These components -- strong story, powerful storyteller, talented artist -- make for a winning combination.
January Magazine Best of 2013 Children's Books
Highly recommended, this is a story that is riveting to read as long as you are brave enough to continue turning the pages.
wakingbraincells. com - Tasha Saecker
This title would be a great addition to any Junior High or High School and could be used as a supplement for Social Studies or English classrooms... Highly recommended.
Library Media Connection - Jennifer Flaherty
Daniel Lafrance's striking artwork vividly brings the reader face to face with the children who are forced to participate in a brutal war they know little about... War Brothers is a truly important work both in the original version and in this graphic novel version. Highly recommended.
War Brothers is a riveting and compelling account of a young boy from northern Uganda who is abducted into the Lord's Resistance Army. Sharon McKay and Daniel Lafrance have created a powerful graphic novel that provides a true no-holds-barred account of life as a child soldier. Readers are swept into the world of these child soldiers through intense action and dialogue where they experience their pain and losses, but also their triumphs and their courage. War Brothers presents this gripping tale in an engaging and attractive way for younger readers and fuels the elimination of the weapons system of recruiting children into war.
Never Again International: Canada - Melanie Tomsons
Normally, I prefer cleaner lines in graphic novels, but the sketchy, colored pencil type look worked really well for this story. It creates kind of a nightmare quality, reflecting the horror of being a child soldier. This is the kind of graphic novel everyone should read.
The youth of the world have the responsibility and the power to be engaged to alter the future of humanity. War Brothers is a means to convey the plight of child soldiers in Northern Uganda to young people through a lens that is accessible and attention grabbing. Young people should be outraged that their peers are being systematically abused by adults in wars that ultimately benefit no one.
S L. Gen the Honourable Romeo A. Dallaire (Ret'd)
[LaFrance's] realistic drawings enhance the story presenting an unflinchingly dark visual representation of the horrors young boys like Jacob experience at the hands of the LRA. With this graphic-novel adaptation, the author and illustrator reinforce Jacob's conclusion that his role must be to tell the world what is happening to these children, hoping for an end to the violence.
Horn Book Magazine - Dean Schneider
This is a powerful graphic novel and a really good read.
Comic Book Resources - J.K. Parkin
McKay and Lafrance based this harrowing story on interviews with escaped child soldiers, and they have kept their focus on the young survivors as they desperately cling to their beliefs, hold out hope for rescue, and struggle with reintegrating into their communities, where people fear that the boys have been irrevocably changed into killers. Lafrance's panels are tinted with soft, rich colors, which belie the heartrending content within. This is a sorrowful and all-too-true story, but one that ends on a hopeful note.
While capturing the horrific tragedy of the life of child soldiers, co-creators Sharon E. McKay and Daniel Lafrance also manage to offer inspiration: war decimates, and yet everlasting bonds can also be forged. [T]his is also a story of hope, courage, friendship, and family, Jacob reminds. He echoes his friend Hannah, ... that if the world knows that child soldiers suffer unimaginable cruelty and pain, then help will come. I hope this is right. With testimony as formidable as War Brothers, we can't say we didn't know. And now that we know, we must help, offer hope, and make change. That's a mantra for us all.
Smithsonian Asian Pacific American Center
This story is powerful, moving, and prompts much introspection about humans' inhumanity to others, boy soldiers, and how quickly an individual may be persuaded to kill another or betray others in order to save his/her own life. It also contains a powerful message about the redemptive power of hope and the resilience of individuals such as Jacob. The graphic novel format makes a compelling, heart-breaking story even more compelling. Understandably, readers will find it hard to forget this story, Jacob or his slow recovery from his ordeal.
Reading Today Online, International Reading Associ - Barbara A. Ward
A challenging, uncompromising work... a beautiful treatment of stark ugliness... McKay's exhaustive research and extensive interviews with former child soldiers, and the verisimilitude she brings to her characterization and storytelling render the abstract concept of child soldiers with an all-too-real clarity. Lafrance's art adds another layer, transitioning from crisp naturalism to stylized shadows and colours as panic and violence rise in the characters... This is a powerful, important work of reality-based fiction... Parents [may] wonder whether their children should read it. The answer to this question is not only, Yes, they should, but also, Yes, they must.
Quill and Quire - Robert J. Wiersema
It is powerful historical fiction. It is an important story to tell, and this team has done so admirably.
Sal's Fiction Addiction - Sally Bender
This is a must for the classroom!
Canadian Children's Book News - Jeffrey Canton
Winner of the 2009 Arthur Ellis Award for Best Juvenile Crime Novel, Sharon E. McKay's novel War Brothers is a gritty read, graphic in its story premise, in its details, in its reality.
CanLit for Little Canadians
[Lafrance's] beautiful, colorful depictions of Africa [are] especially effective at offering the story urgency while still giving it the feeling of a boy's adventure comic--it's very reminiscent of European cartoonists like Hugo Pratt. Having this story geared to a younger audience makes the graphic novel so bold. It's depicting the horrors for the exact age group who experiences them out in the real world. It's done with such a delicate finesse that offers a path to empathy without causing a kid to sink into depression about the implications and possibilities. It puts a face on the nightmarish to just the people who can benefit from it.
Reverse Direction - John Seven
These components--strong story, powerful storyteller, talented artist--make for a winning combination.
Gr 9 Up—In this devastatingly realistic graphic novel, 14-year-old Jacob and his friends are just starting school at George Jones Seminary for Boys. The story tells of their subsequent kidnapping and near induction into the Lord's Resistance Army (LRA). Complete innocents at first, the boys endure near starvation, grueling conditions, and physical violence as they travel out of northern Uganda and into Sudan. Many of their experiences are difficult to read, including an incident involving Tony, Jacob's best friend from his village, who is forced to kill an injured boy or face mutilation. Still, what went on in this part of this world in the early 2000s is an important global issue for people of all ages to be aware of, and these boys prove to be a good entry point into a difficult subject. Although War Brothers, adapted from the author's prose novel Puffin, 2008), is fiction, it is based on interviews with survivors; "everything that happened in this book has happening, and is happening still." With his first graphic novel, Lafrance's watercolor artwork truly shines, depicting many close-ups that convey the deep emotions that the characters are going through, whether it be the naïve innocence of Jacob, the confliction of Tony, or the psychotic aggression of their LRA kidnappers. A truly important work that is well worth the read.—Ryan P. Donovan, New York Public Library
A graphic format adds heart-rending images to McKay's violent 2008 tale of children kidnapped and forced to become soldiers in Uganda. The book opens with an awareness-raising letter to readers from teen protagonist Kitina Jacob and a brutal preview to set the stage. The tale then takes him and schoolmates Tony, Paul and Norman into a sudden nightmare when soldiers of the Lord's Resistance Army burst into their dormitory. After weeks of forced marches, vicious beatings and atrocities designed to turn them into uncaring killers, the captives escape with help from mutilated campmate Hannah and others--profoundly scarred but, ultimately, resilient enough to take back their lives. Switching from white to black borders between his panels during the time of captivity to intensify the atmosphere of terror, Lafrance puts shadows or at least a little visual distance between viewers and violent acts. Wrenchingly, though, he ramps up the immediacy and emotional intensity by cutting again and again to the wide-eyed, tear-stained faces of children forced to do or to witness those acts. Powerful storytelling based on documented experiences; despite being set in 2002, it's as relevant as ever since the LRA is still all-too-active. (afterword) (Graphic historical fiction. 12-15)
