The Waste Lands (Dark Tower Series #3)

The Waste Lands (Dark Tower Series #3)

by Stephen King
The Waste Lands (Dark Tower Series #3)

The Waste Lands (Dark Tower Series #3)

by Stephen King

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Overview

The third volume in the #1 nationally bestselling Dark Tower Series, involving the enigmatic Roland (the last gunfighter) and his ongoing quest for the Dark Tower, is “Stephen King at his best” (School Library Journal).

Several months have passed since The Drawing of the Three, and in The Waste Lands, Roland’s two new tet-mates have become trained gunslingers. Eddie Dean has given up heroin, and Odetta’s two selves have joined, becoming the stronger and more balanced personality of Susannah Dean. But Roland altered ka by saving the life of Jake Chambers, a boy who—in Roland’s world—has already died. Now Roland and Jake exist in different worlds, but they are joined by the same madness: the paradox of double memories. Roland, Susannah, and Eddie must draw Jake into Mid-World and then follow the Path of the Beam all the way to the Dark Tower. There are new evils…new dangers to threaten Roland’s little band in the devastated city of Lud and the surrounding wastelands, as well as horrific confrontations with Blaine the Mono, the piratical Gasher, and the frightening Tick-Tock Man.

The Dark Tower Series continues to show Stephen King as a master of his craft. What lands, what peoples has he visited that are so unreachable to us except in the pages of his incredible books? Now Roland’s strange odyssey continues. The Waste Lands follows The Gunslinger and The Drawing of the Three as the third volume in what may be the most extraordinary and imaginative cycle of tales in the English language.

Product Details

ISBN-13: 9781501141416
Publisher: Scribner
Publication date: 01/01/2016
Series: Dark Tower Series
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 608
Sales rank: 31,272
File size: 15 MB
Note: This product may take a few minutes to download.

About the Author

About The Author
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes the short story collection You Like It DarkerHollyFairy TaleBilly SummersIf It BleedsThe InstituteElevationThe OutsiderSleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of WatchFinders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark TowerItPet SemataryDoctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King. 

Hometown:

Bangor, Maine

Date of Birth:

September 21, 1947

Place of Birth:

Portland, Maine

Education:

B.S., University of Maine at Orono, 1970

Read an Excerpt

38

JAKE HAD NO CLEAR memory of the time which followed, and that was probably merciful. He had left his world over a year before nine hundred people would commit suicide together in a small South American country called Guyana, but he knew about the periodic death-rushes of the lemmings, and what was happening in the disintegrating undercity of the Grays was like that.

There were explosions, some on their level but most far below them; acrid smoke occasionally drifted from the ventilator grilles, but most of the air-purifiers were still working and they whipped the worst of it away before it could gather in choking clouds. They saw no fires. Yet the Grays were reacting as if the time of the apocalypse had come. Most only fled, their faces blank O's of panic, but many had committed suicide in the halls and interconnected rooms through which the steel sphere led Roland and Jake. Some had shot themselves; many more had slashed their throats or wrists; a few appeared to have swallowed poison. On all the faces of the dead was the same expression of overmastering terror. Jake could only vaguely understand what had driven them to this. Roland had a better idea of what had happened to them-to their minds-when the long-dead city first came to life around them and then seemed to commence tearing itself apart. And it was Roland who understood that Blaine was doing it on purpose. That Blaine was driving them to it.

They ducked around a man hanging from an overhead heating-duct and pounded down a flight of steel stairs behind the floating steel ball.

"Jake!" Roland shouted. "You never let me in at all, did you?"

Jake shook his head.

"I didn't think so. It was Blaine."

They reached the bottom of the stairs and hurried along a narrow corridor toward a hatch with the words ABSOLUTELY NO ADMITTANCE printed on it in the spiked letters of the High Speech.

"Is it Blaine?" Jake asked.

"Yes-that's as good a name as any."

"What about the other v-"

"Hush!" Roland said grimly.

The steel ball paused in front of the hatchway. The wheel spun and the hatch popped ajar. Roland pulled it open, and they stepped into a huge underground room which stretched away in three directions as far as they could see. It was filled with seemingly endless aisles of control panels and electronic equipment. Most of the panels were still dark and dead, but as Jake and Roland stood inside the door, looking about with wide eyes, they could see pilot-lights coming on and hear machinery cycling up.

"The Tick-Tock Man said there were thousands of computers," Jake said. "I guess he was right. My God, look!"

Roland did not understand the word Jake had used and so said nothing. He only watched as row after row of panels lit up. A cloud of sparks and a momentary tongue of green fire jumped from one of the consoles as some ancient piece of equipment malfunctioned.

