The concept of "inside/outside" is not limited to
avant-garde and
experimental jazz; in can also be found in everything from screamo (also known as
post-hardcore or melodic
hardcore) to melodic
death metal and symphonic
black metal. But
avant-garde jazz musicians, more than anyone, have perfected that integration of the sane and the insane -- that ability to combine the extreme with the not-so-extreme and make it all come together in a logical, coherent fashion. Recorded in December 2002,
Waltz Again is a rewarding example of
David Murray's ability to skillfully pull together the inside and the outside. This
post-bop/
avant-garde date (which finds the veteran tenor man joined by a rhythm section as well as ten string players) is many different things. There are moments of abstraction -- moments when
Murray's playing is dissonant, cerebral, difficult, and angular. But there are other times when
Murray (who was 47 when
Waltz Again was recorded) is relatively accessible and quite melodic;
Waltz Again sometimes recalls the lyrical side of
John Coltrane and
Pharoah Sanders, and there are hints of
Duke Ellington and
Billy Strayhorn at times.
Waltz Again has its share of
avant-garde appeal, but some parts of this 63-minute CD are peaceful, tranquil, and downright comforting -- even lush on occasion. And lush is certainly doable when you have ten string players on hand. There are many worthwhile albums in
Murray's sizable catalog, and
Waltz Again is likely to go down in history as one of his strongest recordings of the 2000s. ~ Alex Henderson
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