For a band that once wrote a song called
"Simon (The Bird With the Candy Bar Head)," the decidedly un-
psychedelic sound emanating from
Elf Power's sixth full-length recording,
Walking With the Beggar Boys, is more than a deviation -- it's a complete departure. Joining frontman
Andy Rieger, multi-instrumentalist and ex-
Neutral Milk Hotel member
Laura Carter, and drummer
Aaron Wegelin are
Eric Harris, formerly with
Olivia Tremor Control, and
Craig McQuiston from
the Glands. What sounds like an
Elephant 6 love fest is actually an exercise in restraint, and after a few listens
Walking With the Beggar Boys reveals itself as a near perfect little
pop record. The leadoff single, the instantly gratifying
"Never Believe," sets the tone for a set that's closer to
Weezer than
Of Montreal. The title track, an odd story about hanging out with a gang of beggar children in Warsaw, is a straight-ahead
Southern rocker featuring the wonderfully warbly tenor of fellow Georgian
Vic Chesnutt.
Elf Power maintain their penchant for obscuro lyrics, but this time around the words are wrapped in a blanket of truth that may be a result of their communal record label/land conservation group called
Orange Twin -- which currently owns a 150-acre spread of land on the outskirts of Athens that the members are turning into a self-sustainable, low-impact village and nature preserve. While tracks like
"Invisible Men," which constantly threatens to turn into a
John Cougar Mellencamp song, and the tight,
Television-like
"Big Thing" lack the complexity of their earlier works,
Elf Power haven't abandoned their roots.
"Don't Let It Be" bristles with the
punk aesthetic of their debut (minus the four-track hiss), and
"The Cracks," with its treated drums and swirling synths, sounds like an evil
Flaming Lips. There are plenty of backwards cymbals and analog keyboard lines to keep devotees happy, but it's the songs themselves that reveal the band's new maturity, and nowhere is that rural contentment more evident than on the banjo-led
"Empty Pictures," a bittersweet
country hymn that deals with the very subject that these
psychedelic veterans have been avoiding for nearly a decade -- reality. ~ James Christopher Monger