Most of the machinery, however, appeared to be up and running just fine. Needles which hadn't moved

IF ONE OF YOU TELLS A RIDDLE I CANNOT SOLVE, I WILL SPARE YOUR LIVES AND TAKE YOU TO TOPEKA, WHERE YOU WILL LEAVE THE MONO AND CONTINUE YOUR QUEST FOR THE DARK TOWER. HAVE I UNDERSTOOD THE TERMS AND LIMITS OF YOUR PROPOSAL CORRECTLY, ROLAND, SON OF STEVEN?"

"Yes."

"VERY WELL, ROLAND OF GILEAD.

"VERY WELL, EDDIE OF NEW YORK.

"VERY WELL, SUSANNAH OF NEW YORK.

"VERY WELL, JAKE OF NEW YORK.

"VERY WELL, OY OF MID-WORLD."

Oy looked up briefly at the sound of his name.

"YOU ARE KA-TET; ONE MADE FROM MANY. SO AM I. WHOSE KA-TET IS THE STRONGER IS SOMETHING WE MUST NOW PROVE."

There was a moment of silence, broken only by the steady hard throb of the slo-trans turbines, bearing them on across the waste lands, bearing them on toward Topeka, the place where Mid-World ended and End-World began.

"SO," cried the voice of Blaine. "CAST YOUR NETS, WANDERERS! TRY ME WITH YOUR QUESTIONS, AND LET THE CONTEST BEGIN."

—from The Waste Lands: The Dark Tower III by Stephen King, copyright © 1991, 2003 Stephen King, published by Viking Press, a member of Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.

Reading Group Guide

The Dark Tower III: The Waste Lands Reading Group Guide from The Dark Tower: The Complete Concordance

1. Between the end of The Drawing of the Three and the beginning of The Waste Lands, the relationships among Roland, Susannah, and Eddie shift. Describe these changes. What causes them? Does Eddie now trust Roland? Does Susannah?

2. What is the gunslinger litany? What worldview does it imply—from what a gunslinger should honor to how he/she should attack his/her enemies?

3. In what ways are Roland’s new friends much like his deadly old friends? What happened to those old friends? Do you think the same fate awaits Roland’s new friends?

4. What is ka-tet? How do the forces of ka-tet bind individuals together, and how do they ultimately bind a society together?

5. Describe the metaphysical map that Roland draws at the beginning of the novel. What is its linchpin? What sits upon its circumference? What forces hold the world together? What part did the Great Old Ones play in the devising of this map? Do you think that the forces described there predate them? Why or why not? Does this map describe the actual origins of the world or of the linked worlds? What role did North Central Positronics play in the making of this world, or in the remaking of it?

6. What are the Drawers? Are they objective places—places that you could find on a map—or is their existence more subjective? Have you encountered any such places in your life? If so, what are they? Do you have a special term for such places?

7. What paradox tears Roland’s mind apart at the outset of the novel? What causes it? What eases his suffering? Why is this significant?

8. What voices does Jake hear in the Vacant Lot, just before he sees the Rose? What happens to him when he actually sees this flower? How does Jake’s vision of the Rose differ from Eddie’s vision of the Tower amid its sea of roses?

9. What is the White?

10. While contemplating the rose, Jake sees that it grows out of alien purple grass. Roland sees the same purple grass during his vision in the golgotha, at the end of The Gunslinger. Why does King seem to want us to compare these otherwise dissimilar visions? What is he telling us about the nature of the Rose?

11. What is the difference between Jake’s door, labeled The Boy, and the beach doors?

12. The scene in which Roland and his new ka-tet cross the bridge into Lud eerily echoes the passage in The Gunslinger where Jake falls to his death. Compare these two scenes. What do they tell us about the changes happening within Roland?

13. The third book of the Dark Tower series takes its title from T. S. Eliot’s long poem “The Waste Land.” Two themes that thread through Eliot’s poem are fragmentation and alienation—the fragmentation of modern culture and its inevitable loss of meaning, and the sense of alienation that individuals experience in reaction to this. (It must be remembered that “The Waste Land” was written in the aftermath of World War I, when Europe was still in shock over the death and destruction caused by modern weaponry.) How does King’s novel reflect these themes? How does this fragmentation extend to the psyches of the characters themselves, and even to the computerized personalities of machines?

14. In his notes on “The Waste Land,” T. S. Eliot stated that he was extremely influenced by the Grail legend. What is the legend of the Grail? Do you think it influenced Stephen King when he wrote The Waste Lands?

15. Eleven dimensions, worlds made out of vibrating strings, parallel universes that contain alternative versions of you . . . sounds like another Dark Tower book? It’s not, but it does seem as though the scientific community is finally taking Jake Chambers seriously. There are other worlds than these. For a fascinating description of string theory (and as a way to begin discussing the similarities between contemporary physics and the multiple worlds of the Dark Tower series), visit the following Web sites: www.pbs.org/nova/elegant (a terrific introduction), www.bbc.co.uk/science/horizon/2001/parallelunitrans.shtml (another great introduction), http://superstringtheory.com (for brave folks who are used to technical language), www.scientificamerican.com (in the “search” section, type Parallel Universes).

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