Angeles Times

"Quite marvelous...A powerful new vision of the great chain of being."
The New York Times Book Review

Product Details

BN ID: 2940169864021
Publisher: Blackstone Audio, Inc.
Publication date: 05/07/2019
Edition description: Unabridged
Sales rank: 673,192
Age Range: 8 - 11 Years

Read an Excerpt

Chapter One

The Notice Board

Chorus: Why do you cry out thus, unless at some vision of horror?
Cassandra: The house reeks of death and dripping blood.
Chorus: How so? 'Tis but the odor of the altar sacrifice.
Cassandra: The stench is like a breath from the tomb.

-- Aeschylus, Agamemnon

The primroses were over. Toward the edge of the wood, where the ground became open and sloped down to an old fence and a brambly ditch beyond, only a few fading patches of pale yellow still showed among the dog's mercury and the oak-tree roots. On the other side of the fence, the upper part of the field was full of rabbit holes. In places the grass was gone altogether and everywhere there were clusters of dry droppings, through which nothing but the ragwort would grow. A hundred yards away, at the bottom of the slope, ran the brook, no more than three feet wide, half choked with kingcups, watercress and blue brooklime. The cart track crossed by a brick culvert and climbed the opposite slope to a five-barred gate in the thorn hedge. The gate led into the lane.

The May sunset was red in clouds, and there was still half an hour to twilight. The dry slope was dotted with rabbits -- some nibbling at the thin grass near their holes, others pushing further down to look for dandelions or perhaps a cowslip that the rest had missed. Here and there one sat upright on an ant heap and looked about, with ears erect and nose in the wind. But a blackbird, singing undisturbed on the outskirts of the wood, showed that there was nothing alarming there, and in theother direction, along the brook, all was plain to be seen, empty and quiet. The warren was at peace.

At the top of the bank, close to the wild cherry where the blackbird sang, was a little group of holes almost hidden by brambles. In the green half-light, at the mouth of one of these holes, two rabbits were sitting together side by side. At length, the larger of the two came out, slipped along the bank under cover of the brambles and so down into the ditch and up into the field. A few moments later the other followed.

The first rabbit stopped in a sunny patch and scratched his ear with rapid movements of his hind leg. Although he was a yearling and still below fall weight, he had not the harassed look of most "outskirters"' -- that is, the rank and file of ordinary rabbits in their first year who, lacking either aristocratic parentage or unusual size and strength, get sat on by their elders and live as best they can -- often in the open -- on the edge of their warren. He looked as though he knew how to take care of himself. There was a shrewd, buoyant air about him as he sat up, looked around and rubbed both front paws over his nose. As soon as he was satisfied that all was well, he laid back his ears and set to work on the grass.

His companion seemed less at ease. He was small, with wide, staring eyes and a way of raising and turning his head which suggested not so much caution as a kind of ceaseless, nervous tension. His nose moved continually, and when a bumblebee flew humming to a thistle bloom behind him, he jumped and spun round with a start that sent two nearby rabbits scurrying for holes before the nearest, a buck with black-tipped ears, recognized him and returned to feeding.

"Oh, it's only Fiver," said the black-tipped rabbit, "jumping at bluebottles again. Come on, Buckthorn, what were you telling me?"

"Fiver?" said the other rabbit. "Why's he called that?"

"Five in the litter, you know: he was the last -- and the smallest. You'd wonder nothing had got him by now. I always say a man couldn't see him and a fox wouldn't want him. Still, I admit he seems to be able to keep out of harm's way."

The small rabbit came closer to his companion, lolloping on long hind legs.

"Let's go a bit further, Hazel," he said. "You know, there's something queer about the warren this evening, although I can't tell exactly what it is. Shall we go down to the brook?"

"All right," answered Hazel, "and you can find me a cowslip. If you can't find one, no one can."

He led the way down the slope, his shadow stretching behind him on the grass. They reached the brook and began nibbling and searching close beside the wheel ruts of the track.

It was not long before Fiver found what they were looking for. Cowslips are a delicacy among rabbits, and as a rule there are very few left by late May in the neighborhood of even a small warren. This one had not bloomed and its flat spread of leaves was almost hidden under the long grass. They were just sitting on it when two larger rabbits came running across from the other side of the nearby cattle wade.

"Cowslip?" said one. "All right -- just leave it to us. Come on, hurry up," he added, as Fiver hesitated. "You heard me, didn't you?"

"Fiver found it, Toadflax," said Hazel.

"And we'll eat it," replied Toadflax. "Cowslips are for Owsla -- don't you know that? If you don't, we can easily teach you."

Fiver had already turned away. Hazel caught him up by the culvert.

"I'm sick and tired of it," he said. "It's the same all the time. 'These are my claws, so this is my cowslip.' 'These are my teeth, so this is my burrow.' I'll tell you, if ever I get into the Owsla, I'll treat outskirters with a bit of decency."

"Well, you can at least expect to be in the Owsla one day," answered Fiver. "You've got some weight coming and that's more than I shall ever have."

Watership Down. Copyright © by R Adams. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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